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Online Auction 16 - 25 September 2019

\n\n

The Quico Collection is our first online-only Design sale launching from New York this September, presenting a private collection of Nordic Design curated in Tokyo.
\n
\nPlease contact the New York Bids department (bidsnewyork@phillips.com) and New York Design department (designnewyork@phillips.com) for online registration and bidding inquiries. Please note that all lots in this sale are available for collection in New York.

\n","auctionDetailsSmall","Online Auction 16-25 September | New York","extraInfo","

Marcus McDonald
\nInternational Specialist
\n+44 20 7318 4095
\nMMcDonald@phillips.com

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Sculptor and jewelry designer Björn Weckström

\n\n

Sculptor and designer Björn Weckström is well-known for creating a signature style that combines a clean Nordic aesthetic with organic, asymmetrical and often otherworldly forms. Professionally active as a jewelry designer since the early 1960s, Weckström’s work has been worn by various celebrities and has been the subject of more than 60 exhibitions all over the world. For the owners of the Quico collection, acquiring Weckström’s work was an integral part of a lifelong love for Nordic design. We had the chance to speak with the iconic artist and find out more about his practice.

\n\n

\n\n

Björn Weckström "Kilimandjaro" pendant necklace, 1974

\n\n

PHILLIPS: Is there any variation in your methodology when creating jewelry or sculpture?

\n\n

BJÖRN WECKSTRÖM: For me, jewelry is sculpture.

\n\n

P: What inspires you?

\n\n

BW: Nature, snowfalls, the sea and forms of water. Also, mythologies and future visions.

\n\n

P: What is the philosophy behind your work?

\n\n

BW: It depends on the work. In terms of jewelry, I want to achieve the same forms that are used in sculpture.

\n\n

\n\n

Björn Weckström "Kivettynyt järvi" (Petrified Lake) ring, 1977

\n\n

P: Which of these selected works evoke "you" the most?

\n\n

BW: The acrylic jewelry, as it was something completely new to combine silver and acrylic. Many thought this was unacceptable, but then John Lennon bought Yoko Ono one of my acrylic rings. You can still find the old Dick Cavett Show episode on YouTube where Yoko is wearing the ring. After that, it was accepted.

\n\n

P: Please tell us about a few of your many defining moments and fondest memories?

\n\n

BW: A major moment was to see Princess Leia wear my jewelry in the final scene of the very first Star Wars film.

\n\n

\n\n

Björn Weckström Pair of "Polaris" cufflinks, 1970

\n\n

P: Who is your greatest influence and who do you most admire?

\n\n

BW: Henry Moore.

\n\n

P: How has your aesthetic evolved over the decades of working within this field?

\n\n

BW: First, my works were very minimalistic but then I started to use freer forms.

\n\n

\n\n

Björn Weckström "Corona" necklace, 1976

\n\n

P: Tell us about a few of the many wonderful things that your work brings to the world and to the people that most admire it?

\n\n

BW: I am glad if my form of language makes people happy. Often my jewelry passes to new generations - and not melted down.

\n\n

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Works from the Quico collection, all coming to auction online from 16-25 September

\n\n

This month, Phillips will host its first-ever online-only design auction: a sale dedicated to works from the Quico Collection of Harajuku, Tokyo. An affinity for the Nordic and Scandinavian aesthetic is encapsulated within this personal collection, which includes works by such greats as Alvar Aalto, Ilmari Tapiovaara, Tapio Wirkkala, Paavo Tynell, Björn Weckström, Arne Jacobsen, Finn Juhl and Hans J. Wegner. Bidding will be open from 16-25 September and the entire collection will be on view at Phillips' Park Ave galleries in New York from 16-22 September. We sat down with Quico's founders to learn more about their passion for design.

\n\n

PHILLIPS: Did you have much fun curating design into your lives?

\n\n

QUICO: We had a lot of fun collecting and curating. We enjoyed considering how we were going to display the works before sourcing and acquiring them for our collection.

\n\n

\n\n

Quico exterior, Tokyo

\n\n

P: What do you most admire about Nordic and Scandinavian design?

\n\n

Q: We adore Nordic and Scandinavian design because it has a sense of warmth and is homey, comfortable, with beautiful and organic forms.

\n\n

P: Which Nordic and Scandinavian designers do you most admire and why?

\n\n

Q: Alvar Aalto, as he was an architect that created not just amazing buildings, but also interiors and design objects too.

\n\n

\n\n

Nordic design on display at Quico in Tokyo

\n\n

P: Why do the Japanese have such respect for Nordic and Scandinavian design?

\n\n

Q: The Japanese appreciate that craftsmanship is a highly important process that is part of Nordic and Scandinavian design.

\n\n

P: When visiting Scandinavia what did you most enjoy doing?

\n\n

Q: Sourcing design from the 1930-1960s, Finnish saunas in the summer and visiting buildings by architectural greats such as Alvar Aalto.

\n\n

P: What is your favorite maxim in regards to design?

\n\n

Q: The architect Louis Sullivan: "Form follows function."

\n\n

\n\n

Nordic design on display at Quico in Tokyo

\n\n

P: Do you have a memorable story to tell regarding you acquiring any of these design pieces for your collection?

\n\n

Q: Over twenty-plus years we discovered works from the SAS Royal Hotel in Copenhagen, designed by the architect Arne Jacobsen. We then acquired original pieces of SAS Royal Hotel furniture by Arne Jacobsen from Ole Høstbo at his gallery Dansk Møbelkunst, and our only regret is that we didn't buy more…

\n\n

\n\n

Alvar Aalto Early and large "Mehiläispesä" (Beehive) ceiling light, model no. A 332, designed for the University of Jyväskylä, designed 1953

\n\n

P: Please pick three works from your collection which Phillips is offering that you will miss the most?

\n\n

Q: That's a difficult question to answer. But it would have to be Alvar Aalto's Early and large 'Mehiläispesä (Beehive)' ceiling light, model no. A332, designed for the University of JyväSkylä (1953); Arne Jacobsen's Pair of nightstands, from the SAS Royal Hotel (1958); and Björn Weckström's "Kilimandjaro" pendant necklace (1974).

\n\n

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