Provenance
Acquired directly from the artist
Literature
Andrew Lord and Adriaan van Ravesteijn, Nieuwe Sculptuur, exh. cat., Rijksmuseum Twenthe, Enschede, 2003, p. 54 (a similar example illustrated)
Catalogue Essay
The present work is an example from Andrew Lord’s most important and innovative bodies of work, marking a significant transition in his artistic production. Lord had studied art and trained in ceramics in London in the 1960s, and moved to Rotterdam in the early 1970s, where he worked for a year at a porcelain factory in Delft. Whilst living in The Netherlands, Lord travelled through Europe, visiting museums and studying collections of modern painting and sculpture, which formed the basis of inspiration for the next two decades of his work. Lord’s study of the Impressionist or Cubist treatment of form and light were directly executed in object form, in a sort of reverse still life, as in the present lot. Whilst the forms remained recognisably traditional in nature – vases, dishes, tea sets – they were ‘disrupted forms.’ Using a slab of clay, Lord sketched a two-dimensional representation of light and shadow, and then deconstructed and reconstructed the objects using this new, inventive geometry, synthesising the whole composition, brush strokes and all, into three dimensions.

Lord worked in series, sketching sets that would continue to explore these expressive translations, and named them quite literally based on his inspiration – Cubist Set, Cézanne Set, and, as in the present work, Italian Set. The Italian Set was created in 1981, the same year as his debut exhibition in the United States at the Blum Helman Gallery in New York, and is an extraordinary example of this radical, iconic period of early work, preceding his experimental treatments of glazing and surfaces and expansive installations, the budding notions of which are all visible here.

Andrew Lord presently lives and works in New York and his sculptures are held in the permanent collections of several institutions globally, including the Victoria and Albert Museum, London; the Los Angeles County Museum of Art, Los Angeles; The Stedelijk Museum, Amsterdam; and the Museum Boijimans van Beuningen, Rotterdam.

68

Andrew Lord

The Italian set in intense light. Angled. Black.

incised with the artist's name and date 'Andrew/ Lord/ 1981' on the underside of four pieces; further incised with the artist's initials and date 'AL/ 81' on the interior of one piece
earthenware
tallest 25.4 cm (10 in.) high
Executed in 1981.

Estimate
£15,000 - 20,000 ‡♠

Contact Specialist
Meaghan Roddy
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+1 267 221 9152 mroddy@phillips.com

Henry Highley
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+ 44 20 7318 4061 hhighley@phillips.com

Shape & Space: A New Ceramic Presence

London Auction 5 October 2018

51
Kathy Butterly
Overgrown
Estimate £12,000 - 16,000 ‡
Sold for £16,250
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52
This lot is no longer available.
53
George Ohr
Tall two-handled vase
Estimate £80,000 - 120,000 ‡
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54
George Ohr
Mottled two-sided, two-handled vase
Estimate £80,000 - 120,000 ‡
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55
Ken Price
Edo
Estimate £150,000 - 200,000 ‡
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56
Yoshitomo Nara
Untitled
Estimate £60,000 - 80,000 ‡
Sold for £125,000
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57
This lot is no longer available.
58
Claudi Casanovas
Lluna Nova (Juno, La Daurada, Mercè, Nigra sum, Nuria), from the 'Lunar Cycle' series
Estimate £40,000 - 60,000 ♠†
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59
Lucio Fontana
Testa di Medusa
Estimate £15,000 - 20,000 ♠
Sold for £37,500
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60
Ai Weiwei
He Xie
Estimate £400,000 - 600,000 ‡
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61
Lucie Rie
Footed bowl
Estimate £40,000 - 60,000 ♠
Sold for £50,000
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62
Lucio Fontana
Cavallo
Estimate £400,000 - 600,000 ‡♠
Sold for £549,000
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63
Fausto Melotti
Female figure
Estimate £40,000 - 60,000 ♠
Sold for £56,250
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64
Simone Leigh
Untitled
Estimate £10,000 - 15,000 ‡
Sold for £27,500
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65
Sarah Lucas
Toilet Elevation
Estimate £70,000 - 90,000 ♠†
Sold for £87,500
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66
Roy Lichtenstein
Ceramic Sculpture #10
Estimate £250,000 - 350,000 ‡
Sold for £309,000
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67
Peter Voulkos
Untitled vase
Estimate £40,000 - 60,000 ‡
Sold for £40,000
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68
Andrew Lord
The Italian set in intense light. Angled. Black.
Estimate £15,000 - 20,000 ‡♠
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69
Betty Woodman
Balustrade Relief Vase 07-4
Estimate £15,000 - 20,000
Sold for £47,500
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70
Hans Coper
Spade form
Estimate £50,000 - 70,000 ♠
Sold for £62,500
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71
Hans Coper
Cycladic arrow form
Estimate £80,000 - 120,000 ♠
Sold for £102,500
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72
Hans Coper
Cycladic arrow form
Estimate £80,000 - 120,000 ♠
Sold for £156,250
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73
Roberto Lugo
Obama and Me
Estimate £15,000 - 20,000 ‡
Sold for £35,000
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74
Pablo Picasso
Hibou
Estimate £50,000 - 70,000 ♠
Sold for £93,750
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75
Ron Nagle
Tail Dragger
Estimate £12,000 - 16,000 ‡
Sold for £12,500
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76
Ron Nagle
Schtub
Estimate £12,000 - 16,000 ‡
Sold for £13,750
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77
Ken Price
Flat Back
Estimate £150,000 - 250,000 †
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78
Ewen Henderson
Form from the ‘Complex Series’
Estimate £10,000 - 15,000 ♠
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79
This lot is no longer available.
80
Sterling Ruby
The Fed Mortar (Rainbow)
Estimate £20,000 - 30,000
Sold for £50,000
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81
Otani Workshop
Netherworld Resident
Estimate £7,000 - 9,000 ‡
Sold for £6,250
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82
Otani Workshop
Lion Head
Estimate £7,000 - 9,000 ‡
Sold for £6,250
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Shape & Space: A New Ceramic Presence

London Auction 5 October 2018

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Provenance

Literature

Catalogue Essay

68

Andrew Lord

The Italian set in intense light. Angled. Black.

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