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  • Exhibited

    Houston, Contemporary Art Museum, All the News That's fit for Prints, June 25-August 28, 1988

  • Artist Biography

    Barbara Kruger

    Cool yet critical, Barbara Kruger’s advertising-influenced conceptual works address and challenge cultural constructions of power, identity, consumerism, and sexuality through their aggressively direct interrogations of the iniquities of modern life. Often employing the use of direct address and inclusive personal pronouns such as “I,” “you,” and “they,” Kruger’s aphorisms are unspecific and all-encompassing; the accusatory ambiguity of Kruger’s artworks unflinchingly implicates the viewer, society, and the artist herself for the omnipresent societal sins of our time.

    Kruger’s work is deeply ironic and thoroughly anti-hierarchical, criticisms delivered through a panoply of media for indiscriminate and immediate reception. Her moralizing messages, memento mori for the digital age, have been featured on museum walls as well as on t-shirts, billboards, and the façade of an infamous Frankfurt department store; they have become so ubiquitous that they seem to emanate from inside of our own consciences. Kruger has been the subject of solo exhibitions at the Serpentine Gallery, London; the Moderna Museet, Stockholm; and the Los Angeles County Museum of Art.

     
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53

Untitled (We Will No Longer Be Seen and Not Heard)

1985
The complete set of nine photo-lithograph and screenprints in colors, on Arches 88 paper, the full sheets,
all S. 20 x 20 in. (50.8 x 50.8 cm)
all signed, dated `1985' and numbered 30/50 in pencil (there were also 10 artist's proofs), published by Peter Blum Edition, New York, all contained in original artist's frames.

Estimate
$18,000 - 25,000 

Sold for $56,250

Contact Specialist
Kelly Troester
Director Modern Editions

Cary Leibowitz
Director Contemporary Editions

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Evening & Day Editions

New York Auction 28 October 2014 11am & 5:30pm