Purple Air D1

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  • Provenance

    Minsheng Bank (acquired directly from the artist)
    Arnaude Sarrade, Geneva
    Acquired from the above by the present owner

  • Catalogue Essay

    Captivating in its scale and dynamism, the present lot is a classic early example from Liu Wei’s most iconic painting series Purple Air D1, meticulously regenerating various segments of Beijing into digitalised geometrical structures of bright progressive hues of pinks, yellows, blues and greens. Painting a myriad of densely-packed vertical and horizontal lines all over the canvas with colours indicative of his personal sentiments to the city, Liu Wei conjures up a fantastical metropolis packed with high-rise buildings, ruled by the pixels of the globally digitalised world. Partially obscured yet peeping through the foreground, the looming moon behind the protruding branch of a pine tree breaks up the composition, creating a sharp contrast to the linear structure.

    Seeking to transform and re-explore traditional Chinese landscape painting, the added elements of the moon and the pine tree imbues the work with an Eastern spirituality. Like other works from the same series, Purple Air D1 is in fact not made with a brush but digitally rendered on a computer which is then painted onto a larger canvas. This series emerged at a time of recognition and acclaim for the artist, where Liu exhibited at the Shanghai Biennale in 2004 and the Venice Biennale in 2005. 2008 also marks the year in which Liu won a Contemporary Chinese Art Award (CCAA), and the beginning of the Purple Air series for which he became renowned. The present work is thus one of the few early examples that represents a milestone and crucial turning point for the artist, where he not only underwent a change in artistic direction, but also in concept.

    As one of China’s leading contemporary artists and deeply involved in the Post-Sense Sensibility group, Liu has worked in an array of styles and media ranging from sculpture, painting, installation and photography. Sharing a distaste for the political idealism and rationality of his predecessors, Liu embraced irrationality, improvisation and intuition as part of a generation in China that grew up during a period of rapid change and urbanisation. Frequently looking to his surroundings for inspiration in found objects and architectural constructions, Liu breaks away from subversively referencing politics to expressing his views of a changing material landscape.

    Purple Air D1 is an enthralling work that condenses the ethos of Beijing and contemporary China, as well as that of the digitalized world where Liu finds a personal sense of order within the turbulent disorder of contemporary landscape.

  • Catalogue Essay



    作品充盈著東方精神,額外添加的月亮與松枝旨在改變、重新探索傳統中國山水畫。正如此系列的其他作品一樣,《紫氣 D1》並非由畫筆繪製,而是由電腦數位渲染隨後繪製在大幅畫布上。藝術家創作這一系列作品時期,其藝術表現廣受讚譽。2004年劉韡參展上海雙年展,2005年參展威尼斯雙年展。2008年劉韡榮獲中國當代藝術獎,並開始創作馳名的「紫氣」系列。本件作品《紫氣 D1》是標誌藝術家里程碑和關鍵轉折的早期作品之一,象徵他在藝術創作方向及觀念上的重大轉變。


    作品《紫氣 D1》引人入勝,既體現了當代中國與北京風潮,又營造出一個數字化世界,於當代世界的一片騷亂中為劉韡提供一絲秩序慰藉。

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Property of an Important European Collector

Liu Wei

Purple Air D1

signed, titled and dated 'Liu Wei [in Chinese and Pinyin] "Purple Air D1" 2008' on the reverse
oil on canvas
180.3 x 220.1 cm. (70 7/8 x 86 5/8 in.)
Painted in 2008.

HK$1,500,000 - 2,000,000 

sold for HK$2,500,000

Contact Specialist
Jonathan Crockett
Deputy Chairman, Asia and Head of 20th Century & Contemporary Art, Asia
+852 2318 2023

Isaure de Viel Castel
Head of Department
+852 2318 2011

Sandy Ma
Head of Sale
+852 2318 2025

20th Century & Contemporary Art & Design Evening Sale

Hong Kong Auction 27 May 2018