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  • Defining his own portraits as composites of various psychological states that are a ‘realistic representation of that which is artificial’, the enchantment of George Condo’s practice derives from the artist’s unique ability to riff on the painters he loves – David, Picasso, De Kooning, Rothko, Guston, Degas – in order to establish his own identity as an artist.i Embodying these concepts of ‘artificial realism’ and ‘psychological cubism’, Condo’s aim is never to only copy or transcribe, but rather to ‘reassemble’ the diverse emotional elements in his work.