Ad Reinhardt - Editions & Works on Paper New York Tuesday, April 18, 2023 | Phillips
  •  “I think a good dealer is also a collector.”
    —Rosa Esman

    Rosa and Aaron Esman assembled an outstanding collection of Modern, Post-War, and Contemporary art over the course of their seventy-year marriage. The collection’s highlights mirror that of Rosa’s career as a gallerist and print publisher (which Aaron, a psychoanalyst, strongly supported), with interests in Modernism, Dada, Russian Constructivism, and American Pop Art taking center stage. Rosa got her start publishing artists’ print portfolios in the 1960s, including the New York Ten Portfolio, 1965, and Ten for Leo Castelli, 1967, which featured works by rising contemporary artists such as Andy Warhol, Roy Lichtenstein, and Robert Rauschenberg, and helped pioneer the field of artist’s editions and multiples. Her eponymous gallery exhibited in Manhattan for over twenty years, and she was a founding partner of Ubu Gallery, which is still in operation today.


    When asked about her wide artistic tastes in 2009, Rosa emphasized her love of drawing, “the quintessential bit of the art,” which can be seen across the collection, regardless of genre.


    The pair bonded over gallery visits when dating in the early 1950s. While Aaron already had begun collecting by then, the first work they purchased together was a drawing by Miró, early in their marriage. Rosa recalled: ‘sometimes we look at something, and I say, “Oh, isn’t that marvelous?”’ and Aaron would respond, ‘It’s for us.’


    Founded on lifelong love, the Collection of Rosa and Aaron Esman gives a unique vision of the art movements of the 20th century that shaped New York’s art scene.


    Rosa and Aaron Esman, Madrid, 1963
    • Literature

      Ars Publicata, Ad Reinhardt, 1966.01 [1-10]

Property from the Collection of Rosa and Aaron Esman


Ten Screenprints

The complete set of 10 screenprints in colors, on heavy wove paper, with full margins, contained in the original paper folder, with title and justification pages and each in their corresponding numbered folio, accompanied by four postcard size screenprints, all contained in a repurposed New York International portfolio.
all I. various sizes
all S. 22 x 17 in. (55.9 x 43.2 cm)
portfolio 23 1/8 x 18 1/8 x 2 in. (58.7 x 46 x 5.1 cm)

From the unsigned edition of 250, numbered '56' in pencil on the justification (the first 20 were signed and numbered), each stamp numbered with the plate number on the reverse, co-published by the Wadsworth Atheneum, Hartford and Ives-Sillman, Inc., New Haven (with their blindstamp).

Full Cataloguing

$8,000 - 12,000 

Sold for $6,985

Contact Specialist
212 940 1220


Editions & Works on Paper

New York Auction 18 - 20 April 2023