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重要美國私人收藏

6

KAWS

《NYT》

款識: KAWS 12 (畫背)
壓克力 畫布
直徑:152.4 公分 (60英寸)
2012年作
《NYT》所描繪的是KAWS藝術世界裡其中一位人物,亦展露了他的創意及挪用經典人物並將其變成自己獨一無二的作品的驚人能力。畫作上的鮮艷顏色及視覺詞彙,令人立即想起街頭塗鴉、廣告牌及海報。在《NYT》中可以看到一個肥腫、膨脹的骷髏頭,它雙眼的「X」是KAWS最知名的藝術語言,為作品帶來一個黑暗新意。效果則是圖中人物成功吸引觀者而又能夠保持情感上的距離,創了一個沒有人類特徵而又很卡通的誇張主體。

KAWS

American | 1974

To understand the work of KAWS is to understand his roots in the skateboard and graffiti crews of New York City. Brian Donnelly chose KAWS as his moniker to tag city streets beginning in the 1990s, and quickly became a celebrated standout in the scene. Having swapped spray paint for explorations in fine art spanning sculpture, painting and collage, KAWS has maintained a fascination with classic cartoons, including Garfield, SpongeBob SquarePants and The Simpsons, and reconfigured familiar subjects into a world of fantasy. 

Perhaps he is most known for his larger-than-life fiberglass sculptures that supplant the body of Mickey Mouse onto KAWS' own imagined creatures, often with 'x'-ed out eyes or ultra-animated features. However, KAWS also works frequently in neon and vivid paint, adding animation and depth to contemporary paintings filled with approachable imagination. There is mass appeal to KAWS, who exhibits globally and most frequently in Asia, Europe and the United States.  

瀏覽藝術家