

20
Andy Warhol
Electric Chairs
The complete set of ten screenprints, in colours, on wove paper.
each sheet 90 x 121.4 cm. (35 3/8 x 47 3/4 in.)
Signed and dated ‘Andy Warhol ‘71’ in black ballpoint pen and stamp numbered ‘064/250’ on the reverse (there were also 50 artist’s proofs in Roman numerals), published by Bruno Bischofberger, Zurich (with their copyright stamp on the reverse).
完整圖錄內容
‘The more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel’ ANDY WARHOL
The present lot is a complete portfolio comprised of ten prints of the Electric Chair, each depicting the same image, while variations in color, exposure, and painterly gestures give a unique feature to each print. The picture used is derived from the Electric Chair paintings made by Warhol in the 1960’s, now cropped to present the chair alone in the foreground.
Warhol’s disturbing images of a solitary mechanism standing in an estranged concrete space is thought to be the electric chair from Sing Sing Penitentiary in Ossining, New York. Made infamous by the executions of the Rosenbergs, the electric chair was a topical subject in New York during this period, generating much public debate. Fundamentally a murder-machine fabricated by the same industrial system of mass production that produced Campbell soup cans and Coke bottles, the electric chair discerns pictorial truths of the death industry in America and the dark side of consumer capitalist culture.
The present lot is a complete portfolio comprised of ten prints of the Electric Chair, each depicting the same image, while variations in color, exposure, and painterly gestures give a unique feature to each print. The picture used is derived from the Electric Chair paintings made by Warhol in the 1960’s, now cropped to present the chair alone in the foreground.
Warhol’s disturbing images of a solitary mechanism standing in an estranged concrete space is thought to be the electric chair from Sing Sing Penitentiary in Ossining, New York. Made infamous by the executions of the Rosenbergs, the electric chair was a topical subject in New York during this period, generating much public debate. Fundamentally a murder-machine fabricated by the same industrial system of mass production that produced Campbell soup cans and Coke bottles, the electric chair discerns pictorial truths of the death industry in America and the dark side of consumer capitalist culture.