149
Gerhard Richter
Loo Paper (B. 83)
- Estimate
- £35,000 - 45,000♠†
£40,640
Lot Details
Cibachrome print, mounted to white cardboard (as issued), the full sheet.
1994
framed 98 x 91 cm (38 5/8 x 35 7/8 in.)
Signed and numbered 2/24 in black felt-tip pen on the label affixed to the reverse of the frame (there was also 1 artist's proof in Roman numerals), published by Anthony d'Offay Gallery, London, contained in the original artist's specified white-washed wooden frame.
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Gerhard Richter
German | 1932Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike. Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
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