Arturo Herrera - Works from the Lower East Side Printshop Archives New York Tuesday, April 16, 2024 | Phillips

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  • “I’d like the visual images that I’m trying to do to be nonobjective, just like music.” 
    —Arturo Herrera
    In Las Bodas, Herrera draws inspiration from one of his favorite ballets, Igor Stravinsky’s 1917 masterpiece Les Noces (The Wedding). In employing selected score pages and a documentation photograph of an outdoor rehearsal as the base for his drawings, the use of historical material evokes memory and the vitality and performative power of dance. By fragmenting and partially obscuring the background, Herrera creates abstract fields which suggest bodies and lines of dance in motion. By limiting himself to only two colors for each print and the boundaries of the score’s pages, Herrera contrasts the found material with his own drawing while respecting the notations – each screenprint is transparent enough to read through them. While this process may seem disciplined, the drawings beam with unbound freedom, spontaneity and excitement which recall Stravinsky’s powerful and relentless music score. 

     

     

    “People brought linoleum from abandoned rolls or loosened bits from kitchen floors. We found rolls of paper here and there. A local ink company gave us cans of drying ink. We had a few old rollers. We learned to use sharp knives pointed away from our own hands and fingers and away from other people. We ranged in age from 5 to maybe 70 or more. We worked together and taught one another. Oh we were dangerous! We were PRESS!”
    —Eleanor Magid, Lower East Side Printshop Founder

    Founded in 1968, the Lower East Side Printshop began as an open access art and community center led by Eleanor Magid in the wake of New York City’s two month-long teachers’ strike. Magid, a local parent and printmaker who had studied under Universal Limited Art Editions master printer Robert Blackburn, transcended the typical art education curriculum by showing her daughter’s classmates and neighbors the ropes of printmaking through the creation of books, stories, and illustrations on a press in her home. Once teachers reached a resolution and schools restarted, Magid kept her studio open for collaborative printmaking. The homegrown operation quickly expanded beyond Magid’s space, moving to the East Village, where the operation soon became part of the alternative spaces movement of the 1970s, offering groundbreaking 24-hour studio use nestled in the buzzing artistic and cultural hub of East 4th Street.

     

    Lower East Side Printshop at its old location on East 4th Street, 1980s. Courtesy of Lower East Side Printshop.

    Expanding their space yet again, in 2005 the organization relocated from the East Village to a facility five times larger in Midtown Manhattan, and the DIY spirit that inspired the start of the Printshop continued to prosper. Over its nearly 70-year history, the Printshop has become a premier non-profit New York City printmaking studio and resource that supports contemporary artists of all career stages and artistic backgrounds. Through the Printshop’s residency programs – which have hosted the likes of Derrick Adams, Jeffrey Gibson, LaToya Ruby Frazier, Dread Scott, Kara Walker, James Siena, and Hank Willis Thomas, among others – artist’s receive support through access to facilities, time, stipends, and technical assistance.

     

     

    In 2006, the Printshop was awarded Primary Organization status by the New York State Council on the Arts. This status is reserved for organizations that are, by the quality of their services and their stature, particularly vital to the cultural life of the state. Such designation is a testament to the important work of the Lower East Side Printshop, providing valuable resources that strengthen the artistic community of New York and promote the growth of the printmaking discipline.

     

    Lower East Side Printshop logo, with their ink roller chopmark.

     

Property from the Lower East Side Printshop Archives

29

Las Bodas (The Weddings)

2019
The complete set of eight screenprints in colors with collage, on Coventry Rag and Rives Lightweight papers, the full sheets.
all S. 15 1/2 x 22 in. (39.4 x 55.9 cm)
All signed with initials, dated and numbered 'PP 2/2' in pencil (a printer's proof set, the edition was 26 and 5 artist's proofs), published by the Lower East Side Printshop, Inc., New York (with their blindstamp), all framed.

Full Cataloguing

Estimate
$5,000 - 7,000 

Sold for $6,096

Contact Specialist

editions@phillips.com
212-940-1220

Works from the Lower East Side Printshop Archives

New York Auction 16 April 2024