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湯姆·韋素曼

《靜物、四朵玫瑰與梨子(藍色枕頭)》

款識:Wesselmann 93 TOM WESSELMANN STILL LIFE WITH FOUR ROSES AND PEAR (BLUE PILLOW) 1968(畫背)
醇酸 剪鋼
21 3/4 x 23 1/8 英吋(55.2 x 58.7 公分)
1968年構思,1993年作,此作將被納入維爾登斯坦普拉特納研究所編錄的《湯姆.衛索曼數碼作品全集》,參考編號TW63FL,登記編號93-9。

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湯姆·韋素曼

American | B. 1931 D. 2004

As a former cartoonist and leading figure of the Pop Art movement, Tom Wesselmann spent many years of his life repurposing popular imagery to produce small to large-scale works that burst with color. Active at a time when artists were moving away from the realism of figurative painting and growing increasingly interested in abstraction, Wesselmann opted for an antithetical approach: He took elements of city life that were both sensual and practical and represented them in a way that mirrored Roy Lichtenstein and Andy Warhol's own methodologies.

Wesselmann considered pop culture objects as exclusively visual elements and incorporated them in his works as pure containers of bold color. This color palette became the foundation for his now-iconic suggestive figurative canvases, often depicting reclining nudes or women's lips balancing a cigarette.

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