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  • Provenance

    Private Collection
    Kunsthaus Lempertz, Cologne, 30 May 2015, lot 711
    Acquired at the above sale by the present owner

  • Literature

    Neue Realitäten : FotoGrafik von Warhol bis Havekost, exh. cat., Kupferstichkabinett, Berlin, 2011, p. 58 (another example illustrated)
    Hubertus Butin, Stefan Gronert, Thomas Olbricht, Gerhard Richter Editions 1965-2013, Ostfildern, 2014, no. 48, pp. 52, 212 (another example illustrated, p.52)

  • Artist Biography

    Gerhard Richter

    German • 1932

    Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. 

    Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016. 

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Property from an Important Northern European Collection

155

Meer

numbered '181/250' lower left; further signed and dated 'Richter, 1973' lower right
photograph on lightweight card
67 x 65 cm (26 3/8 x 25 5/8 in.)
Executed in 1973, this work is number 181 from an edition of 250.

Estimate
£3,000 - 5,000 

Sold for £6,930

Contact Specialist

Simon Tovey
Specialist, Head of New Now Sale
London
+44 20 7318 4084

New Now

London Auction 15 December 2020