

388
喬治.康多
《無題(景觀)》
1989年作
蝕刻版畫 幼點腐蝕 Hahnemühle紙本(全包邊)
I. 19 1/2 x 15 1/2 英吋(49.5 x 39.4 公分)
S. 26 3/4 x 21 英吋(67.9 x 53.3 公分)
S. 26 3/4 x 21 英吋(67.9 x 53.3 公分)
款識:簽名、編號33/55
共有55版,由紐約佩斯版畫畫廊出版,此為已裱第33版。
共有55版,由紐約佩斯版畫畫廊出版,此為已裱第33版。
完整圖錄內容
喬治.康多
AmericanPicasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world.
Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.