428
Gerhard Richter
Domecke II (Cathedral Corner II) (see B. 98)
- Estimate
- £3,000 - 5,000‡♠
£3,096
Lot Details
Offset lithograph in colours, on smooth lightweight card, with full margins.
1998
I. 78 x 55 cm (30 3/4 x 21 5/8 in.)
S. 99.8 x 69.8 cm (39 1/4 x 27 1/2 in.)
S. 99.8 x 69.8 cm (39 1/4 x 27 1/2 in.)
Signed in pencil (a signed impression from the unnumbered edition of 1000, there was also a signed, dated and numbered edition of 100), published by Kölner Domverlag, Cologne, printed in Germany, unframed.
Specialist
Full-Cataloguing
Literature
Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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