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\n歐洲中部夏令時間
\n2025年9月4日下午12:00 開始
\n2025年9月12日下午2:00 結束
\n
\n本次拍賣的精選拍品將於2025年日內瓦鐘錶日博覽會期間，在我們位於日內瓦的辦公室展出。
\n
\n展覽將於以下時段對公眾開放：
\n
\n2025年9月4至7日
\n星期四至五上午10:00-下午5:00
\n星期六下午12:00-下午4:00
\n星期日下午12:00-下午5:00
\n
\nPhillips in Association with Bacs & Russo
\n7 Rue de la Confédération
\n1204 Geneva (地圖)
\n
\n我們誠摯期待與您的會面！
\n
\n請注意網上拍賣正式開始後，所有出價不得取消。
\n
\n如閣下成功投得拍賣品，總支付金額將包含拍賣品成交價和買家應支付酬金。買家應支付酬金將按照拍賣品成交價，以下列比率作累進式計算：
\n拍品成交價首瑞士法郎1,000,000元之27%；
\n加逾瑞士法郎1,000,000元以上至瑞士法郎6,000,000元部份之21%；
\n加逾瑞士法郎6,000,000之餘款的14.5%計算。
\n
\n參閱富藝斯業務規定 >
\n
\n美國進口關稅：本場拍賣的非美國原產拍品（包括配備瑞士製或其他非美國製機芯的鐘錶和時計）在進口至美國時，可能加徵特別關稅。買家在進口其所購拍品時，有責任支付所有適用的關稅、進口稅、稅項及相關費用。鑑於國際貿易法規不斷變化，富藝斯建議客戶向當地海關部門或專業顧問查詢，以獲取最新關稅資訊。

\n","auctionDetailsSmall","2025年9月4至12日","extraInfo","

Alexandre Ghotbi
\n鐘錶部副主席暨歐陸及中東區主管
\naghotbi@phillips.com
\n+41 22 317 81 81
\n
\nTiffany To
\n鐘錶部日內瓦拍賣主管暨資深國際專家
\ntto@phillips.com
\n+41 22 317 96 63
\n

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Phillips in Association with Bacs & Russo is thrilled to welcome you to The Geneva Sessions, Fall 2025, online auction, running from 12:00 PM CET, Thursday, 4 September, to 2:00 PM CET, Friday, 12 September. The sale features more than 80 different high-end luxury wristwatches, covering everything from A. Lange & Söhne and F.P. Journe to Audemars Piguet and Patek Philippe, including an Urwerk EMC.

\n\n

– By Logan Baker

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If you’ve ever hung around an independent watchmaker’s bench, you’ll know one sound well: the soft tick-tick of a timing machine. Watchmakers rely on devices like a Witschi to measure the accuracy of a movement, tweaking a screw here or a regulator arm there until the watch runs as close to perfect as possible. It’s one of those behind-the-scenes rituals that separates a finely tuned chronometer from a finicky timekeeper.

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In 2013, Urwerk asked a question no one else had: What if you could put that process on the wrist?

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The result was the EMC – short for Electro Mechanical Control – a watch that keeps the time, yes, but also measures its own accuracy and allows the owner make fine adjustments. It was a wild idea when it launched, and more than a decade later, it remains one of the most audacious feats of mechanical engineering in contemporary watchmaking.

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This September, Phillips will offer an Urwerk EMC at our Geneva Sessions Online Auction – number 38 of just 55 pieces. It marks a rare opportunity to acquire a watch that, quite literally, rewrote the rules of what a mechanical wristwatch could be.

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The EMC emerged from Urwerk’s U-Research Division, the brand’s experimental lab that functions as a skunkworks for ideas too radical for conventional production. If Urwerk’s satellites-and-retrogrades aesthetic defined its early identity, the EMC was the project that proved Urwerk founders Felix Baumgartner and Martin Frei could continue to think outside the box.

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The concept sounds simple when you boil it down: build a watch with a Witschi inside. But nothing about executing that idea was simple.

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At its core, the EMC is a fully mechanical wristwatch. Power comes from a hand-wound calibre, conceived and built in-house, running at 4 Hz (28,800 vph) and driven by twin-stacked barrels in series to deliver a steady 80-hour power reserve. The balance is crafted from ARCAP, a nickel-based alloy that resists magnetism and corrosion. By itself, that would make for a respectable independent watch.

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But the magic starts when you flip open the little crank on the side of the case. A few turns feed energy into a micro-generator – produced by Maxon, the same company that makes motors for NASA’s Mars rovers – which powers a tiny optical sensor perched above the balance wheel.

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Press a button on the case, and the sensor kicks into action. A built-in LED flashes across the balance; the sensor reads its oscillations over a three-second interval and compares them against a 16,000,000 Hz quartz oscillator tucked inside the case. The system then crunches the data and displays the result on a dedicated sub-dial, showing how many seconds per day the watch is gaining or losing (within a range of -20 to +20 seconds).

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For the first time in horological history, a watch wasn’t just running – it was telling you how well it was running.

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The EMC dial is unlike any other Urwerk, and that’s saying something. In fact, this was the first Urwerk to use central hands for the hours and minutes.

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Look closer, and you see four indications, each occupying its own quadrant:

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\n\t
Top left: the precision indicator, showing the daily rate deviation.
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Top right: running seconds.
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Bottom right: hours and minutes.
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Bottom left: an 80-hour power reserve.
\n\t

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It’s a cockpit-style display, information-rich but clean once you know how to read it. Urwerk wanted the EMC to be intuitive, even if what it was doing under the hood bordered on science fiction.

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Flip the watch over and you’ll see another first for Urwerk: a display caseback. It reveals the hand-wound movement, but also something far stranger – an integrated circuit board sitting alongside traditional bridges and wheels.

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It’s a jarring sight at first: Geneva stripes brushing up against microchips, anglage sharing space with soldered connections. And yet it all feels deliberate, the mechanical and electronic components working in tandem.

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This hybrid approach doesn’t make the EMC a smartwatch. The electronic system has no influence on the gear train or escapement; it’s purely a diagnostic tool. The mechanical side tells the time. The electronic side tells you how well it’s performing.

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And if you don’t like the result? That’s where the fine-tuning screw comes in. Located on the caseback, it lets the owner adjust the active length of the balance spring, effectively regulating the watch at home. No trip to the watchmaker required.

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At the 2014 Grand Prix d’Horlogerie de Genève, the EMC walked away with both the Best Innovation and Mechanical Exception prizes. It was recognition of the audacity required to merge two worlds that had long been kept apart.

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For collectors, the EMC represents a watershed moment in independent horology. It’s the rare watch that offers both a philosophical statement and a technical breakthrough. Philosophically, it challenges the passive relationship we usually have with our watches. Instead of entrusting accuracy to a watchmaker or machine, the EMC puts it in your hands. Technically, it also proved that electronics could coexist with fine watchmaking without undermining it.

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More than a decade on, the EMC still feels ahead of its time. Interactive mechanical watches haven’t become a category – at least not yet. Which makes the EMC all the more compelling: a true outlier, produced in small series.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

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About Phillips In Association With Bacs & Russo

\n\n

The team of specialists at PHILLIPS Watches is dedicated to an uncompromised approach to quality, transparency, and client service. Phillips in Association with Bacs & Russo holds the world record for the most successful watch auction, with its Geneva Watch Auction: XIV having realized $74.5 million in 2021. Over the course of 2021 and 2022, the company sold 100% of the watches offered, a first in the industry, resulting in the highest annual total in history across all the auction houses at $227 million.

\n\n

Discover More from PHILLIPS >

\n\n

About Logan Baker

\n\n

Logan has spent the past ten years covering the watch industry from every angle. He joined Phillips in Association with Bacs & Russo in early 2023 as Senior Editorial Manager, after previous roles at Hodinkee and WatchTime. Originally from Texas, he spent a decade in New York and now calls Geneva home.

\n\n

Recommended Reading

\n","publishDate","authorCredit","coverPosX",50,"coverPosY",0,"articleUrl","displayOrder",5,"auctionEditorialID",7586,"editorialID",5028,"flocklerID",161866276,"

\n\n

– By Logan Baker

\n\n

The Lange 1 is one of the defining wristwatches of the modern era.

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Introduced in 1994 as part of the revival of A. Lange & Söhne, it re-established Glashütte as a center of fine watchmaking and gave Germany a design language that was entirely its own. Off-center dials, the oversized date, uncompromising finishing – what seemed radical at the time is now a classic. Yet despite the model’s importance and longevity, one of watchmaking’s most revered complications, the perpetual calendar, never appeared in the pure Lange 1 format. Lange built them into the Langematik, the Richard Lange, and even into extravagant combinations like the Lange 1 Tourbillon Perpetual Calendar, but for nearly three decades, a straightforward Lange 1 QP remained absent.

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That changed in 2021. A. Lange & Söhne finally unveiled the Lange 1 Perpetual Calendar, a watch that felt both inevitable and long overdue. On the surface, it looked like a natural extension of the family, but getting there required years of technical problem-solving. The Lange 1 dial is a carefully balanced study in asymmetry; add too much information and the result could collapse into clutter. Perpetual calendars are notoriously demanding, with their need to display day, date, month, leap year, and often a moon-phase. Lange’s challenge was to introduce all of these elements without disturbing their icon’s visual identity.

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The solution was clever. The big date remained the focal point, as it always has been. The power-reserve indicator at nine o’clock gave way to a retrograde day-of-the-week display. Around the edge of the dial, a rotating month ring provided the cleanest possible solution for an indication that usually requires a full sub-dial. At six o’clock, a small cut-out triangle points to the current month and doubles as the leap-year indicator. The moon-phase found a home inside the running seconds sub-dial at seven o’clock, paired with a day-night indicator that gradually shifts from bright blue to a starry sky. All together, the watch delivers an immense amount of information, yet it never feels busy. It looks like a Lange 1, only with more to say.

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The movement behind the display, calibre L021.3, is based on the automatic L021.1 of the Lange 1 Daymatic. By starting with that foundation, Lange was able to build the perpetual calendar into the existing architecture without forcing compromises. The rotor features a heavy platinum weight along its outer edge for greater winding efficiency, and the calibre retains all the hallmarks of Lange finishing: untreated German silver plates, Glashütte ribbing, blued screws, gold chatons, and a hand-engraved balance cock. Flip the watch over, and it is as much a visual treat as the dial side, proof that Lange approaches engineering and decoration with equal intensity.

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Collectors were offered two versions at launch: pink gold with a grey dial, and white gold with a solid pink-gold dial that reads unmistakably as salmon. The latter was limited to 150 pieces and quickly became the reference everyone wanted. Salmon dials have long carried a special cachet, their warmth balancing the cool sheen of white metal cases, and Lange had never produced one quite like this. The present watch, number 149 of 150, is an example of that rare run, offered in excellent condition with its full set of accessories.

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The appeal of the Lange 1 Perpetual Calendar goes beyond looks. Every calendar indication jumps instantaneously at midnight, a small but meaningful flourish that shows the depth of the engineering. The moon-phase disc, accurate for over a century, acquires added meaning from the layered day-night disc behind it. And while the watch contains 621 components, the case remains wearable at just under 42mm in diameter and a little over 12mm thick. It feels substantial without being unwieldy, exactly the kind of balance a perpetual calendar should strike.

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Why should collectors care? First, because this watch fills the one gap in the history of the Lange 1. For years, it was the model that never existed, the perpetual calendar that seemed obvious but somehow never came. Second, it demonstrates how Lange interprets complications in its own voice. Rather than forcing a Swiss-style calendar into the Lange 1, the brand re-imagined the complication to suit its own asymmetric language. And finally, this salmon-dial edition offers genuine rarity. With just 150 produced, it is one of the most limited Lange 1 variants ever made, and examples rarely reach the market.

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The Lange 1 Perpetual Calendar is not a watch you forget on the wrist. Its heft and presence remind you of what it represents: the meeting of technical mastery and design purity, the extension of a collection that began in 1994, and a statement of how Lange continues to evolve.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

\n\n

About Phillips In Association With Bacs & Russo

\n\n

Discover More from PHILLIPS >

\n\n

About Logan Baker

\n\n

Recommended Reading

\n",4,7585,5027,161866688,"

\n\n

– By Logan Baker

\n\n

There’s a particular kind of magic in a split-seconds chronograph. At first glance, it looks like any other chronograph, but press the extra pusher and you see it: one chronograph hand halts to mark a lap, while the other keeps sweeping along. Hit the button again, and the paused hand snaps forward, rejoining its partner in perfect synchrony. It’s a simple gesture that hides a world of technical complexity.

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The split-seconds, or rattrapante (from the French rattraper, “to catch up”), sits at the very top of the chronograph hierarchy. A standard chronograph already requires deft integration of wheels, levers, cams, and springs. Add a second seconds hand, plus a system of clamps and heart-shaped cams that allow one hand to stop independently and then rejoin the other, and you’ve entered the realm of mechanical bravado. It’s why watchmakers and collectors alike regard the split as the most demanding of all chronographs to adjust, assemble, and service.

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The complication’s origins trace back to late 19th-century pocket watches. Patek Philippe produced the first split-seconds wristwatch in 1923, and by the mid-20th century, suppliers like Venus and Valjoux were building ébauches that powered splits from Breitling, Eberhard, and smaller names like Britix. The mechanism is a joy to study: the jaws of a clamp, controlled by a column wheel or lever, squeeze one chronograph wheel to a halt while the other keeps turning. Release the clamp, and the hands snap back into alignment. The principle hasn’t changed in a century, and it remains one of watchmaking's most elegant pieces of theater.

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Collectors today gravitate to split-seconds watches for the same reasons as ever. They’re rare, they’re interactive, and they embody the tension between mechanical complexity and playful utility. You don’t need a horse race or a 24-hour endurance rally to enjoy one. Timing a pair of steaks on the grill or comparing two runners at the park can be just as satisfying. Unlike a moon-phase or a perpetual calendar, a split-seconds chronograph is something to engage with.

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The Phillips Geneva Sessions Online Auction in September 2025 brings together a fascinating cross-section of the split-seconds story, from mid-century charm to modern extremes. A vintage Britix chronograph with a Venus movement offers an authentic taste of the 1940s and ’50s, when such mechanisms were produced in small numbers for brands that have largely faded from memory. These watches are beloved by enthusiasts precisely because they’re attainable, functional, and mechanically intricate. Pop open the caseback, and you’ll find the twin chronograph wheels and the tiny clamp arms that make the trick work.

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At the other end of the spectrum is the A. Lange & Söhne Triple Split, perhaps the most audacious chronograph of the past decade. When Lange introduced its Double Split in 2004, collectors could scarcely believe it: a rattrapante that didn’t just track seconds, but also minutes. The Triple Split went even further in 2018, adding hours to the equation. It remains the only mechanical chronograph capable of timing two events lasting up to twelve hours simultaneously.

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Then there’s the IWC Portugieser Rattrapante Boutique Milano Edition, a limited-series watch that speaks to the complication’s broad appeal. IWC has a long history with the split, thanks to Richard Habring’s ingenious early 1990s redesign of the mechanism to work with a modified Valjoux 7750 base. That move democratized the rattrapante, making it more serviceable and more accessible, while still delivering the tactile thrill of the split hands. The Milan boutique edition takes that legacy and wraps it in the clean, nautical-inspired design of the Portugieser, making it a compelling entry point for collectors who want something functional, stylish, and historically important.

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What ties all of these watches together – whether it’s a mid-century Britix, a boutique-edition IWC, or Lange’s world-beating Triple Split – is the enduring appeal of the complication itself. Collectors love rattrapantes not just because they’re rare, but because they embody watchmaking at its most interactive and alive. They’re watches that invite you to press a button, see something happen, and feel a connection to the gears and springs beneath the dial.

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The split-seconds chronograph is strictly about the audacity of making two hands move as one, split apart, and then reunite perfectly on command. That delicate dance has fascinated watchmakers for over a century, and it continues to fascinate collectors today.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

\n\n

About Phillips In Association With Bacs & Russo

\n\n

Discover More from PHILLIPS >

\n\n

About Logan Baker

\n\n

Recommended Reading

\n",3,7584,5026,161868583,"

\n\n

– By Logan Baker

\n\n

Independent watchmaking has never been more diverse – or more exciting. Over the past few decades, a new generation of makers has challenged the boundaries of design, materials, and mechanics, while established names have continued to refine their craft in unexpected ways. From the radical rethink of Ressence’s rotating dials to the poetic restraint of Laurent Ferrier, these watches remind us that creativity in horology is alive and thriving well beyond the big houses.

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The pieces gathered in the Phillips Geneva Sessions, Fall 2025, Online Auction span a wide spectrum: early landmarks from Daniel Roth and F.P. Journe, playful collaborations from Louis Erard with the likes of Vianney Halter and Stefan Kudoke, and bold experiments in sapphire cases and featherlight carbon fiber. Some are unique creations, others limited editions, but all reflect the individuality and vision that make independent watchmaking so compelling.

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Lot 39: A Ressence Series One in Stainless Steel

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Estimate: CHF 8,000 - 12,000

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Ressence is one of those ideas that feels obvious in hindsight, but in 2010 it landed like a UFO. Industrial designer Benoît Mintiens looked at the wristwatch as an object to be rethought from the ground up. The result was a new way of showing time – fluid, intuitive, and unlike anything else. Three working prototypes sat quietly in the corner of the fair, yet they drew plenty of attention: Swiss-made watches from a Belgian newcomer that had no hands, no traditional dial, and no real precedent.

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The first production came a year later with the Series Zero, a 50-piece run that set the tone. Then in 2012, Ressence followed up with the SeriesOne, capped at 150 examples. The watch here, SeriesOne Type 1002, is number 18 and features a matte grey titanium dial – pure Ressence minimalism, right from the start.

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What made these early watches so radical? Instead of hands sweeping over a dial, the entire dial itself rotates, with four subdials orbiting in harmony to show hours, minutes, seconds, and AM/PM. It’s a display system called the ROCS (Ressence Orbital Convex System), and while it seems familiar today, back in 2010, it was jaw-dropping. One other early quirk: these first models still had a traditional crown on the case flank, a feature later dropped in favor of Ressence’s crownless casebacks. This example comes complete with its original manual and presentation box – a snapshot of Ressence’s bold first chapter.

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Lot 5: A Circa 1990s Corum Minute Repeater in 18k Yellow Gold

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Estimate: CHF 12,000 - 24,000

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Corum has long dabbled in the high-wire acts of watchmaking – tourbillons, minute repeaters, and jeweled showpieces. At first glance, the watch here seems like a restrained take on that tradition: an elegant yellow-gold minute repeater with a semi-skeletonized guilloché dial, its lower half opened to reveal a glimpse of the mechanism beneath. But the real story is on the back. Flip the hinged caseback and you’re met with a beautifully finished movement signed, almost discreetly, “Renaud Papi Claret.”

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Dominique Renaud and Giulio Papi founded their workshop in 1986, and in just a few years, it became the go-to skunkworks for complicated watchmaking, supplying movements and ideas to the likes of IWC, Richard Mille, and Audemars Piguet. From 1989 to 1994, they joined forces with Christophe Claret, the enfant terrible of chiming complications, in a brief but brilliant partnership known as Renaud Papi Claret. That period yielded some of the most ambitious and technically inventive movements of the era, most of them tucked away in watches that looked deceptively simple on the outside.

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This Corum is one of those pieces. Number 11 in a small series, cased in yellow gold, it embodies a fascinating chapter in modern horology: an understated exterior housing a movement crafted by three of the most important independent watchmakers of the last half-century.

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Lot 50: A 2025 Andersen Genève Jumping Hour 'Rising Sun' Limited Edition in Platinum

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Estimate: CHF 20,000 - 40,000

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Svend Andersen has long been known as the “watchmaker of the impossible.” While most of the Swiss industry was reeling from the Quartz Revolution, Andersen struck out on his own in 1980 with the goal of making one-of-a-kind mechanical watches for collectors who still believed in artistry and craft. Just five years later, he co-founded the AHCI (Académie Horlogère des Créateurs Indépendants), cementing his role as both a pioneer and a mentor in the independent watchmaking world.

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Fast-forward to 2020, and Andersen unveiled what has since become one of his signature creations: the Jump Hour. It’s deceptively simple at first glance – hours displayed digitally through a window at 12 o’clock, minutes by a single hand at 6 o'clock – but the design leaves a broad expanse of dial as a canvas. On this “Rising Sun” edition, that space is filled with a bold guilloché motif engraved into a pink-gold plate, its warm tones playing beautifully against the cool sheen of the platinum case.

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Created as a 50-piece limited edition for the Japanese market, this example is number 4. It’s in superb condition, complete with its full set of accessories, and even remains under warranty until April 2027. For collectors of independent watchmaking, it’s a chance to own a piece that speaks equally to Andersen’s pioneering past and his creative present.

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Lot 16: A Circa 2024 SpaceOne Jump Hour 'Perpétuel Gallery' Limited Edition in Titanium

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Estimate: CHF 1,000 - 2,000

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SpaceOne is a watch that wears its influences on its sleeve. Inspired by the space-age optimism of the 1960s, it combines retro-futurist design with a distinctly modern independent spirit. The project is a collaboration between Paris-based watchmaker Théo Auffret – best known for his hand-built, classically styled pieces – and Guillaume Laidet, the entrepreneur behind several contemporary watch revivals. Their debut collection spans stainless steel, titanium, and forged carbon, each material giving the design a slightly different personality.

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At its core is a jumping hour display developed by Auffret, a module built from nine custom parts and assembled in Switzerland. The complication sits atop a reliable SOPROD P024 automatic movement, with minutes tracked on a sapphire disc beneath a domed “cockpit” crystal. An exhibition caseback completes the package, underscoring the watch’s mix of utilitarian tech and playful design.

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The example here is one of just 25 pieces produced for Perpétuel Gallery in Dubai. It’s cased in green brushed titanium and distinguished by its Hindu-Arabic orange numeral hour display – a vivid pop that adds character without overwhelming the clean design.

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Lot 19: A 2012 F.P. Journe Chronomètre à Resonance RT 'Parking Meter' 40mm in Platinum

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Estimate: CHF 120,000 - 240,000

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When François-Paul Journe introduced the Chronomètre à Résonance in 2000, it felt like something out of another century. The watch drew on an obscure phenomenon: when two balance wheels beat at nearly identical frequencies, they naturally fall into resonance, stabilizing one another and improving chronometric performance. It was a concept hinted at in pocket watches of the 18th century, but no one had made it work in a modern wristwatch – until Journe. The result was a technical tour de force that has since become one of the brand’s defining creations.

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The Résonance has gone through several generations since those first pieces. The inaugural series in 2001, the so-called “R” models, housed brass movements inside 38mm platinum or pink gold cases. In 2004, the “RN” series swapped in 18k pink gold calibers and expanded to 38mm and 40mm cases. Then in 2010, Journe marked the watch’s 10th anniversary with the third series, the “RT.” This was the first major redesign: the dial now featured a digital 24-hour display on the left, breaking the symmetry of the earlier versions and earning the affectionate nickname “Parking Meter” for its resemblance to the streetside device. It remains the only Résonance series to feature this quirky rotating disc.

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The example offered here comes from that RT series and is preserved in excellent condition.

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Lot 26: A Circa 2019 Speake-Marin Minute Repeater Flying Tourbillon Légèreté

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Estimate: CHF 35,000 - 70,000

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Few watches live up to their name quite as literally as the Speake-Marin Légèreté. “Lightness” here takes form in a case made entirely of sapphire crystal – three painstakingly machined and polished components that leave no place to hide and no room for error. The result is a clear, sculptural shell that gives uninterrupted views of the movement from every angle. At 6 o’clock, a flying tourbillon set within Speake-Marin’s emblematic logo seems to hover in space, its one-minute rotation adding a quiet, mesmerizing rhythm.

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But this watch doesn’t stop at transparency. Hidden inside the crystalline case is a Minute Repeater Carillon, triggered by a subtle slider on the left flank. It strikes the hours, quarters, and minutes on three hammers, producing a richer, more resonant sound than a traditional repeater. At the same time, a playful detail unfolds: the Roman numeral XII appears to disintegrate and then re-form, a touch of whimsy in a watch defined by mechanical virtuosity. Look closer and the craft reveals itself everywhere – mirror-polished steel on the tourbillon cage, finely sculpted bridges, perlage and engraving across the movement.

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This unique piece holds a first in watchmaking: the world’s only Minute Repeater Carillon housed in a 100 percent sapphire-crystal case. Delivered with its presentation box, certificate, and an additional strap, it originally retailed for CHF 360,000.

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Lot 67: A 2024 Artya Curvy Purity Tourbillon 'Emerald Green, Unique Piece'

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Estimate: CHF 50,000 - 100,000

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ArtyA has never been a brand to follow a well-trodden path. Founded in 2009 by industry maverick Yvan Arpa, it has built its reputation on “raw” creativity – watches that feel as much like artistic statements as mechanical ones. Over the past decade and a half, the independent Geneva-based house has carved out a space for itself with daring designs and serious technical chops.

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The Curvy Purity Tourbillon “Emerald” is a perfect encapsulation of that ethos. A unique piece, it’s cased in a block of emerald-green sapphire – a material that demands more than 200 hours of milling and hand-polishing to achieve its flawless transparency and curves. Through it, the movement appears almost suspended, its sandblasted cast-iron bridges giving the watch an architectural presence that contrasts beautifully with the crystalline case.

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At 12 o’clock, a skeletonized display sits between twin barrels that provide 72 hours of power. The bottom half of the dial is almost entirely dedicated to the star of the show: a massive 18mm flying tourbillon that dominates the stage with each slow revolution.

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Offered in excellent condition and complete with its full set of accessories, this one-of-one creation is as much a piece of mechanical sculpture as it is a wristwatch.

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Lot 56: A 2025 Behrens Ultra-Light 11G 'Purple Edition' for Blue Lake Watches

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Estimate: CHF 4,000 - 8,000

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Behrens has been steadily carving out its place in the independent scene since 2019, earning a GPHG nomination and a growing reputation for delivering avant-garde mechanics at a relatively approachable price point. The brand has become known for pushing design in bold, futuristic directions without losing sight of traditional watchmaking values.

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The 11G is a showcase of that philosophy. Powered by Behrens’s in-house caliber BM02, it uses twin retrograde hands for the hours and minutes, complemented by a power reserve indicator and a free-sprung balance exposed at 6 o’clock. The result is a display that feels both technical and playful, with layers of depth to keep the eye engaged.

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The case is another talking point. Crafted from what Behrens calls SPSCF (Spark Plasma Sintered Carbon Fibre), it tips the scales at just 11 grams – featherlight yet striking, with a modern matte finish. This particular example was produced exclusively for Blue Lake Watches as part of a 33-piece run. Number 2 in the series, it remains in near-unworn condition and comes with its complete set of accessories.

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Lot 68: A 2020 Laurent Ferrier Galet Annual Calendar School Piece 'Geneva Edition'

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Estimate: CHF 20,000 - 40,000

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Laurent Ferrier is the kind of watchmaker who embodies the term in its purest sense. After more than three decades at Patek Philippe – culminating as Director of the Creation Department – he launched his own brand, where his pieces quickly earned a reputation for their refinement and quiet elegance. Vintage influence runs through much of his work, and this watch is no exception. The twin apertures, peripheral date track, sector-style layout, and two-tone finish all nod to 20th-century classics while still feeling distinctly modern in Ferrier’s hands.

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The model is the Montre École Quantième Annuel, first introduced in 2018 as a tribute to the watches that most inspired Ferrier himself. Its round case with pronounced officer-style lugs recalls early wristwatches converted from pocket watches, giving it both a historical resonance and a distinctive presence on the wrist.

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This particular example is even more special: a five-piece limited edition created with Geneva retailer Montres Prestige. Housed in a 40mm steel case and paired with an opaline salmon dial, it has all the hallmarks of Ferrier’s restrained design language but with a rare and collectible twist. Fresh to the market and offered by its original owner, it remains in excellent condition and comes with its complete accessories.

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Lot 80: A Circa 2008 F.P. Journe Octa Lune in Platinum

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Estimate: CHF 60,000 - 120,000

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When François-Paul Journe introduced the Octa in 2001, it marked an important turning point. After the Tourbillon Souverain and Chronomètre à Résonance, this was his first self-winding caliber – engineered to deliver a generous 120-hour power reserve without sacrificing thinness or elegance. The debut came with the Octa Réserve de Marche, and by 2004 the collection had transitioned from brass to solid pink-gold movements. A year earlier, in 2003, the Octa Lune joined the family, adding a moon-phase display and eventually earning the GPHG Men's Watch prize.

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The Octa Lune mirrors the layout of the Réserve de Marche but layers on a touch of poetry: a moon-phase at 7 o’clock positioned just beneath the long power reserve indicator. Available in platinum or 18k pink-gold cases with dials in either white or pink gold, it’s powered by the caliber 1300-2 – a self-winding movement in solid pink gold, complete with a bi-directional rotor, straight-line lever escapement, and four-arm balance.

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The example here pairs a platinum case with a white-gold dial, a combination that feels both cool and quietly authoritative.

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Lot 18: A Circa 2021 Garrick S4 in Stainless Steel with Orange Dial

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Estimate: CHF 3,000 - 6,000

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Garrick was founded with a straightforward mission: to build honest, beautifully finished watches in Britain. Working out of a small workshop in Norfolk, the brand produces no more than 50 pieces a year, focusing on handcraft and traditional methods over scale. With most components – dials, hands, and even movement parts – are made in-house, every Garrick feels personal, purposeful, and unmistakably British.

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The S4 has been the brand’s most accessible model, though it never skimps on detail. Frosted and rhodium-plated dials, heat-blued hands, and a finely finished small-seconds sub-dial with Garrick’s own sunburst engraving are all part of the package. Beneath the steel case sits a hand-modified Swiss caliber, reworked with in-house bridges and fitted with a traditional screwed balance. Now discontinued, the S4 has become a bit of a cult favorite among collectors who appreciate its balance of craft and value.

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The example offered here stands out with its burnt-orange guilloché dial, a striking backdrop that shows off Garrick’s handwork at its best. Accompanied by its presentation box, an additional rubber strap, and offered in excellent overall condition, it’s a chance to own a piece that captures the spirit of modern British independent watchmaking in its purest form.

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Lot 20: A 2024 Louis Erard × Vianney Halter Le Régulateur

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Estimate: CHF 3,000 - 6,000

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For their second collaboration, Louis Erard and Vianney Halter have come together once again to create a watch that feels instantly familiar yet refreshingly different. Cased in brushed stainless steel, the design tips its hat to Halter’s landmark Antiqua while distilling his aesthetic into something more wearable and approachable. Copper-toned subdials sit against a matte silver backdrop in a regulator-style layout, blending Louis Erard’s traditional framework with Halter’s unmistakable design language.

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The result is a modern reinterpretation of the regulator – quirky, architectural, and unmistakably Halter, yet offered at a fraction of the price of his handmade independents. For collectors, it represents a rare chance to experience the creative vision of one of contemporary watchmaking’s most original voices without the waitlist or six-figure price tag.

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Produced in a limited run of 178 pieces and sold exclusively online, the model sold out quickly and has since become highly sought after. The example here, delivered in December 2024, is presented in like-new condition and complete with its full set of accessories – a collectible collaboration that captures both accessibility and artistry.

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Lot 22: A 2025 Gröne by Grönefeld in Stainless Steel

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Estimate: CHF 1,000 - 2,000

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Launched at the end of 2024, Gröne is the latest venture from the Grönefeld brothers – an offshoot designed to offer a more accessible entry point into their world of independent Dutch watchmaking. While their eponymous Grönefeld pieces are known for six-figure complications, Gröne aims to distill that same spirit of craft and detail into something more attainable.

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The Manueel One is the brand’s debut, and it carries clear echoes of its big brothers. The case and crown draw inspiration from the Remontoire 1941 and Principia, while the dial steals the show: a hammered salmon center framed by a crisp silver hour track, a combination that feels both traditional and fresh. Flip the watch over and the story gets even more personal—the caseback is engraved with an outline of Oldenzaal, the Grönefelds’ hometown, along with the Dutch proverb “Zoals het klokje thuis tikt, tikt het nergens” (“there’s no place like home”).

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The example offered here is in unworn condition and comes complete with its full set of accessories.

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Lot 77: A Circa 1990 Daniel Roth Perpetual Calendar Ref. C117 in 18k Yellow Gold

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Estimate: CHF 20,000 - 40,000

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In the early 1990s, Daniel Roth set out to design a perpetual calendar that would live inside his signature double-ellipse case. For the movement, he turned to his neighbor and friend Philippe Dufour. Together, the two watchmakers adapted the Lemania calibre 8810, with Dufour carefully reworking it to suit Roth’s unconventional case proportions. The result was the Perpetual Calendar ref. C117 – a landmark reference that blended mechanical ambition with Roth’s distinctive design language.

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The example offered here, in 18k yellow gold, represents an early and rare iteration of the model. Its layout features twin apertures for the day and month, while the “semi-instantaneous” calendar mechanism reflects the pair’s original goal of achieving full instantaneity.

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It's accompanied by the Certificate of Origin and presentation box, and is preserved in excellent condition.

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Lot 17: A Circa 2017 MB&F Legacy Machine EVO Split Escapement in Titanium

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Estimate: CHF 30,000 - 60,000

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By 2012, Maximilian Büsser had already spent years challenging traditional watchmaking with his wild Horological Machines. But with the debut of the Legacy Machine, he showed he could play with classical codes, too – though always on his own terms. Round cases, domed crystals, and suspended balance wheels became the collection’s signatures, a fusion of old-world watchmaking ideals and MB&F’s futuristic vision.

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The watch here, the Legacy Machine Split Escapement, arrived in 2017 as the fourth chapter in that story. Limited to just 33 pieces in titanium with a vivid teal dial, it pushed the Legacy Machine aesthetic further by literally splitting the escapement in half. The oversized 14mm balance wheel still floats above the dial, but its anchor and escape wheel are hidden 12mm below, connected by an unusually long 11.78mm balance staff. Conceived with Irish watchmaker Stephen McDonnell, the design is both mechanically audacious and beautifully executed, delivering 72 hours of power while keeping the theatrics front and center.

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The teal dial adds another layer of intrigue. Created using PECVD (plasma-enhanced chemical vapor deposition), it shimmers with depth and texture, shifting tones with the light. It’s a striking backdrop for the lacquered white subdials and the hovering balance, perfectly capturing MB&F’s mix of tradition, innovation, and pure visual drama.

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Lot 31: A Circa 2004 Daniel Roth Perpetual Calendar Tourbillon in Platinum

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Estimate: CHF 30,000 - 60,000

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By 2004, the Daniel Roth brand had already established itself as one of the most distinctive voices in modern watchmaking. That year, to celebrate the brand’s 15th anniversary, it unveiled the ref. 199.Y70 – an ambitious blend of a tourbillon and a perpetual calendar with retrograde date. At its core was the newly developed DR740 calibre, the first automatic movement from Roth to unite these two complications, underscoring the firm's reputation for technical daring wrapped in unmistakable design.

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Limited to just 15 pieces, the anniversary edition carried subtle but meaningful nods to the milestone. The platinum case is engraved “XV YEARS” on the back, while the silver guilloché dial features three discreet “XV” engravings worked into the seconds sub-dial.

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The example offered here is preserved in excellent condition and comes with its international guarantee and two presentation boxes.

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Lot 42: A 2025 Louis Erard × Kudoke Le Régulateur

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Estimate: CHF 2,000 - 4,000

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Earlier this year, Louis Erard teamed up with independent watchmaker Stefan Kudoke for a fresh interpretation of the regulator dial. The collaboration yielded four variations – purple (78 pieces), forest green (100), mother-of-pearl (78), and the light blue version you see here, limited to 100. Each carried Kudoke’s unmistakable design elements, but in a more approachable package that reflects Louis Erard’s mission to bring independent watchmaking to a wider audience.

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Cased in stainless steel at 42mm, the watch stays true to the regulator format with sub-dials for the hours at 12 and running seconds at 6 o'clock, while the minutes command center stage from the main hand. The arrangement nods to the precision clocks once used by watchmakers, but here it’s expressed with a contemporary twist.

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The frosted dial finish, engraved textures, and heat-blued hands speak directly to Kudoke’s poetic style and dedication to traditional craft.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

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About Phillips In Association With Bacs & Russo

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Discover More from PHILLIPS >

\n\n

About Logan Baker

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Recommended Reading

\n",2,7583,5030,161892964,"

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– By Logan Baker

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When Sylvain Berneron officially introduced the Mirage in 2024 (after teasing it throughout 2023), it quickly became one of the most talked-about independent watch debuts of the year. Its striking design and flawless execution made waves. Collectors called it daring, designers called it brilliant, and watchmakers called it nuts (in the best way).

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The Mirage challenged everything you thought you knew about what a watch should look like, how it should be constructed, and what modern elegance can be.

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Now, for the first time, a Mirage is heading to auction. Phillips will present a “Prussian Blue” example in 18k white gold – one of the first 12 pieces ever made – at the Geneva Sessions Online Auction this September 2025.

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So, what makes the Mirage so significant?

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Let’s start with Sylvain Berneron himself. Before venturing out on his own, Berneron served as Chief Product Officer at Breitling, playing a key role in the brand’s contemporary design direction. Berneron spent over a decade behind the scenes shaping watches for others. The Mirage was his personal statement – a watch free of compromises, brand constraints, or cost-cutting committees.

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The Mirage is a fundamental rethinking of how a mechanical watch should be designed. The idea was radical in its simplicity: let the movement dictate the case, and build from there.

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The result was one of the most original wristwatches we’ve seen in years. Its case is organically asymmetrical – fluid, even sculptural – with gentle curves that feel both natural and precise. Inside, the ultra-thin, hand-wound movement stretches across the case.

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The calibre 233 was developed with the Neuchâtel-based team at Le Cercle des Horlogers (whose résumé includes heavyweights like Biver and Louis Vuitton). At just 2.33mm thick, it’s a feat of micro-engineering. You’ll find direct small seconds, a large pocket-watch-inspired balance, and an oversized barrel driving a 72-hour power reserve. It’s a time-only watch, but it feels anything but simple.

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Even the finishing pushes boundaries. The bridges and mainplate are made of solid gold. Guilloché, anglage, colimaçonnage, nuagage, traits tirés… every surface has something to say.

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The Prussian Blue example available at Phillips captures Berneron’s philosophy of “discreet luxury.” The silver and blue dial contrasts elegantly with the cold gleam of the white gold case. The typography – yes, even the numbers – draws from the Fibonacci sequence.

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And yet, the Mirage is no sterile technical exercise. It wears like nothing else, hugging the wrist with its gentle curves. Even the crown is asymmetric – an elongated teardrop that feels good between your fingers. The handset is reversed, with the hour hand on the outside and the minute hand on the inside. Why? Because it allowed for a slimmer profile. Every aesthetic choice serves a functional purpose.

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From the case and crown to the dial, movement, buckle, and even the spring bars – every part is made from solid 18k gold. It’s a reminder that minimalism doesn’t have to mean austerity. Sometimes, it’s about stripping away everything except the good stuff.

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After the Mirage’s debut, allocation lists filled up through the end of 2027. At the 2024 Grand Prix d'Horlogerie de Genève (GPHG), the Mirage won the “Audacity” Prize. The entire 2024 production – just two dozen pieces split evenly between yellow and white gold – was spoken for instantly. Since then, not one has surfaced at auction.

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Until now.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

\n\n

About Phillips In Association With Bacs & Russo

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Discover More from PHILLIPS >

\n\n

About Logan Baker

\n\n

Recommended Reading

\n",1,7582,5029,161865696,"

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Every season, our specialists comb through the sale to highlight the watches that speak to them most – pieces that might not always be the headliners, but reveal something essential about why we love this field. Sometimes it’s a technical breakthrough, sometimes a design detail, sometimes just the way a watch makes you feel when it’s on the wrist.

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In this edition of Specialists’ Picks for the Geneva Sessions, Fall 2025, Online Auction, our team shares personal favorites ranging from avant-garde independents to neo-vintage sleepers and timeless icons. Taken together, these choices show the breadth of watchmaking today: the hidden gems, the bold experiments, and the quietly beautiful creations that make collecting such a rewarding pursuit.

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Lot 52: A 2024 Hautlence HL Sphere 01 Unique Piece 'Sapphires' in 18k White Gold

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Estimate: CHF 50,000 - 100,000

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Alexandre Ghotbi, Head Of Watches, Europe and Middle East

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The HL Sphere 01 has left me in awe ever since it arrived in the office. Created by Hautlence, the brand founded in 2004 and known for its avant-garde “TV screen” designs, the Sphere 01 debuted at Baselworld 2019 – the final edition of the fair. It marked a return to the house’s original identity, pairing architectural design with mechanical innovation. Minutes are displayed via a retrograde hand on the right side of the dial, while the hours are shown on the left by a rotating sphere that rotates in seemingly random directions at the top of every hour.

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What makes this unique piece stand out even further is the way Hautlence merged its bold mechanism with dazzling gem-setting. The dial is set with blue sapphires that echo the color of the hour sphere. Everyone needs some bling in their life. Add in the audacity of the design, the technical mastery of the movement, and the sheer visual impact, and the HL Sphere 01 becomes one of the most striking watches to appear in our Phillips Geneva Sessions, Fall 2025, Online Auction.

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Lot 3: A 2025 Cartier Cloche in Platinum 'Rue de la Paix 13'

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Estimate: CHF 30,000 - 60,000

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Benoit Repellin, Worldwide Head of Jewelry

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As a jewelry specialist, I was honored to be invited to select a favorite watch from the upcoming Watches online auction. Naturally, I chose a Cartier – specifically, the Cloche, one of the Maison’s most iconic designs. First introduced in the 1920s, the Cloche was relaunched in 2021 as part of Cartier’s Privé collection. The model here is the Cloche Rue de la Paix, named after the brand’s historic boutique at 13 Rue de la Paix in Paris. It features a salmon dial with classic Roman numerals, except at twelve o’clock, where the numeral 13 appears in reference to the boutique’s address.

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The watch carries all the hallmarks of Cartier elegance: a platinum case, a ruby cabochon crown, and the bold geometry that has defined the Cloche for a century. I find it particularly meaningful to highlight this design in the same year that marks the hundredth anniversary of the Exposition Internationale des Arts Décoratifs et Industriels Modernes, the 1925 Paris exhibition that gave the Art Deco movement its name. A hundred years after its debut, the Cloche remains timeless, iconic, and strikingly contemporary.

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Lot 54: An MB&F Horological Machine 3 'Star Cruiser' in 18k White Gold

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Estimate: CHF 20,000 - 40,000

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Clément Finet, Specialist, Perpetual, Gstaad

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The HM3 Star Cruiser is one of the most important early creations from MB&F. First introduced in 2009, with this particular example dating to 2010, it represents the very first iteration of the HM3 before later variations like the Frog or the MegaWind appeared. It followed the HM2, which Max Büsser described as a “space station.” In a playful reversal, the HM3 became the spaceship leading to that station. Most crucially, it was the first Horological Machine to feature a truly three-dimensional time display – a design element that would go on to define nearly every HM creation that followed.

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That three-dimensional display takes shape through two tower-like pods rising from the case, each showing the hours and minutes in a way that feels more like sculpture than watchmaking. The watch also incorporates MB&F’s signature battle-axe rotor, mounted on ceramic ball bearings so it spins with remarkable fluidity. The HM3 Star Cruiser is not just visually striking but historically significant: one of the earliest MB&F machines, produced in very small numbers before the brand grew into the institution it is today. For collectors, it is precisely these early, low-production examples that hold the most allure – making this Star Cruiser a compelling highlight of the upcoming online auction.

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Lot 65: A Kross Studio Tourbillon with Turquoise Dial

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Estimate: CHF 30,000 - 60,000

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Marcello de Marco, Specialist, Business Development Associate

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For the September Geneva online sale, I wanted to go a little off the beaten path and chose this unusual creation from Kross Studio. Founded only in 2020, the brand has already earned a reputation for combining high watchmaking with daring design. This timepiece features a central floating tourbillon – elevated and hovering above the dial – encircled by three “spider” turquoise stones intersecting across its surface. Minutes are displayed on an outer disc, hours on an inner disc, while the lower third of the dial reveals a carved plate showing the gear train connected to the balance wheel. Two independent gears drive peripheral hands that circle the dial, ensuring nothing obstructs the view of the tourbillon at the center.

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The turquoise backdrop provides vivid contrast, allowing the hands to stand out clearly for excellent legibility. The technical ingenuity continues with the case design: there is no crown. Instead, a retractable central handle allows you to wind the watch, while a discreet pusher on the band lets you set the time. The strap can be released with a simple press of another button. This creates a case that feels seamless and organic, like a smooth pebble in the hand. The result is not only visually striking but also deeply practical, reflecting the brand’s focus on detail and engineering.

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Kross Studio has already made waves with collaborations tied to Marvel and Game of Thrones, blending pop culture with high watchmaking in ways rarely seen. At 45mm in diameter and 20mm thick, this is not a small watch, but the domed crystal and flowing case design give it a presence that is more sculptural than bulky. Even on a smaller wrist, the watch wears surprisingly well, and the glowing turquoise dial makes it a pleasure to look at from every angle.

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Lot 9: An early 2000s Minerva Pythagore in 18k White Gold

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Estimate: CHF 5,000 - 10,000

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Logan Baker, Senior Editorial Manager

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The Minerva Pythagore is one of the true hidden gems of the neo-vintage era. Minerva has been producing its own movements in the same Villeret workshop since 1902, quietly maintaining a tradition of in-house, small-scale watchmaking while others chased volume. I even bought a 34mm steel Pythagore from the mid-1990s last year – it’s that compelling. The 40mm white gold example offered in the Geneva Online Auction takes things to another level, distinguished by a sector dial in multiple shades of grey that gives it a quiet but striking presence on the wrist.

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As with every Pythagore, the real story is the movement. Inside is the manual-wind calibre 48, designed in 1943 with a layout based on the Golden Ratio. The bridges are all straight lines and right angles, a design philosophy that connected the mechanics of timekeeping to art and science. This 2001 version elevates that legacy with red-gold galvanisation, Geneva stripes, and hand-finished anglage, alongside the same screwed balance used since the 1940s. The Pythagore remains a watch that flies under the radar, but for anyone who values time-only wristwatches with genuine horological substance and excellent value, it doesn’t get much better.

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You can view the complete Phillips Geneva Sessions, Fall 2025, Online Auction catalogue here.

\n\n

About Phillips In Association With Bacs & Russo

\n\n

Discover More from PHILLIPS >

\n\n

About Logan Baker

\n\n

Recommended Reading

\n",7581,5025,161870298,{"_285":299,"_15":300,"_288":301},{"_285":296,"_15":297,"_288":298},{"_285":293,"_15":294,"_288":295},{"_285":290,"_15":291,"_288":292},{"_285":286,"_15":287,"_288":289},"imagePath","https://dist.phillips.com/auction-assets/CH080325/5_hi.jpg","

PATEK PHILIPPE Split Seconds Chronograph Reference 5370P-011 in platinum

\n","version","1755015455","https://dist.phillips.com/auction-assets/CH080325/4_hi.jpg","

A.LANGE & SÖHNE Lange 1 Perpetual Calendar in 18k white gold, limited edition of 150 pieces

\n","1754493556","https://dist.phillips.com/auction-assets/CH080325/3_hi.jpg","

PATEK PHILIPPE Nautilus Chronograph “40th Anniversary” Reference 5976/1G in 18k white gold, limited edition of 1,300 pieces

\n","1754495698","https://dist.phillips.com/auction-assets/CH080325/2_hi.jpg","

BERNERON Mirage Prussian Blue “A Series” in 18k white gold

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F.P.JOURNE Chronomètre à Résonance, “Parking Meter” in platinum

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Glass, number 12 of a limited edition of 28 pieces","https://dist.phillips.com/auction-assets/CH080325/221599_001.jpg",5022,"Richard Mille","2025-09-12T12:54:44.563630Z",{"_432":1270,"_434":1271,"_436":1272,"_438":1273,"_154":155,"_381":1254,"_440":513,"_441":1274,"_443":184},69850,"https://assets.phillips.com/auctions/CH080325/221599_001.jpg",{"_219":142,"_220":142},"RM016 AH Ti/1019","RM016 \"The Hour Glass\"","57",17539,11231,11124,"2025-09-12T12:51:44.643295Z","c3b84d26-bcc5-4e67-8056-73fcb588f96f",{"_219":142,"_454":142,"_456":589,"_458":563},[1277,1278,1279,1280,1281],{"_219":469,"_454":470,"_456":1285,"_458":1286},{"_219":142,"_454":142,"_456":589,"_458":563},{"_219":464,"_454":465,"_456":1283,"_458":1284},{"_219":460,"_454":461,"_456":765,"_458":928},{"_219":453,"_454":455,"_456":1282,"_458":927},779000,85300,42600,73900,36900,"223345",{"_444":1309,"_446":1310},"https://www.phillips.com/detail/behrens/223345",56,"A superb avant garde carbon wristwatch weighing only 11 grams with retrograde hands, power reserve, guarantee and presentation box, number 2 of a limited edition of 33 pieces","https://dist.phillips.com/auction-assets/CH080325/223345_001.jpg",29131,"Behrens","2025-09-12T12:53:00.000000Z",{"_432":1304,"_434":1305,"_436":1306,"_438":1307,"_154":155,"_381":1287,"_440":549,"_441":1308,"_443":184},4000,7620,"https://assets.phillips.com/auctions/CH080325/223345_001.jpg",{"_219":142,"_220":142},"BHR030","Ultra-Light 11G \"Purple Edition \" for Blue Lake 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box","https://dist.phillips.com/auction-assets/CH080325/222146_001.jpg","2025-09-12T12:50:00.000000Z",{"_432":1391,"_434":1392,"_436":1393,"_438":1394,"_154":155,"_381":1378,"_440":780,"_441":1395,"_443":184},"https://assets.phillips.com/auctions/CH080325/222146_001.jpg",{"_219":142,"_220":142},"116528","Cosmograph Daytona","53",17456,11158,11002,"2025-09-11T19:32:01.020631Z","8cf9d748-18fd-4631-a374-2c6876dfb2c4",{"_219":142,"_454":142,"_456":664,"_458":640},[1398,1399,1400,1401,1402],{"_219":469,"_454":470,"_456":993,"_458":666},{"_219":142,"_454":142,"_456":664,"_458":640},{"_219":464,"_454":465,"_456":663,"_458":416},{"_219":460,"_454":461,"_456":960,"_458":800},{"_219":453,"_454":455,"_456":1403,"_458":1089},293000,"221964",{"_444":1423,"_446":1424},"https://www.phillips.com/detail/hautlence/221964",52,"A unique and jaw dropping white gold and sapphires spherical jump hour watch with retrograde minutes with warranty and box","https://dist.phillips.com/auction-assets/CH080325/221964_001.jpg",14202,"Hautlence","2025-09-12T12:59:29.440706Z",{"_432":1419,"_434":1420,"_436":1421,"_438":1422,"_154":155,"_381":1404,"_440":513,"_441":616,"_443":184},"https://assets.phillips.com/auctions/CH080325/221964_001.jpg",{"_219":142,"_220":142},"H1501-0201","HL Sphere 01 Unique Piece \"Sapphires\"","52",17541,11233,11232,"2025-09-12T12:56:29.521363Z",{"_219":142,"_454":142,"_456":589,"_458":563},[1425,1426,1427,1428,1429],{"_219":469,"_454":470,"_456":1431,"_458":628},{"_219":142,"_454":142,"_456":589,"_458":563},{"_219":464,"_454":465,"_456":1430,"_458":588},{"_219":460,"_454":461,"_456":585,"_458":625},{"_219":453,"_454":455,"_456":763,"_458":584},85500,74200,"221664",{"_444":1451,"_446":1452},"https://www.phillips.com/detail/patek-philippe/221664",51,"A highly sought after and sporty stainless steel flyback chronograph wristwatch with date, certificate of origin and presentation 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white gold tourbillon wristwatch with aventurine dial, with guarantee and presentation box, number 1 of a limited edition of 18 pieces","https://dist.phillips.com/auction-assets/CH080325/222536_001.jpg",17416,"Montblanc","2025-09-12T12:30:32.940035Z",{"_432":1972,"_434":1973,"_436":1974,"_438":1975,"_154":155,"_381":1957,"_440":734,"_441":1976,"_443":184},"https://assets.phillips.com/auctions/CH080325/222536_001.jpg",{"_219":142,"_220":142},"MB 127767","Star Legacy Suspended Exo Tourbillon","32",17523,11215,11182,"2025-09-12T12:27:33.022767Z","b29c420f-0ecd-4e32-9879-55ba53cad9f9",{"_219":142,"_454":142,"_456":563,"_458":602},[1979,1980,1981,1982,1983],{"_219":469,"_454":470,"_456":628,"_458":932},{"_219":142,"_454":142,"_456":563,"_458":602},{"_219":464,"_454":465,"_456":1984,"_458":627},{"_219":460,"_454":461,"_456":586,"_458":626},{"_219":453,"_454":455,"_456":584,"_458":624},42900,"222063",{"_444":2004,"_446":2005},"https://www.phillips.com/detail/daniel-roth/222063",31,"A highly 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Phillips Watches Online Auction: The Geneva Sessions Fall 2025

79拍品