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A Style Apart in the New York Art Scene
Painted in 2018, Butter’s Real Name presents a bright gridded work on canvas, a prime example of Stanley Whitney’s oeuvre. The present work stands out to the viewer as thick blocks of paint contrast against each other in altering bright hues and tones. One section, from which the work takes its title, is coloured lighter than the others in a smooth buttery yellow. Butter’s Real Name attests to Whitney’s career as a key player in 20th century abstraction. Whitney arrived on the New York art scene in 1968 with strong intentions towards his practice, criticising his contemporaries such as Mark Rothko, Josef Albers, Carl Andre and Kenneth Noland for stripping away too much of the essence and purity of paint. Stanley Whitney chose to align himself with the Colour Field painters and gravitated towards influential characters such as the art critic, Clement Greenberg. He once stated, 'I felt they were all giving too much up. They gave the hand up, they were focused on being flat against the wall, what you see is what you get—I didn’t like that idea. I didn’t want to give up Courbet, I didn’t want to give up Goya, I didn’t want to give up Velázquez—I didn’t want to give up anything.'i'The colour makes the structure. I wanted a system that allowed me to lay colour down when I felt like it—I wanted nothing to get in my way. When I start these paintings, I have no idea what it’s going to be. I don’t start with a sketch or an idea. I start by laying as much colour down as I possibly can. Once I’ve laid it all out and see what I have, then I start to mentally engage and figure out what I think is working and what I don’t.' —Stanley Whitney
Nostalgia through Colour
Whitney’s style of composing colours is greatly inspired by structural buildings of Egyptian architecture. The uniformity of his blocks is staggered through layers of transparent paint in order to create a clear distinction between each grid. Curator Lauren Haynes once noted on the nostalgic quality of his work. 'Whitney’s work interrogates the connections among colours, how they lead to and away from one another, what memories they are associated with…Whitney’s colours take on lives of their own. They evoke memory and nostalgia. This orange takes you back to your favourite childhood t-shirt; that blue reminds you of your grandmother’s kitchen. Whitney’s paintings remind us, on a universal scale, of the ability of colour to trigger feelings and sensations.'ii Through painting, the artist also conveys a sense of rhythm and harmony, reminiscent of Jazz music. Today, Whitney’s paintings are collected in numerous public institutions around the globe, including the Metropolitan Museum of Art, New York, the National Gallery of Canada, Ottawa, Madazzino d’Arte Moderna, Rome and the Whitney Museum of American Art, New York.
Photo: EFE/Alamy Stanley Whitney Talks Art and Experience
In an interview with BOMB Magazine, Stanley reminisces on his first encounters with art.
Alteronce Gumby: What was your first art experience?
Stanley Whitney: Well, my first art experience was going to a Saturday art program in Bryn Mawr when I was ten. I knew I liked art, but in the community no one ever thought about it. I never thought much about it either. I didn’t know what it meant to be an artist. I thought I could make money being a commercial artist. So I went to this program.
I remember it clearly. We painted this model, in oil paint, and I used every color on the palette. The art teacher loved it, but all the other kids’ paintings were either sepia, black and white, or trying to be real realistic. And mine was full of color. I had no idea why I had done that, and I took it home, and my parents said, 'What’s this?' So I put it in the back of the closet and never went back to the program.It was hard, because I wasn’t used to being around white people—while it wasn’t segregated, you really didn’t socialize with them. You went to school with white people, you had white teachers and white classmates, but outside of that, you never talked to anybody white. You socialized with black people. In this art class I was the only black student, and then I was such an oddball—I’d painted this odd painting. So, I just couldn’t handle it. I never went back. My brother, who was a year older, was already in the Boy Scouts. I was a Cub Scout. So, I went to the Boy Scouts, where I would do camping and stuff like that. I didn’t go back to the art program. That was my first real art experience.
Alteronce Gumby: When did you first recognize what art was?
Stanley Whitney: Well, that’s a hard one. All through grade school to junior high, my friend Flubby and I did all the decorations for prom, and we did the drawings for the school newspaper—illustrations, stuff like that. But I didn’t know about the Philadelphia Museum, or the Barnes Foundation, or the Pennsylvania Academy. I just knew I could draw, and people said to me, 'If you can draw those illustrations, like in a newspaper, you can make a lot of money.' The big thing was, like I said, we were really, really poor. My siblings and I grew up above my father’s store, basically a two-bedroom apartment with six people in it. It was tight. I knew I wanted to make art. I knew even in high school. I wasn’t academic. I wasn’t going to go to college. I didn’t participate well in high school because I just didn’t like it. My older brother did pretty well. He got a soccer scholarship to Lycoming College, and my sister went to Howard University. My brother ended up transferring to Howard. But I was really anti-establishment. I just didn’t participate. So, I knew I’d go to art school.
Read the rest of the interview here
In the Studio with Stanley Whitney
i Stanley Whitney quoted in Aruna D’Souza, ‘The Color Makes the Structure: Stanley Whitney Paints a Picture,’ artnews, 30 May 2017, online
ii Lauren Haynes, ‘Orange That Blue, Stanley Whitney: Dance the Orange, The Studio Museum in Harlem, New York, 2015, p. 28Provenance
Galerie Nordenhake, Berlin
Acquired from the above by the present ownerArtist Biography
Stanley Whitney
American • 1946
Inspired by Renaissance painting, Minimalist sculpture and jazz music, Stanley Whitney’s oeuvre has become central to the current discourse of abstract painting in the contemporary era. Following recent solo exhibitions at the Modern Art Museum, Fort Worth and the Studio Museum in Harlem, New York, the 72-year-old artist has only just received the critical acclaim he deserves. After moving to New York from Philadelphia at the age of 22, Whitney aligned himself with the Color Field painters, often working in the shadows of his contemporaries including Frank Stella and Kenneth Noland. Throughout the decades that followed, however, the artist soon established himself as a key player in 20th century abstraction, traveling the world and gaining recognition not only in the studio, but also in the classroom, where he has taught Painting and Drawing at the Tyler School of Art for over 30 years. As such, Whitney’s influence extends to a generation of new artists exploring the formal tenants of painting today.
As Lauren Haynes, curator of Whitney’s solo show at the Studio Museum in 2015, aptly wrote, “Whitney’s work interrogates the connections among colors, how they lead to and away from one another, what memories they are associated with…Whitney’s colors take on lives of their own. They evoke memory and nostalgia. This orange takes you back to your favorite childhood t-shirt; that blue reminds you of your grandmother’s kitchen. Whitney’s paintings remind us, on a universal scale, of the ability of color to trigger feelings and sensations.”
106
Butter's Real Name
signed and titled 'Stanley Whitney "Butter Real Name"' on the reverse
oil on linen
183.5 x 183.2 cm (72 1/4 x 72 1/8 in.)
Painted in 2018.
Estimate
£150,000 - 200,000 ‡
Sold for £277,200
Tamila Kerimova
Specialist, Head of Day Sale, Director
20th Century & Contemporary Art
+44 20 7318 4065
tkerimova@phillips.com
20th Century & Contemporary Art Day Sale
London Auction 21 October 2020
101
Jordan Wolfson
Untitled
Estimate £60,000 - 80,000 ‡
Sold for £75,600
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102
Robert Nava
Anu Zord (Transformer)
Estimate £40,000 - 60,000
Sold for £94,500
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103
Eddie Martinez
Wave Rider
Estimate £80,000 - 120,000
Sold for £100,800
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104
Eddie Martinez
Untitled
Estimate £100,000 - 150,000
Sold for £113,400
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105
Banksy
Girl with Balloon
Estimate £60,000 - 80,000 ‡♠
Sold for £214,200
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106
Stanley Whitney
Butter's Real Name
Estimate £150,000 - 200,000 ‡
Sold for £277,200
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107
Nicolas Party
Landscape
Estimate £30,000 - 50,000
Sold for £32,760
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108
Nicolas Party
Landscape
Estimate £30,000 - 50,000
Sold for £35,280
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109
Loie Hollowell
Linked Lingam in green, purple, and orange
Estimate £50,000 - 70,000 ‡
Sold for £153,720
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110
Harold Ancart
Untitled
Estimate £60,000 - 80,000 ♠
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111
Genieve Figgis
The Seance
Estimate £50,000 - 70,000 ‡♠
Sold for £65,520
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112
Genieve Figgis
Day Out
Estimate £40,000 - 60,000 ‡♠
Sold for £60,480
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113
Claire Tabouret
Lyda Borelli (Mi-clos)
Estimate £10,000 - 15,000 ♠
Sold for £16,380
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114
Lynette Yiadom-Boakye
Chord
Estimate £40,000 - 60,000 ♠
Sold for £75,600
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115
Godwin Champs Namuyimba
Escape with a Beer
Estimate £6,000 - 8,000 ‡
Sold for £22,680
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116
Wonder Buhle Mbambo
Inkomo iyashayelwa ubisi lwayo
Estimate £3,000 - 5,000 ‡
Sold for £12,600
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117
William Mackinnon
Push the sky away
Estimate £15,000 - 20,000 ♠
Sold for £20,160
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118
Josh Smith
Untitled (JSP16029)
Estimate £60,000 - 70,000
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119
Wolfgang Tillmans
Freischwimmer 143
Estimate £100,000 - 150,000 ‡♠
Sold for £113,400
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120
This lot is no longer available.
121
Secundino Hernández
Untitled
Estimate £40,000 - 60,000 ♠
Sold for £47,880
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122
Henry Taylor
Untitled
Estimate £18,000 - 25,000
Sold for £35,280
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123
Kehinde Wiley
Passing/ Posing (Female Prophet Anne, Samuel's Mother) No. 2
Estimate £60,000 - 90,000 ‡
Sold for £100,800
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124
George Condo
Together on the Island
Estimate £30,000 - 50,000
Sold for £27,720
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125
George Condo
Cubist Woman
Estimate £30,000 - 50,000
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126
Tomoo Gokita
Mature #5
Estimate £80,000 - 120,000 ‡
Sold for £63,000
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127
KAWS
UNTITLED (MOSCHINO)
Estimate £30,000 - 50,000 ‡
Sold for £226,800
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128
Kehinde Wiley
Saint Francis of Assisi
Estimate £80,000 - 120,000 ‡
Sold for £138,600
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129
Arthur Jafa
HA Crow 8B
Estimate £40,000 - 60,000 ‡
Sold for £42,840
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130
Jon Rafman
New Age Demanded
Estimate £18,000 - 22,000 ‡
Sold for £23,940
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131
Allora & Calzadilla
Shape Shifter
Estimate £10,000 - 15,000 ‡
Sold for £37,800
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132
Harland Miller
Incurable Romantic Seeks Dirty Filthy Whore
Estimate £175,000 - 225,000 ‡♠
Sold for £214,200
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133
McArthur Binion
DNA: Sepia: IX
Estimate £30,000 - 50,000 ‡
Sold for £37,800
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134
Lorna Simpson
Portrait
Estimate £40,000 - 60,000 ‡
Sold for £44,100
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135
Lorna Simpson
Practical Joke
Estimate £15,000 - 25,000 ‡
Sold for £27,720
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136
This lot is no longer available.
137
Danh Vo
We the People (detail)
Estimate £80,000 - 120,000 ♠
Sold for £126,000
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138
Mike Kelley
City 17
Estimate £50,000 - 80,000 ‡
Sold for £252,000
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139
Nam June Paik
Neon Buddha
Estimate £50,000 - 70,000
Sold for £63,000
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140
Tony Cragg
Close Quarters
Estimate £120,000 - 180,000 ♠
Sold for £264,600
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141
Alexander Calder
Untitled
Estimate £200,000 - 300,000
Sold for £453,600
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142
Alexander Calder
Untitled
Estimate £200,000 - 300,000
Sold for £252,000
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143
Alexander Calder
Untitled
Estimate £150,000 - 200,000
Sold for £352,800
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144
Alexander Calder
Untitled
Estimate £150,000 - 200,000
Sold for £327,600
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145
Alexander Calder
Untitled
Estimate £100,000 - 150,000
Sold for £214,200
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146
Yves Klein
Sculpture Éponge bleue sans titre (SE 281)
Estimate £40,000 - 60,000 ♠
Sold for £40,320
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147
Richard Pettibone
Roy Lichtenstein, 'Woman with Flowered Hat', 1963
Estimate £12,000 - 18,000
Sold for £20,160
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148
Richard Pettibone
Frank Stella, 'Protractor Variation IV', 1968
Estimate £20,000 - 30,000
Sold for £25,200
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149
Ed Ruscha
T
Estimate £12,000 - 18,000
Sold for £15,120
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150
Ed Ruscha
O
Estimate £12,000 - 18,000
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151
Joseph Kosuth
'Texts for Nothing #18'
Estimate £30,000 - 40,000 ‡
Sold for £30,240
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152
Steven Parrino
Blob #4
Estimate £30,000 - 50,000
Sold for £23,940
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153
Julian Schnabel
Untitled
Estimate £120,000 - 180,000
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154
Julian Schnabel
Mi vida es una cumbre de mentiras
Estimate £50,000 - 70,000 ‡
Sold for £239,400
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155
Christo
The Pont Neuf, Wrapped (Project for Paris)
Estimate £60,000 - 80,000 ♠
Sold for £113,400
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156
Ilya Kabakov
The Paintings about Sun, #1
Estimate £80,000 - 120,000 ‡
Sold for £88,200
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157
Tom Wesselmann
Study for Still Life with Fruit, Daisies and Monica
Estimate £60,000 - 80,000
Sold for £81,900
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158
Andy Warhol
Camouflage Painting
Estimate £50,000 - 70,000
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159
William Kentridge
Mr and Mrs Eckstein
Estimate £160,000 - 200,000
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160
Robert Longo
Bodyhammer: Tec 9
Estimate £150,000 - 200,000
Sold for £126,000
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161
Maurizio Cattelan
Lullaby
Estimate £100,000 - 150,000 ♠
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162
Allan McCollum
The Plaster Surrogates
Estimate £80,000 - 100,000
Sold for £100,800
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163
Haim Steinbach
exuberant relative #2
Estimate £20,000 - 30,000
Sold for £47,880
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164
Darren Bader
Who has not asked himself at some time or other: am I a monster or is this what it means to be a person? - Clarice Lispector "I know, but there are lots of parts of being a person, you know?" "Yeah, I know". Anyone who lives, knows, even without knowing, that he or she knows - Clarice Lispector
Estimate £8,000 - 10,000 ‡
Sold for £8,820
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165
John Armleder
Paina Te Matai
Estimate £20,000 - 30,000
Sold for £20,160
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166
Alan Charlton
Untitled
Estimate £20,000 - 30,000 ♠
Sold for £25,200
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167
Jeff Elrod
Untitled
Estimate £20,000 - 30,000 ‡
Sold for £13,860
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168
Heimo Zobernig
Untitled (HZ 1989-041)
Estimate £25,000 - 35,000 ♠
Sold for £36,540
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169
This lot is no longer available.
170
Raoul De Keyser
Doelpaal
Estimate £40,000 - 60,000 ♠
Sold for £56,700
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171
Bram van Velde
Untitled
Estimate £100,000 - 150,000 ♠
Sold for £126,000
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172
Gabriel Orozco
Piedra que cede
Estimate £60,000 - 80,000
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173
Enoc Perez
Bacardi
Estimate £20,000 - 30,000 ‡
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174
Conrad Marca-Relli
Untitled
Estimate £30,000 - 40,000
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175
Lucio Fontana
Concetto spaziale
Estimate £50,000 - 60,000 ‡♠
Sold for £63,000
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176
Dadamaino
Volume
Estimate £50,000 - 60,000 ♠
Sold for £63,000
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177
Jannis Kounellis
Untitled
Estimate £80,000 - 120,000 ‡♠
Sold for £81,900
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178
Sandro Chia
Melancholic Drinker
Estimate £8,000 - 12,000 ♠
Sold for £16,380
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179
This lot is no longer available.
180
Thierry De Cordier
FONT. ("Fat and creamy… ")
Estimate £75,000 - 85,000 ‡♠
Sold for £119,700
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181
Thierry De Cordier
NNNANNNN. Byz (Black Mad. With a bump)
Estimate £22,000 - 28,000 ‡♠
Sold for £63,000
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182
Jules Olitski
First Love - 9
Estimate £15,000 - 20,000
Sold for £94,500
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183
André Lanskoy
Sans Titre
Estimate £15,000 - 20,000 ‡♠
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184
Adrian Ghenie
History Is Always Horny I
Estimate £30,000 - 50,000 ♠
Sold for £90,720
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185
David Hockney
Rue des Beaux-Arts
Estimate £50,000 - 70,000 ♠
Sold for £100,800
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186
Michaël Borremans
A thinner slice
Estimate £40,000 - 60,000 ♠
Sold for £44,100
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187
Lynn Chadwick, R.A.
Two Reclining Figures
Estimate £25,000 - 30,000 ♠
Sold for £22,680
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188
Victor Pasmore
Black Image
Estimate £20,000 - 30,000 ♠
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189
Victor Vasarely
Edax
Estimate £30,000 - 50,000 ♠
Sold for £35,280
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190
This lot is no longer available.
191
Richard Anuszkiewicz
Temple of Fire Red
Estimate £25,000 - 35,000 ‡
Sold for £30,240
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192
Omar Rayo
Efimero No. 3
Estimate £12,000 - 18,000
Sold for £15,120
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193
Dan Walsh
Untitled
Estimate £15,000 - 20,000
Sold for £20,160
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194
David Diao
Third International/ Tatlin
Estimate £40,000 - 50,000
Sold for £44,100
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195
A.R. Penck
KARIBIK
Estimate £30,000 - 50,000 ♠
Sold for £22,680
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196
A.R. Penck
Ohne Titel
Estimate £8,000 - 12,000 ♠
Sold for £11,340
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197
Hermann Nitsch
Untitled
Estimate £18,000 - 25,000 ♠
Sold for £27,720
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198
Franz West
Untitled (Chaise Longue)
Estimate £25,000 - 35,000 ♠
Sold for £31,500
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199
This lot is no longer available.
200
This lot is no longer available.
201
Peter Dreher
Two works: (i) Tag um Tag Guter Tag #2319 (Night); (ii) Tag um Tag Guter Tag #1336 (Day)
Estimate £15,000 - 20,000 ♠
Sold for £25,200
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202
Norbert Schwontkowski
Landschaft mit Türmen
Estimate £18,000 - 20,000 ♠
Sold for £25,200
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203
Karin Kneffel
Untitled
Estimate £80,000 - 120,000 ♠
Sold for £119,700
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204
Michael Krebber
DEP-MK-0037
Estimate £50,000 - 70,000 ♠
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205
Peter Dreher
Schwarzwald Panorama Doppelt
Estimate £40,000 - 60,000 ♠
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206
Rosemarie Trockel
Non-Believers Need Good Godfathers
Estimate £15,000 - 20,000 ♠
Sold for £18,900
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207
This lot is no longer available.
208
Alicja Kwade
Totum Pro Parte (Ein Hocker ist ein Bild)
Estimate £15,000 - 20,000 ♠
Sold for £30,240
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209
Martin Creed
Work No.172: An intrusion and a protrusion from a wall
Estimate £9,000 - 12,000 ‡♠
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210
David Altmejd
La chambre d'hôte
Estimate £15,000 - 20,000
Sold for £16,380
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211
Jim Hodges
When In There Is Out There
Estimate £10,000 - 15,000 ‡
Sold for £12,600
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212
Urs Fischer
kindsoho
Estimate £15,000 - 20,000 †
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213
Dan Colen
Smoke Em If You Got Em
Estimate £3,500 - 4,000 ‡
Sold for £2,520
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214
Sterling Ruby
Mortar & Pestle/Torso Combo
Estimate £25,000 - 35,000 ‡
Sold for £52,920
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215
Rob Pruitt
World of Pandas
Estimate £25,000 - 35,000 ‡
Sold for £31,500
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216
Rob Pruitt
Country Girl (Copper)
Estimate £20,000 - 30,000 ‡
Sold for £32,760
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217
Ella Kruglyanskaya
Seductress on Zebra
Estimate £10,000 - 15,000
Sold for £23,940
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218
Friedrich Kunath
Only a Fool Breaks His Own Heart
Estimate £20,000 - 30,000 ‡♠
Sold for £27,720
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219
Claire Tabouret
The Wise Man (pale)
Estimate £6,000 - 8,000 ♠
Sold for £6,300
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220
Andy Warhol
Alcoholism (Bottle with hands, in color)
Estimate £8,000 - 12,000
Sold for £5,670
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221
Steven Shearer
Untitled
Estimate £30,000 - 50,000
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222
This lot is no longer available.
223
Walasse Ting
Untitled
Estimate £10,000 - 15,000
Sold for £11,340
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224
Izumi Kato
Untitled
Estimate £20,000 - 30,000
Sold for £35,280
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225
This lot is no longer available.
226
Yue Minjun
Two works: (i) Contemporary Terracotta Warrior No.5; (ii) Contemporary Terracotta Warrior No.5
Estimate £60,000 - 80,000 ‡
Sold for £75,600
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227
Richard Hambleton
Shadow Head
Estimate £8,000 - 12,000 ‡
Sold for £11,970
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228
Charming Baker
Love Is Not Needing Any Help If You Are Intent On Staying Ignorant
Estimate £18,000 - 22,000 ‡♠
Sold for £20,160
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229
KAWS
UNTITLED (MBFVP10)
Estimate £20,000 - 30,000
Sold for £50,400
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230
KAWS
NO ONE'S HOME
Estimate £8,000 - 12,000 ‡
Sold for £20,160
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231
Invader
Small retinal invasion 2
Estimate £20,000 - 30,000 ♠
Sold for £54,180
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232
This lot is no longer available.
233
Sergej Jensen
Since You Left
Estimate £20,000 - 30,000 ♠
Sold for £30,240
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234
Mark Flood
Men's Club
Estimate £6,000 - 8,000
Sold for £4,410
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235
Nathan Hylden
Untitled
Estimate £4,000 - 6,000
Sold for £4,788
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236
Ryan Sullivan
September 26, 2011 - September 28, 2011
Estimate £15,000 - 20,000
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237
David Ostrowski
F (Rom)
Estimate £10,000 - 15,000 ♠
Sold for £17,640
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238
Chris Succo
GOOD LUCK WINNING THE LOTTERY #2
Estimate £5,000 - 7,000 ♠
Sold for £6,300
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239
Dan Colen
I can go steady with any girl I please
Estimate £18,000 - 25,000 ‡
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240
Dan Colen
The Dead Don't Die
Estimate £15,000 - 20,000 ‡
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241
Parker Ito
Cheeto Returns (Dynamic Blue) / Not Sure if You Know This But I'm an Artist (Red Strainer) - This is Actually so Hype (ParkerItoArt.com)
Estimate £1,500 - 2,000 ‡
Sold for £7,812
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242
Leo Gabin
With Ice in Mouth
Estimate £3,000 - 5,000 ‡♠
Sold for £5,292
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243
Adam McEwen
Untitled
Estimate £10,000 - 15,000 ♠
Sold for £6,300
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244
Aaron Curry
Witch with a Flower Pot Head
Estimate £12,000 - 18,000
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245
Matthew Day Jackson
The Way We Were
Estimate £20,000 - 30,000 ‡
Sold for £34,020
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246
Kelley Walker
Recycle Sign
Estimate £40,000 - 60,000
Sold for £36,540
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247
This lot is no longer available.
248
Michael Ray Charles
(Forever Free) Surprise
Estimate £10,000 - 15,000
Sold for £13,860
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249
Rirkrit Tiravanija and Tomas Vu
Los Dìas de Esta Sociedad. Pussy Riot
Estimate £8,000 - 12,000
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250
Tomás Sánchez
Untitled
Estimate £20,000 - 30,000
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251
Jim Hodges
In the Dark Cave
Estimate £20,000 - 30,000 ‡
Sold for £15,120
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252
Danh Vo
Photographs of Dr. Joseph M. Carrier 1962-1973
Estimate £10,000 - 15,000 ‡♠
Sold for £20,160
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253
Rodney Graham
Willow, Mullem (from the series Flanders Trees)
Estimate £20,000 - 30,000
Sold for £31,500
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254
Thomas Ruff
03h 40m/-25°
Estimate £30,000 - 50,000 ‡♠
Sold for £44,100
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255
Douglas Huebler
Duration Piece #7
Estimate £20,000 - 30,000
Sold for £35,280
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256
Thomas Ruff
Portrait (J.Blum)
Estimate £7,000 - 9,000 ‡♠
Sold for £26,460
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257
Bernd and Hilla Becher
Kühltürme, Beton
Estimate £80,000 - 120,000 Ω♠
Sold for £100,800
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258
Roni Horn
Clowd and Cloun (Gray) - Group 2
Estimate £20,000 - 30,000
Sold for £35,280
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259
David Claerbout
Sections of a Happy Moment
Estimate £10,000 - 15,000 ♠
Sold for £21,420
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260
Marc Quinn
Under the Volcano (Manchena Galapagos)
Estimate £15,000 - 20,000 ♠
Sold for £18,900
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261
Cecily Brown
3 Studies After "An Election: An Election Entertainment" by William Hogarth
Estimate £12,000 - 18,000 ♠
Sold for £35,280
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262
Toby Ziegler
Cotton Rich Panic
Estimate £12,000 - 18,000 ♠
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263
Djordje Ozbolt
Last Year's Fashion
Estimate £10,000 - 15,000 ♠†
Sold for £44,100
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264
Peter Phillips
Eliminator II
Estimate £40,000 - 60,000 ♠
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265
Gilbert & George
Faith Window
Estimate £15,000 - 20,000 ‡♠
Sold for £15,120
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266
Toby Ziegler
Found Object
Estimate £4,000 - 6,000 ♠
Sold for £7,560
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267
Chris Ofili
Black Milky Way
Estimate £15,000 - 20,000 ‡♠
Sold for £18,900
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268
Anj Smith
Garden II
Estimate £4,000 - 6,000 ‡♠
Sold for £35,280
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269
Katrin Fridriks
Stendhal Syndrome No. 7
Estimate £10,000 - 15,000 ♠
Sold for £9,450
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270
Stanley Casselman
IR-43
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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271
David Kim Whittaker
DECIDING TO GO TO SEA II
Estimate £12,000 - 18,000 ♠
Sold for £12,600
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272
Mark Alexander
Shield of Achilles X
Estimate £18,000 - 22,000 ♠†
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273
Wang Yigang
Landscape N 59
Estimate £20,000 - 30,000
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