

256
喬治.康多
《更多西班牙草圖 - 獻給邁奧斯.戴維斯:1版》
1991年作
蝕刻版畫 幼點腐蝕 Guarro紙本(全包邊)
I. 118.5 x 85.9 公分(46 5/8 x 33 7/8 英吋)
S. 133.7 x 98.4 公分(52 5/8 x 38 3/4 英吋)
S. 133.7 x 98.4 公分(52 5/8 x 38 3/4 英吋)
款識:簽名、14/40
由紐約Alexander Kahan畫廊出版,此為已裱。
由紐約Alexander Kahan畫廊出版,此為已裱。
喬治.康多
AmericanPicasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world.
Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.