Kimberley Wong
\nAssociate Specialist, Head of Sale
\nModern & Contemporary Art, Hong Kong
\n+852 2318 2095
\nkimberleywong@phillips.com
\n

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\"\" — Katsushika Hokusai, *Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)*, circa 1830–32, Collection of The Metropolitan Museum of Art, New York

\n\n

In his 2021 exhibition ‘Indoor Travelling with Objects,’ Stephen Wong responded to strict travel restrictions by pairing objects and trinkets with imaginary landscapes to create whimsical and surreal expeditions, such as the comical voyage rendered in The Road Trip of Mr. Bean. The present lot, The Star Ferry In The Wave, exemplifies this creative escapism, featuring the artist’s own miniscule Star Ferry model navigating Hokusai’s iconic waves as they surge and swell from the pages of an open book. This junction between memory and imagination sought to serve as the temporary answer to a distinct lack of travel at the time. Fittingly, the piece eventually ‘travelled’ from the domestic to the public; from the stationary to mobile, in 2022 when the artwork was enlarged and superimposed onto a Hong Kong tram, allowing the piece to come full circle as a literal vessel for travel.
\n

\n\n

\"\" — *The Star Ferry In The Wave* by Stephen Wong Chun-hei on a tram. (Photo © JCDecaux Cityscape Ltd, online)

\n\n

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View Conditions of Sale >
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\nPriority Bidding is here! Secure a lower Buyer’s Premium. Learn more >

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MATTHEW WONG The Recluse, HKD 5,500,000–8,500,000

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LEE UFAN With Winds, HKD 800,000–1,200,000

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ATSUKO TANAKA Untitled, HKD 260,000–350,000

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CHEN YIFEI Bridge Reflection (Suzhou), HKD 800,000–1,200,000

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MEHDI GHADYANLOO The Dance Floor, HKD 200,000–400,000

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CLAIRE TABOURET Self-Portrait with George, HKD 240,000–350,000

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SHARA HUGHES Many Layers, HKD 100,000–200,000

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Matthew Wong, The Recluse, 2017. Modern & Contemporary Art Hong Kong.

\n\n

As Phillips presents its Modern & Contemporary Art Sale in Hong Kong on 2 June 2026, The Recluse (2017) stands as one of the most quietly arresting works in the sale. At 61 by 50.8 centimetres, it is small in scale, but immense in presence, holding its ground through precise calibration that came to define Matthew Wong’s brief but extraordinary practice.

\n\n

\n
I would say my work is a dialogue with myself... a way to find a place in a world where I often felt like an outsider.
\n—Matthew Wong
\n

\n\n

A solitary figure rests beneath a lush emerald tree, dwarfed by towering mountains rendered in dense layers of pointillist brushstrokes. On the left-hand peak, white and pink highlights are applied with vigour, catching the light in a way that suggests sunlight filtering through a mountain pass. Elsewhere, violet sits beside ochre, producing an optical vibration that flat colour mixing could never achieve. Against the warm glow of an orange sky, the foreground tree presses its vibrant greens cool and alive, its foliage bleeding into itself, evoking humidity, growth, and breath. The scene feels quiet and still. And yet the surface is entirely alive with movement and tension.

\n\n

That lone figure is a recurring motif in Wong's work, and it feels like a stand-in for the artist himself: someone quietly making his way through a landscape that is at once serene and overwhelming. The contrast between the small human presence and the vast mountains recalls Song Dynasty landscape painting and Daoist thought, where the human being is only one small part of a much larger cosmos. Yet Wong departs from those traditions by saturating the scene with vivid colours and rich textures, drawing the distance inward, bringing the landscape so close that it almost engulfs the viewer.

\n\n

\n\n

Matthew Wong, The Recluse (detail), 2017. Modern & Contemporary Art Hong Kong.

\n\n

In the Chinese literati tradition, the recluse — the yǐnshì — is not a figure of failure but of deliberate inwardness: a scholar who withdraws from public life in fidelity to contemplation, to nature, to the self. The figure in this painting is not presented as defeated but as self-possessed, sitting securely within the curve of the mountain, sheltered by the tree's canopy. The scene is calm but not empty. It feels full of hidden life, and the viewer is not asked to observe it from outside but to enter it, to inhabit that state of stillness and quiet attention.

\n\n

\n
I do believe that there is an inherent loneliness or melancholy to much of contemporary life, and on a broader level I feel my work speaks to this quality in addition to being a reflection of my thoughts, fascinations and impulses.
\n— Matthew Wong
\n

\n\n

Born in Toronto in 1984, he moved with his family to Hong Kong at age seven and lived there until fifteen, when the family returned to Canada. He was never fully of one place or the other. That sense of apartness runs through everything Wong made.

\n\n

His influences were as hybrid as his upbringing: the expressive surfaces of Van Gogh, of whom Wong said, “I see myself in him — the impossibility of belonging in this world”; the radiant intensity of Gauguin’s Tahitian landscapes; and the atmospheric stillness of classical Chinese painting.

\n\n

The title The Recluse suggests retreat, but not necessarily loneliness; it also implies reflection, shelter, or inwardness. Wong spoke openly about mental health and isolation, and painting often appears to have functioned for him as a form of meditation. That quality is present in The Recluse itself, in the repetitive labour of countless pointillist brushstrokes.

\n\n

Wong died in October 2019 at thirty-five, just as critical recognition was beginning to consolidate. Late start, rapid ascent, sudden end: his arc has inevitably shaped how his work is received.

\n\n

Wong is widely acclaimed in the global contemporary art scene, with widespread influence in both Western and Asian markets. His paintings are held in the permanent collections of prestigious global institutions, including The Metropolitan Museum of Art in New York, the Museum of Modern Art (MoMA), the Solomon R. Guggenheim Museum, and the Art Gallery of Ontario.

\n\n

Discover more from Modern & Contemporary Art Hong Kong >

\n\n

\n","publishDate","2026-05-21T15:10:32.000000Z","authorCredit","Jesse Limbacher","coverPosX",50,"coverPosY",0,"articleUrl","https://www.phillips.com/article/168642854/matthew-wong-painting-the-world-he-couldnt-find","auctionEditorialID",9553,"editorialID",5302,"flocklerID",168642854,{"_1605":1630,"_1607":112,"_1608":1631,"_492":1632,"_1611":1633,"_1613":1634,"_1617":1618,"_1619":1620,"_1621":1635,"_431":110,"_1623":1636,"_1625":1637,"_1627":1638},"https://flockler.com/thumbs/sites/889/recluse-lead-image-95ee3c1f-35df-4acc-ba1e-d4635e0934ac_s600x0.jpg","《隱居者》讓我們看到藝術家如何透過繪畫在疏離世界尋找歸屬之地。","王俊傑從創作中找自我歸處","

王俊傑《隱居者》 2017年作。現代及當代藝術精選拍賣

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富藝斯將於2026年6月2日在香港舉行「現代及當代藝術精選拍賣」，王俊傑的2017年作品《隱居者》成為本次拍賣亮點之一。此作尺寸為61 x 50.8公分，雖然尺幅不大，卻具含蓄張力，氣度非凡，構圖與控制力之精準，展現出王俊傑雖然短暫但卓越的創作生涯的核心特色。

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「我認為我的創作是一種與自我的對話……也是在一個我常感到格格不入的世界中，尋找自身位置的方式。」
\n——王俊傑
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一名孤獨的人物靜臥於蒼翠欲滴的翠綠樹下，在以密集點彩筆觸層層疊染而成的巍峨山嶽面前顯得渺小。左側山峰上，白色與粉紅色高光以有力的筆致施於其上，以捕捉陽光穿越山口時的光影效果。畫布被密集地反覆施色，色彩層層疊加以製造深度與光澤。王俊傑將意想不到的色調並置，從而產生平塗混色所無法達到的視覺振盪。至於前景的樹木，生動的綠色冷卻了橙色天空的熱度，枝葉感覺鮮活，色彩相互滲透，喚起濕潤、生長與呼吸的感官印象。這幅畫與其說是一片風景，不如說是顏料鮮活跳動的脈搏。

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這位孤獨人物是馬修．黃作品中反覆出現的主題，彷彿藝術家自身的投射，一個在寧靜與壓倒性自然之間前行的身影。渺小的人與壯闊山景之間的對比，使人聯想到宋代山水畫與道家思想，人在宇宙之中僅為微小一部分。然而黃並未止步於傳統，他以濃烈色彩與豐富肌理將景象推近觀者，使遠方壓縮成近距離的存在，幾乎將觀看者吞沒其中。

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這一孤獨的身影是王氏作品中反覆出現的母題，宛如藝術家本人的化身，一個在既安靜又令人窒息的山水之間默默前行的人。人物與巨山之間的對比亦令人聯想起宋代山水畫與道家思想，其中人的存在不過是廣袤宇宙中的渺渺一粟。然而王俊傑並不因循這一傳統，而是以濃烈的色彩與豐富的肌理灌注畫面，將遠景拉近至幾乎將觀者吞沒的距離。

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王俊傑《隱居者》 2017年作。現代及當代藝術精選拍賣

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在中國文人傳統中，「隱士」（yǐnshì）並非失敗的象徵，而是一種從容自持。人物安坐於山體的弧線之內，受樹冠的蔭庇。畫面平靜，卻並不空洞，反而充滿隱匿的生機。觀者並非僅僅在觀看一位隱者，而是受邀進入那種靜定與細膩關注的狀態。

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「我確實相信，當代生活本質上蘊含著一種孤獨或憂鬱，從更宏觀的層面而言，我認為我的作品正是與這種特質對話，同時也是我的思想、迷戀與衝動的映照。」
\n— 王俊傑
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王俊傑在1984年生於多倫多，7歲時隨家人移居香港然後15歲返回加拿大，他因此從來沒有找到自身歸屬地，令到這種游離與疏離感貫穿他的全部創作。

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王俊傑的風格常被比擬於後印象派巨匠，卻又無疑地帶有當代氣息。溫暖的橙色天空與熾烈的陽光令人聯想起保羅·高更大溪地風景的燦爛光輝，而充滿韻律感的運筆方式則呼應文森特·梵谷的表現張力。正如王俊傑曾言：「我在他身上看見自己。那種在這個世界中無所歸屬的絕望。」

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作品名稱《隱居者》喻意退隱，卻沒有孤獨的意思，反而包含了反思、庇護與內在沉潛之意。王俊傑曾公開分享他對心理健康與孤立狀態的表述，而繪畫對他而言，往往如同一種冥想實踐，這一點在作品中無數重複堆疊的點彩筆觸中可見一斑。

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王俊傑於2019年10月、35歲之年，閞始備受國際藝術圈認可之際離世。王俊傑雖然起步較晚、但崛起迅速，其經歷深深影響外界對其作品的理解與評價。王俊傑在國際當代藝術界享有廣泛讚譽，作品備受西方及亞洲市場追捧。其繪畫現藏於全球頂尖機構的永久收藏，包括紐約大都會藝術博物館、現代藝術博物館（MoMA）、所羅門·R·古根漢姆博物館，以及安大略藝術畫廊。

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拍賣詳情 > 現代及當代藝術精選拍賣，香港。

\n","2026-05-26T03:22:24.000000Z","https://www.phillips.com/article/168748357/matthew-wong-painting-the-world-he-couldnt-find-cn",9552,5305,168748357,{"_1605":1640,"_1607":112,"_1608":1641,"_492":1642,"_1611":1643,"_1613":1644,"_1615":1616,"_1617":1618,"_1619":1620,"_1621":1645,"_431":356,"_1623":1646,"_1625":1647,"_1627":1648},"https://flockler.com/thumbs/sites/889/chen-yifei-e5693534-aa29-43f0-a335-c1943964a0a1_s600x0.jpg","Remarkable landscape paintings in our upcoming Hong Kong auction and the real-life locations that mirror them.","Landscape: In Art as in Life","

Chen Yifei, Bridge Reflection (Suzhou), 1987. Modern & Contemporary Art Hong Kong.

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One of the great joys of engaging with landscape paintings is how they change the way we see the world around us. Emerging from introspective gallery visits, we see places in a new light, whether they’re scenes we know well or locations we’re visiting for the first time. It’s one of the great transcendent experiences one can have with art — we realize our sense of appreciation isn’t just about the time we spend before a work, but about how artists' different ways of seeing change how we perceive everything.

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But before going too far globe-trotting to discover new vantage points revealed by these standout works, be sure to stop by our gallery to experience them face-to-face ahead of the Hong Kong Modern & Contemporary Art auction on 2 June.

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Matthew Wong

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Matthew Wong, The Recluse, 2017. Modern & Contemporary Art Hong Kong.

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What to know:

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Painted in 2017 at the midpoint of Matthew Wong’s brief but resonant career, The Recluse activates a deeply introspective, otherworldly landscape. The composition features a lone figure, miniaturized beneath an emerald canopy, amid looming, sublime mountains composed of dense, obsessive pointillist marks. Perhaps serving as a surrogate for the artist himself, this solitary figure charts a quiet course through a vivid terrain that feels both tranquil and immersive. The painting’s remarkable interplay of color and expressive brushwork recalls the masterpieces of Post-Impressionist giants like Paul Gauguin and Vincent van Gogh.

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Sunset Peak in Hong Kong. Credit: Lyndon Giffard Images / Alamy

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Where to go:

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Take a cue from the artist — who spent hours each day on long walks, daydreaming and photographing for inspiration— to get away from your screen and step outside. Climb the dramatic trails of Sunset Peak in Hong Kong to take in the sweeping ridges and bask in an orange glow. When you return from the mountains to the gallery, you will discover that your perception of Wong's work has shifted, revealing hidden depths you didn't notice before.

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Chen Yifei

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Chen Yifei, Bridge Reflection (Suzhou), 1987. Modern & Contemporary Art Hong Kong.

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What to know:

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This piece belongs to Chen Yifei’s celebrated Water Town series, which captures a nostalgic, peaceful vision of traditional China through the ancient canal towns of Jiangnan. He masterfully applies Western oil painting techniques and dramatic chiaroscuro to create a luminous, poetic texture on the historic brick and reflecting water. As a result of this unique blend of European realism and deeply traditional Chinese themes, Yifei’s works have become highly sought after by collectors worldwide for their balance of cultural roots, national pride, and global appeal.

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Illuminated Zhouzhuang Water Town at night, Jiangsu, China. Credit: Panther Media Global / Alamy

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Where to go:

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To step directly into Yifei’s vision, visit the historic water canals of Zhouzhuang Water Town in Suzhou. While there, treat your surroundings as a study in contrast — choose a stone bridge or a brick wall and notice how the light and shadows dramatically shift between morning and evening. By observing how the midday sun gives way to twilight chiaroscuro over the water, you will begin to see everyday architecture exactly how Yifei captured it.

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Stephen Wong

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Stephen Wong, The Star Ferry In The Wave, 2021. Modern & Contemporary Art Hong Kong.

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What to know:

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Conceived during the travel restrictions of 2021, Stephen Wong’s The Star Ferry in the Wave offers a sophisticated exercise in mapping his imagination. The canvas captures a moment of grand scale-shifting — the artist’s own miniature model of Hong Kong’s iconic Star Ferry navigates the churning, Hokusai-inspired swells that surge directly from the pages of an open book. Rather than mere escapism, the work stages a tension between stationary confinement and imaginary mobility. This conceptual loop came full circle in 2022 when the image was enlarged and wrapped around a public Hong Kong tram — translating the artwork from a private, domestic fantasy into a literal, moving vessel of urban transit.

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Victoria Harbour in Hong Kong. Credit: robertharing / Alamy

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Where to go:

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Head down to the bustling waterfront of Victoria Harbour in Hong Kong to watch the iconic Star Ferry cross the water. As you stand by the harbour, focus closely on how the light flickers off the shifting currents. Notice how the power of the water, no matter how gentle, constantly moves the vessels in its wake. As your mind wanders, ask what kind of grand scenes you can visualize taking place in these waters, and how you can project your own inner world onto the urban landscape around you.

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Shara Hughes

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Shara Hughes, Many Layers, 2020. Modern & Contemporary Art Hong Kong.

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What to know:

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Also executed during the global isolation of 2020, Shara Hughes’s Many Layers exemplifies the artist’s celebrated transition from her early, domestic interiors toward liberating, invented psychological landscapes. Despite its intimate scale, this vibrant canvas radiates an explosive energy that collapses the boundary between representation and pure abstraction. The work’s inventive palette and urgent gestural markings at once call to mind Fauvist colour and Abstract Expressionist spontaneity. Created during a highly coveted, mature period of the artist’s career, following her breakout in the 2017 Whitney Biennial, this piece underscores why Hughes’ work is now securely anchored in permanent institutional collections from The Metropolitan Museum of Art in New York to the M Woods Museum in Beijing.

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Giant Sequoia Trees, Sequoia National Park, California. Credit: Hemis / Alamy

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Where to go:

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Travel to the towering, surreal forests of Sequoia National Park, where nature feels larger than life. Once surrounded by the massive trees, look at the landscape with your eyes half-opened. Do new textures and raw shapes emerge that you hadn’t seen when looking at them fully? Try drawing the forest from memory later with your eyes closed, letting your sensibilities dictate the lines rather than strict reality — a practice that mirrors how Hughes constructs her vibrant, psychological worlds.

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André Brasilier

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André Brasilier, Le Grand Ciel Rose, 1988. Modern & Contemporary Art Hong Kong.

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What to know:

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Painted during a watershed year of institutional retrospectives for the artist — including his seminal 1988 exhibition at the Musée Picasso in Antibes — André Brasilier’s Le Grand Ciel Rose exemplifies his celebrated status as a painter. In this work, his signature equestrian subjects are stripped of realist detail, serving instead as lyrical surrogates for vitality and an intimate communion with the atmosphere. By bathing the landscape in a wash of vibrant pinks, Brasilier translates the terrain into a deeply rhythmic, dreamlike space. This serene composition beautifully underscores why Brasilier’s poeticism continues to command a deeply dedicated following among major collectors worldwide.

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Sunrise in Mongolia. Credit: Imaginechina Limited / Alamy

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Where to go:

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To experience the vast, undulating expanses that define Brasilier’s worldview, look to the sweeping steppes of Mongolia. At sunrise, when the sky turns an unusually vibrant shade of pink, red, or orange, look across the open landscape to notice how the color completely alters everything around it. Watch the local wildlife moving across the plain, observing how the animals and their elongated shadows fuse into the terrain. You will see firsthand that nothing in nature has a static appearance — what we perceive is born of constantly shifting light.

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Daisy Dodd-Noble

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Daisy Dodd-Noble, Untitled, 2023. Modern & Contemporary Art Hong Kong.

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What to know:

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Daisy Dodd-Noble’s Untitled depicts an idyllic landscape where the imaginary co-mingles with reality. Marking a departure from the artist’s earlier, hyper-surrealistic approach, this work represents a mature refinement of her practice. Rather than anthropomorphizing nature, she engages in a more informed taxonomy of native and non-native botanical species — a shift that subtly interrogates the anxieties of a changing climate. Through softened brushwork, she evokes a scene that feels intimate, alien, and deeply inviting all at once.

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Hawaii at night. Credit: B. David Cathell / Alamy

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Where to go:

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This piece was commissioned around the time of the artist’s residency in Hawaii, a landscape famous for its lush, native flora. To see this paradise through the artist’s lens, venture into the island's botanical spaces in complete darkness and observe how the moon’s glow shapes your surroundings. Notice how moonlight creates an atmosphere entirely different from that of streetlights or the setting sun. Look at the water’s edge to see if the shadows pool like liquid. And above all, ask herself what she saw or imagined here that you might have missed.

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Discover more from Modern & Contemporary Art Hong Kong >

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\n","2026-05-19T20:03:43.000000Z","https://www.phillips.com/article/168432619/landscape-in-art-as-in-life-hong-kong-auction-june-2026",9554,5299,168432619,{"_1605":1650,"_1607":112,"_1608":1651,"_492":1652,"_1611":1653,"_1613":1654,"_1615":1655,"_1617":1618,"_1619":1620,"_1621":1656,"_431":173,"_1623":1657,"_1625":1658,"_1627":1659},"https://flockler.com/thumbs/sites/889/chen-yifei-91751b6c-4d7b-4d7d-8584-e2a8efe0a4e1_s600x0.jpg","透過六位藝術家的風景創作體會畫中意境，實地遊歷現實中相映的山河之境。","與風景對話 : 現實和藝術的相匯","

陳逸飛《拱橋倒影（蘇州）》，1987年作。現代及當代藝術精選拍賣，香港。

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風景畫最令人著迷之處之一在於它悄然改變了我們觀看世界的方式。當我們從畫廊展覽沉思過後步向生活日常，周遭景物往往因而煥然一新，無論是早已熟悉的城市角落，抑或初次踏足的遠方風景。這或許正是藝術最動人的超然經驗之一：我們逐漸明白，對藝術的感受並不僅止於駐足作品之前的片刻，而在於個別藝術家的獨特視角，如何改變我們理解萬物的感觀。

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然而，在循著這些精彩作品的視野踏上想像中的旅程、探索世界各地嶄新景觀之前，富藝斯誠邀閣下親臨我們的展覽空間，近距離欣賞這些在6月2日香港《現代及當代藝術精選拍賣》的傑作。

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王俊傑

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王俊傑《隱居者》，2017年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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《隱居者》創作於2017年，也是王俊傑在其短暫而深具影響力的七年藝術生涯中留下的重要作品，喚起一片深具內省氣息且超然於現實之外的精神風景。畫中一名孤獨人物靜臥於蒼翠欲滴的翠綠樹下，在以密集點彩筆觸層層疊染而成的巍峨山嶽面前顯得渺小。這一孤獨的身影宛如藝術家本人的化身，在既安靜又令人窒息的山水之間默默前行。王以濃烈色彩與豐富肌理灌注畫面，令人聯想後印象派巨匠保羅·高更（Paul Gauguin）與文森·梵谷（Vincent van Gogh）的經典傑作。

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香港大東山。圖片來源： Lyndon Giffard Images / Alamy

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現實景點:

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王俊傑每日長時間漫步、沉思與攝影，從自然與行旅之中汲取靈感，不妨循著他的步伐，暫時遠離屏幕，步入真實風景之中。建議閣下登上香港大東山蜿蜒壯闊的山徑，感受層疊山脊在橙金暮色中的廣袤氣息。從山野重返畫廊，大可再次凝視王俊傑的作品時，或將發現自身的觀看方式已悄然改變，畫面之中那些先前未曾察覺的幽微層次與深藏意境，也將逐漸浮現。

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陳逸飛

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陳逸飛《拱橋倒影（蘇州）》，1987年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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拍品屬於陳逸飛備受讚譽的《水鄉》系列，透過江南古鎮的水岸景致，描繪出一種充滿懷舊氣息而寧靜悠遠的傳統中國意象。藝術家巧妙融合西方油畫技法與富戲劇性的明暗處理，使歷史悠久的磚牆與粼粼水面呈現出富有光線與詩意的質感。正因成功結合歐洲寫實主義語彙與深植中國文化傳統的主題內涵，陳逸飛的作品長久以來深受全球藏家青睞，在文化根源、民族情感與國際視野之間，展現出難得而優雅的平衡。

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中國江蘇周莊水鄉夜色。圖片來源： Panther Media Global / Alamy

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現實景點:

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若欲親身步入藝術家筆下的詩意世界，不妨造訪蘇州著名的周莊水鄉。在那裡，閣下大可將眼前景致視作一場關於光影對比的觀察研究：選擇一座石橋或一面磚牆，細細體會晨昏之間光線與陰影如何產生截然不同的變化。當正午的明亮日光逐漸過渡至暮色中的明暗交錯，水面之上的層次與氣氛亦隨之轉變，閣下或可從中逐漸理解陳逸飛如何捕捉尋常建築之美。

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黃進曦

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黃進曦《巨浪裏的天星》，2021年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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構思於2021年旅遊限制期間，黃進曦的《巨浪裏的天星》展現了一場關於想像力疆界的精妙探索。畫中藝術家親手製作的香港經典天星小輪模型，航行於饒富葛飾北齋畫風的洶湧翻騰大浪之間，而這些波濤直接自一本攤開的書頁中奔湧而出。作品並非單純的逃離現實，而是在受限的靜止狀態與想像中的自由流動之間，構築出一種微妙而深刻的張力。

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香港維多利亞港。圖片來源：robertharing / Alamy

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現實景點:

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建議閣下前往香港維多利亞港繁忙的海濱，凝望標誌性的天星小輪緩緩橫渡海面。駐足岸邊時，請細心觀察光線如何在流動的水波之間閃爍變幻，或許感受到水流即使看似平靜，依然持續推動著往來船隻前行的力量。當思緒逐漸漫遊，不妨想像在這片海域之上，還可能展開哪些宏大而未知的場景？又或者，我們能否將自身的內在世界投射於眼前不斷流動的城市風景之中？

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莎拉·休斯

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莎拉·休斯《多層》， 2020年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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同樣創作於2020年全球隔離時期，莎拉·休斯的《多層》充分展現藝術家創作語言的重要轉變：從早期描繪私密室內空間的作品，逐步邁向解放佈滿心理投射意味的解放想像風景。儘管尺幅相對較小，這件色彩鮮明的畫作卻散發出近乎爆發性的能量，模糊了具象描繪與純粹抽象之間的界線。作品中大膽而富創造性的色彩運用，以及急迫的姿態性筆觸，既令人聯想到野獸派的鮮烈色彩語言，亦呼應抽象表現主義中即興而自由的創作精神。此作誕生於藝術家創作生涯中備受矚目的成熟時期，緊隨她在2017年惠特尼雙年展嶄露頭角之後，同時印證了休斯作品何以得以立足於紐約大都會美術館以至北京木木美術館等全球重要機構收藏之中。

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美國加州紅杉國家公園的天然景色。圖片來源：Hemis / Alamy

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現實景點:

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建議拜訪巨木參天、近乎超現實般壯麗的美國紅杉國家公園（Sequoia National Park）。當閣下置身於這些龐然古木之間，不妨微微瞇起雙眼，然後再次觀看眼前景致：那些原本未曾察覺的肌理、輪廓與原始形態是否開始悄然浮現？之後，不妨閉上雙眼，憑藉記憶重新描繪那片森林，讓感知與情緒主導線條，而非拘泥於現實的精確再現。如此觀看與創作方式，正與藝術家構築鮮明心理的繪畫風格彼此呼應。

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安德烈·布拉吉利

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安德烈·布拉吉利《遼闊的粉紅天空》，1988年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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創作於藝術家重要回顧展接連舉辦的關鍵時期（其中包括1988年昂蒂布畢卡索美術館的重要展覽），安德烈·布拉吉利的《遼闊的粉紅天空》充分體現卓越畫家的地位與獨特的藝術語言。畫中藝術家的標誌性馬匹主題已被抽離寫實細節，不再是具象描繪，而成為關於生命力與自然氛圍親密共鳴的抒情象徵。透過瀰漫鮮麗粉色調的畫面，布拉吉利將原本真實的風景轉化為佈滿節奏感與夢境般氣息的精神空間。這件寧靜而富詩意的作品亦說明了藝術家的創作，何以長久以來深受全球重要藏家推崇與珍愛。

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蒙古的日落。圖片來源： Imaginechina Limited / Alamy

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現實景點:

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如欲親身感受布拉吉利筆下那種遼闊而流動的天地氣息，不妨將目光投向蒙古廣袤無垠的大草原。當地日出時分，天空染上異常鮮明的粉紅、赤紅與橙色光暈，然後凝望那片開闊地景，細細體會色彩如何徹底改變周遭萬物的存在狀態。觀察草原上的動物緩緩移動，牠們修長的影子如何與大地彼此交融。閣下將可真切感受到大自然從不存在靜止不變的景象，而我們感知的一切皆誕生於持續流動的變化之中。

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黛西·多德-諾布爾

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黛西·多德-諾布爾《無題》，2023年作。現代及當代藝術精選拍賣，香港。

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關於作品:

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黛西·多德-諾布爾的《無題》描繪出一片介乎想像與現實之間的理想化風景。畫中藝術家逐漸脫離早期偏向高度超現實的創作語言，轉而展現出更為成熟而內斂的藝術表達。她不再單純以擬人化方式詮釋自然，而是透過對原生與外來植物物種更具研究性的分類與觀察，微妙地映照出氣候變遷時代下潛藏的不安與脆弱性。藝術家以柔化而細膩的筆觸，營造出一種既親密、陌異，同時又極具吸引力的氛圍。

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夏威夷的晚上景色。圖片來源：B. David Cathell / Alamy

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現實景點:

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藝術家駐留夏威夷期間前後受藏家委託創作這件作品，夏威夷正是以繁盛原生植物的群島風景聞名。若欲循著藝術家的視角感受這片土地，建議閣下在夜色完全降臨後步入島上的植物園林，靜靜觀察月光如何重新塑造周遭景致。留意月色所營造出的氛圍，如何與街燈或夕陽截然不同；再度凝望水岸邊緣，觀察陰影是否如液體般緩緩聚集與流動。而最重要的是，不妨試著反思藝術家在這片風景中的所思所想，而這又是否正是我們平日有所忽略的存在。

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拍賣詳情 > 現代及當代藝術精選拍賣，香港。

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\n","2026-05-20T09:03:56.000000Z","Veronica Chow","https://www.phillips.com/article/168604964/landscape-in-art-as-in-life-hong-kong-auction-june-2026-cn",9555,5300,168604964,{"_1605":1661,"_1607":112,"_1608":1662,"_492":1663,"_1611":1664,"_1613":1665,"_1615":1616,"_1617":1618,"_1619":1620,"_1621":1666,"_431":126,"_1623":1667,"_1625":1668,"_1627":1669},"https://flockler.com/thumbs/sites/889/priority-bidding_3_2-8454aef4-84a3-4957-8b6e-e8712a4dcb8b_s600x0.jpg","How to save up to 4% with Priority Bidding — exclusively at Phillips.","Priority Bidding 101","

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中文閱讀

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What is a Priority Bid?

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Priority Bids are written, binding bids that must be placed no less than 48 hours in advance of an auction’s start time. The bid must be equal to or greater than the lot’s published low estimate and placed using Phillips’ absentee bid forms.

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Bidders who have placed Priority Bids ahead of the auction, if they are the winning bidder and satisfy the other conditions of Priority Bidding, will benefit from a Buyer’s Premium rate which is significantly lower than the Buyer’s Premium rate otherwise. This benefit applies whether their winning bid is at the amount of their early Priority Bid or a higher bid placed subsequently by them bidding live in the auction.

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The new Buyer’s Premium structure featuring Priority Bidding rates is effective from 1 September 2025 and applies to all live auctions in the Fall 2025 season and for all categories, excluding Watches.

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Watch auctions (both live and timed online auctions) will continue using the same Buyer’s Premium rates that applied in the spring 2025 sale season and will not be eligible for Priority Bidding. Details of these rates can be found here.

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Timed online-only auctions will be subject to the new standard Buyer’s Premium rates and are not currently eligible for Priority Bidding. You can find details of these rates here.

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How do I place a Priority Bid?

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To be eligible for a lower Buyer’s Premium through the scheme, you must leave a written bid at least 48 hours before the auction. The bid must be a written absentee bid.

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Submitting Priority Bids is simple:

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• Complete Phillips’ Absentee Bid Form with details of the Absentee Bid(s) you want to submit. You can download and complete the Bid Form here.

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• Ensure your written absentee Bids are at or above the published low estimate of the Lots you are bidding on.

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• Sign and send the form to Phillips’ Bids Department in the auction location before the 48-hour pre-auction cut-off. Forms can be emailed using the contact details found below.

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Please note that Priority Bids cannot be cancelled.

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Bids New York
\nbidsnewyork@phillips.com
\n+ 1 212 940 1228

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Bids London
\nbidslondon@phillips.com
\n+ 44 20 7318 4045

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Bids Hong Kong
\nbidshongkong@phillips.com
\n+ 852 2318 2029

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Bids Geneva
\nbidsgeneva@phillips.com
\n+ 44 20 7318 4045

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Bids Paris
\nbidsparis@phillips.com
\n+ 44 20 7318 4045

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If you satisfy the criteria for a qualifying Priority Bid, you will receive an email confirmation from Phillips’ Bids Department in the auction location, acknowledging your Priority Bids.

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More questions? View the full FAQ, including sample scenarios, or contact the bids team to discuss further.

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Learn more about Priority Bidding >

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Matthew Wong, The Recluse (detail), 2017. Modern & Contemporary Art Hong Kong.

王俊傑《隱居者》 2017年作。現代及當代藝術精選拍賣

Matthew Wong

Matthew Wong, The Recluse, 2017. Modern & Contemporary Art Hong Kong.

Sunset Peak in Hong Kong. Credit: Lyndon Giffard Images / Alamy

Chen Yifei

Chen Yifei, Bridge Reflection (Suzhou), 1987. Modern & Contemporary Art Hong Kong.

Illuminated Zhouzhuang Water Town at night, Jiangsu, China. Credit: Panther Media Global / Alamy

Stephen Wong

Stephen Wong, The Star Ferry In The Wave, 2021. Modern & Contemporary Art Hong Kong.

Victoria Harbour in Hong Kong. Credit: robertharing / Alamy

Shara Hughes

Shara Hughes, Many Layers, 2020. Modern & Contemporary Art Hong Kong.

Giant Sequoia Trees, Sequoia National Park, California. Credit: Hemis / Alamy

André Brasilier

André Brasilier, Le Grand Ciel Rose, 1988. Modern & Contemporary Art Hong Kong.

Sunrise in Mongolia. Credit: Imaginechina Limited / Alamy

Daisy Dodd-Noble

Daisy Dodd-Noble, Untitled, 2023. Modern & Contemporary Art Hong Kong.

Hawaii at night. Credit: B. David Cathell / Alamy

王俊傑

王俊傑《隱居者》，2017年作。 現代及當代藝術精選拍賣，香港。

香港大東山。圖片來源： Lyndon Giffard Images / Alamy

陳逸飛

陳逸飛《拱橋倒影（蘇州）》，1987年作。 現代及當代藝術精選拍賣，香港。

中國江蘇周莊水鄉夜色。圖片來源： Panther Media Global / Alamy

黃進曦

黃進曦《巨浪裏的天星》，2021年作。 現代及當代藝術精選拍賣，香港。

香港維多利亞港。 圖片來源：robertharing / Alamy

現實景點:

莎拉·休斯

莎拉·休斯《多層》， 2020年作。 現代及當代藝術精選拍賣，香港。

美國加州紅杉國家公園的天然景色。圖片來源：Hemis / Alamy

安德烈·布拉吉利

安德烈·布拉吉利《遼闊的粉紅天空》，1988年作。現代及當代藝術精選拍賣，香港。

蒙古的日落。 圖片來源： Imaginechina Limited / Alamy

黛西·多德-諾布爾

黛西·多德-諾布爾《無題》 ，2023年作。 現代及當代藝術精選拍賣，香港。

夏威夷的晚上景色。圖片來源：B. David Cathell / Alamy

What is a Priority Bid?

How do I place a Priority Bid?

王俊傑《隱居者》，2017年作。現代及當代藝術精選拍賣，香港。

陳逸飛《拱橋倒影（蘇州）》，1987年作。現代及當代藝術精選拍賣，香港。

黃進曦《巨浪裏的天星》，2021年作。現代及當代藝術精選拍賣，香港。

香港維多利亞港。圖片來源：robertharing / Alamy

莎拉·休斯《多層》， 2020年作。現代及當代藝術精選拍賣，香港。

蒙古的日落。圖片來源： Imaginechina Limited / Alamy

黛西·多德-諾布爾《無題》，2023年作。現代及當代藝術精選拍賣，香港。

9

Stephen Wong Chun Hei

The Star Ferry In The Wave

Further Details

Full-Cataloguing

Stephen Wong Chun Hei