An Italian artist based in Bali and Florence, Filippo Sciascia’s LUX LUMINA series has unilaterally dealt with the concept of light in relation to the human condition, by examining its role and existence in art, science, archeology and evolution of society. Images in his works are drawn from digital photographic sources, then completed with the desire to stretch the limits of the paint medium to form surfaces that are part-sculpture, part-relief, allowing tactile cracks to evolve and take a record of time ephemeral.