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387

喬治.康多

《繪畫》

2011年作
全套18幅數位印刷 編織紙本(全包邊,散裝,折疊如出版所示)標題頁上附有額外的黑色墨水繪畫,附有標題頁和清單頁,全部存於原裝黑色布面翻蓋文件夾,印有金色文字。
所有 I. 各種尺寸
其中14組 S. 10 3/4 x 9 1/4 英吋(27.3 x 23.5 公分)
其中4組 S. 10 3/4 x 18 1/2 英吋(27.3 x 47 公分)
文件夾 11 3/4 x 10 1/8 x 1 1/4 英吋(29.8 x 25.7 x 3.2 公分)
款識:簽名、日期(標題頁)
共有100版簽名版、400版無簽名版,由紐約 Skarstedt 畫廊在 2011 年 11 月 4 日至 12 月 21 日舉辦的「喬治康多:繪畫」展覽期間出版。
Including: Comic Relief; Anthropology; Conversations; Figure Change; Cascading Butlers; Internal Voices; Pink and Yellow Sweep; Full Sweep; Heads and Toes; Compression I; Compression II; Compression III; Compression IV; Compression V; Compression VI; Black and Red Compression; Purple Compression; and Parallel Figures

喬治.康多

American

Picasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world. 

Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.

瀏覽藝術家