“I always think about what’s going to be the brightest or what’s going to reflect the most in a painting, and how that is going to make a viewer move around,” he explains. “I’m most interested in how to organize the light in a work. People say Delacroix was a colorist and Caravaggio’s work was more tonal, but I don’t want to compromise either of those in my work.” - Arcmanoro Niles