Richard Avedon - Photographs New York Thursday, October 7, 2021 | Phillips

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  • 來源

    舊金山 Fraenkel 畫廊(2002年)

  • 文學

    Random House, Evidence, 1944-1994: Richard Avedon, p. 151

  • 圖錄文章

    From the series of photographs Richard Avedon took of his father, Jacob Israel Avedon, from 1967 to 1973, emerged some of Avedon’s most moving, personal, and revealing portraits. This work became the sole subject of the photographer’s first monographic New York museum exhibition, Jacob Israel Avedon, photographed by Richard Avedon in 1974 at The Museum of Modern Art. Dissatisfied with what he saw as disingenuous smiles in family photos and commercial studio portraits, Richard Avedon sought to “do something else” when photographing his father. In a letter written in 1970 explaining his photographic philosophy to his father, Avedon wrote, “when you pose for a photograph, it’s behind a smile that isn’t yours. You are angry and hungry and alive. What I value in you is that intensity. I want to make portraits as intense as people. I want your intensity to pass into me, go through the camera and become a recognition to a stranger. I love your ambition and your capacity for disappointment, and that’s still as alive in you as it has ever been.”

    Avedon’s striking portrait transcends its deeply personal nature and connects to a broader audience, bringing us closer to both father and son. On the advent of Avedon’s MoMA exhibition John Szarkowski wrote of the Jacob Israel images; “Photographic portraiture, pursued with the high ambition that tradition suggests, is an enormously difficult art. It is most difficult when the photographer and the subject know each other well; in such cases each recognizes and nullifies the other’s little tricks of style—the stuff of our personae. In these circumstances only acceptance and trust can succeed. Richard Avedon’s portraits of his father are the deeply moving record of such a success.”

  • 藝術家簡介

    理查德.阿維頓

    American • 1923 - 2004

    From the inception of Richard Avedon's career, first at Harper's Bazaar and later at Vogue, Avedon challenged the norms for editorial photography. His fashion work gained recognition for its seemingly effortless and bursting energy, while his portraits were celebrated for their succinct eloquence. "I am always stimulated by people," Avedon has said, "almost never by ideas." 

    Indeed, as seen in his portraits — whether of famed movie stars or everyday people — the challenge for Avedon was conveying the essence of his subjects. His iconic images were usually taken on an 8 x 10 inch camera in his studio with a plain white background and strobe lighting, creating his signature minimalist style. Avedon viewed the making and production of photographs as a performance similar to literature and drama, creating portraits that are simultaneously intensely clear, yet deeply mysterious.

    瀏覽更多作品

ED COHEN 與 VICTORIA SHAW 照片收藏系列

191

《積卡布.以色列.阿維頓與理查德.阿維頓,佛羅里達州薩拉索塔,1969年8月9日》

1969年作
獨特銀鹽照片(2002年印)
7 7/8 x 10 英吋 (20 x 25.4 公分)
款識:攝影師簽名、unique print、版權信用、複印限制鈴印(照片邊緣)

估價
$10,000 - 15,000 

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紐約拍賣2021年10月7日