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Property from the Collection of KIDO Press, Tokyo
No Reserve

152

Carroll Dunham

Point of Origin (K. A14)

Estimate
$1,000 - 2,000
$1,397
Lot Details
Monumental etching and aquatint in colors, on handmade Echizen Shiro-Torinoko paper, with full margins.
1988-92
I. 40 1/2 x 60 1/2 in. (102.9 x 153.7 cm)
S. 49 1/4 x 68 1/2 in. (125.1 x 174 cm)
Signed, dated and numbered 'Printer's Proof 2/3' in pencil (the edition was 30 and 11 artist's proofs), published by Universal Limited Art Editions, West Islip, New York (with their blindstamp), unframed.

Further Details

Carroll Dunham

American | 1949
Satire and sexuality meet Carroll Dunham's vivid brush in the artist's often large-scale fantasy worlds. His eye-popping cartoonish veneer takes a cue from Philip Guston while his primitive "visual language" of faceless figures continues a long line of tradition—think back to Paul Cézanne and Pierre-Auguste Renoir.Though Dunham jumps between abstraction, figuration, pop, surrealism and cartoon, his works almost exclusively center on the subject of women's sexuality. He also favors painting, though he has delved into prints, works-on-paper and sculpture. His paintings can be seen as contemporary variations on nineteenth-century portraiture of women bathing, injected with similar concerns of those classical and early modernist artists.
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