

Bill Brady遺產管理委員會收藏
83
喬治.康多
《抽象:下垂的狗隻》
2017年作
絲印版畫 考文垂布漿紙本(全包邊)
I. 15 x 14 英吋(38.1 x 35.6 公分)
S. 18 x 16 英吋(45.7 x 40.6 公分)
S. 18 x 16 英吋(45.7 x 40.6 公分)
款識:簽名、日期、編號12/75
共有75版、15版印刷商試作版,由布魯克林Art + Culture出版,此為未裱第12版。
共有75版、15版印刷商試作版,由布魯克林Art + Culture出版,此為未裱第12版。
喬治.康多
AmericanPicasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world.
Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.