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  • Provenance

    Yvon Lambert Gallery, Paris
    Private Collection
    Phillips, New York, November 14, 2014, lot 226
    Acquired at the above sale by the present owner

  • Artist Biography

    Barbara Kruger

    Cool yet critical, Barbara Kruger’s advertising-influenced conceptual works address and challenge cultural constructions of power, identity, consumerism, and sexuality through their aggressively direct interrogations of the iniquities of modern life. Often employing the use of direct address and inclusive personal pronouns such as “I,” “you,” and “they,” Kruger’s aphorisms are unspecific and all-encompassing; the accusatory ambiguity of Kruger’s artworks unflinchingly implicates the viewer, society, and the artist herself for the omnipresent societal sins of our time.

    Kruger’s work is deeply ironic and thoroughly anti-hierarchical, criticisms delivered through a panoply of media for indiscriminate and immediate reception. Her moralizing messages, memento mori for the digital age, have been featured on museum walls as well as on t-shirts, billboards, and the façade of an infamous Frankfurt department store; they have become so ubiquitous that they seem to emanate from inside of our own consciences. Kruger has been the subject of solo exhibitions at the Serpentine Gallery, London; the Moderna Museet, Stockholm; and the Los Angeles County Museum of Art.

     
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Δ224

FACE IT (Yellow)

pigment print on Hahnemühle photo rag, in artist's frame
43 x 33 in. (109.2 x 83.8 cm.)
Executed in 2007, this work is number 10 from an edition of 10.

Estimate
$40,000 - 60,000 

Contact Specialist
John McCord
Head of Day Sale
New York
+1 212 940 1261

20th Century & Contemporary Art Day Sale

New York Auction 17 November 2016