Untitled (Lucille Ball)

Create your first list.

A way to share and manage lots.

  • Provenance

    Private Collection, Europe

  • Literature

    Cindy Sherman: The Complete Untitled Film Stills, New York: The Museum of Modern Art, 2003, p. 5, pl. 1 there titled The Lucy Photo-Booth Shoot
    Cindy Sherman, New York: Museum of Modern Art, 2012, p. 68, fig. 1
    G. Schor, Cindy Sherman: The Early Works 1975-1977, Catalogue Raisonné, Ostfildern: Hatje Cantz, 2012, p. 123, pl. 16

  • Artist Bio

    Cindy Sherman

    American • 1954

    Seminal to the Pictures Generation as well as contemporary photography and performance art, Cindy Sherman is a powerhouse art practitioner.  Wily and beguiling, Sherman's signature mode of art making involves transforming herself into a litany of characters, historical and fictional, that cross the lines of gender and culture. She startled contemporary art when, in 1977, she published a series of untitled film stills.

    Through mise-en-scène​ and movie-like make-up and costume, Sherman treats each photograph as a portrait, though never one of herself. She embodies her characters even if only for the image itself. Presenting subversion through mimicry, against tableaus of mass media and image-based messages of pop culture, Sherman takes on both art history and the art world.

    Though a shape-shifter, Sherman has become an art world celebrity in her own right. The subject of solo retrospectives across the world, including a blockbuster showing at the Museum of Modern Art, New York, and a frequent exhibitor at the Venice Biennale among other biennials, Sherman holds an inextricable place in contemporary art history.

    View More Works

92

Untitled (Lucille Ball)

1975
Chromogenic print, printed 2001.
26.2 x 20.7 cm (10 3/8 x 8 1/8 in.)
Signed and dated in ink on the verso.

Estimate
£5,000 - 7,000 

sold for £6,250

Contact Specialist
Lou Proud
Head of Photographs
London
+ 44 207 318 4018

Photographs

London 21 May 2015 4pm