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  • Provenance

    Wallspace, New York
    Acquired from the above by the present owner

  • Exhibited

    New York, Wallspace, Back to Still Lifes, Portraits and Parts, 2010 - 2011 (another example exhibited)
    Los Angeles, The Getty Center, Cut! Paper Play in Contemporary Photography, February 27 - May 27, 2018 (another example exhibited)
    Baton Rouge, Louisiana Museum of Art and Science; Amsterdam, FOAM; C/O Berlin; London, The Photographers’ Gallery; Göteborg, Hasselblad Foundation, Feast for the Eyes: The Story of Food in Photography, June 13, 2018 - May 3, 2020, n.p. (another example exhibited and illustrated)

  • Literature

    Bryony Quinn, "Daniel Gordon’s vibrant assemblages push the still-life genre and photography as we know it", It's Nice That, June 12, 2012, online (another example illustrated)
    Daniel Gordon, Still Lifes, Portraits, Parts, London, 2013, n.p. (another example illustrated)
    Jody Zellen, "Demand, Feser, Gordon, Kim, Lipps & Russell: Expanding the Role of Paper in Photography", Art Now LA, March 30, 2018, online (another example illustrated)
    Leah Ollman, "Cut, folded, pasted: Photography takes a twist and turn in the Getty's 'Paper Play'", Los Angeles Times, April 24, 2018, online (another example illustrated)
    Stephanie Eckardt, "Feast Your Eyes Upon This High-Art Food Photography", W Magazine, November 22, 2018, online (another example illustrated)

54

Clementines

signed "Daniel Gordon" on a label affixed to the backing board
chromogenic print
29 3/4 x 37 1/2 in. (75.6 x 95.3 cm.)
Executed in 2011, this work is number 1 from an edition of 3 plus 1 artist's proof.

Estimate
$2,500 - 3,500 

Sold for $2,500

Contact Specialist

Katherine Lukacher
Head of Online Sales, 20th Century & Contemporary Art
+1 212 940 1215
[email protected]

Unbound: Online Auction

Online 21 - 30 October 2019 | Bidding closes October 30th, 2pm EDT