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"For Lewis, Black Painting provided an entry to a cosmos, as his contemporary Charles Davis so memorably put it, in which modernism and African-American identity can coexist. Like Davis, he wanted to place the art of African Americans in what we would now call its intercultural visual milieu."
—Ann Eden Gibson on Norman Lewis’ Black PaintingsiPainted between 1973 and 1974, Fleshy Phase, is a splendid example of Norman Lewis’ late “Black Paintings,” demonstrating the artist’s unique place within the Abstract Expressionist movement. Standing among artists like Willem de Kooning, Jackson Pollock, Robert Motherwell, Mark Rothko, and Franz Kline, Norman Lewis was the first African American to become a member of the first generation of the New York School. This was marked by his inclusion in the historic symposium at Studio 35 in 1950, the event where the term “Abstract Expressionism” was first coined. Unlike the dynamic brushstrokes of his peers, Lewis became known for his more subtle use of color. In fact, it was the color black which served as the starting-off point for his exploration of abstract painting, one he revisited again and again throughout his career.
Robert Rauschenberg, Untitled, c. 1951, Whitney Museum of American Art, New York. Image: © Whitney Museum of American Art / Licensed by Scala / Art Resource, NY, Artwork: © 2022 Robert Rauschenberg Foundation / Artists Rights Society (ARS), New York
Lewis’ signature use of the color black
Lewis’ “Black Paintings” recall the treatment of the color by some of his younger contemporaries like Frank Stella and Robert Rauschenberg. Like both artists, Lewis was fascinated by black’s relation to other colors and the effects it could have on the luminosity of the pigments around or within it. As Ann Gibson explains, he uniquely treated the “color in such a way that it could become other things.”ii His signature use of black distinguished himself from those like Ad Reinhardt, for whom black signified the elimination of color. For Lewis, the color black served a unique purpose: it was meant to bring out the bold colors present around it. Fleshy Phase is a testament to this notion, incorporating bold reds and blues that emerge from the black background like flames. Perhaps, as the work’s title suggests, these brightly colored forms are meant to emulate human flesh, composed of muscle and fat. In its ambiguity, Lewis makes the work not about the subject itself, but about its formal qualities: color, composition and form.
In-Between: Black Art and Abstract Expressionism
While Lewis began his career, like many of his African American peers, as a Social Realist painter, by the mid-1940s, Lewis turned away from representational painting in favor of abstraction. The result was a surprising oeuvre characterized by color and form that positioned him as the sole African American artist of the New York School by the 1950s. Despite his change in style, Lewis remained a key figure in supporting and promoting the art of Black artists. In 1963 he founded Spiral, along with Romare Bearden and Charles Alston, an artist collective with the goal of promoting Black art in institutions. Throughout his career, he remained dedicated to abstraction, which differentiated him from artists like Bearden. It was his unique position at this intersection of the Black Art and Abstract Expressionist movements that precluded Lewis from experiencing the fame that many of his peers did.In recent years, Lewis’ works are finally getting the due recognition they deserve. The Whitney Museum of American Art, New York recently acquired their first Lewis painting, American Totem, in 2019. The work is currently on view on the seventh floor of the museum alongside a major Franz Kline painting, asserting Lewis’ importance in the art historical canon. Between 2015 and 2017, other museums that have acquired works by Lewis include the Newark Museum, the Cleveland Museum of Art, and SFMOMA.
i Norman Lewis, quoted in Ann Eden Gibson, “Black is a Color: Norman Lewis and Modernism in New York,” Norman Lewis: Black Paintings, 1946-1977, exh. cat., Studio Museum in Harlem, New York, 1998, p. 11.
ii Ibid.Provenance
The Artist
Estate of Norman Lewis
Acquired from the above by the present ownerExhibited
New York, Bill Hodges Gallery, Norman Lewis: Shades of Blackness, November 18, 2021–January 29, 2022, pp. 5, 18–19, 29 (illustrated, pp. 19, 29)
Literature
David Carrier, “The Transcendent Power of Black in Norman Lewis’s Abstractions,” Hyperallergic, January 5, 2022, online (illustrated)
Property of a Distinguished New York Collector
116
Fleshy Phase
signed and dated “NORMAN LEWIS 74” lower right; titled and dated “1973 Fleshy PHASE” on the original stretcher
oil on canvas
83 x 49 1/2 in. (210.8 x 125.7 cm)
Painted in 1973-1974.
Estimate
$400,000 - 600,000
Sold for $441,000
Annie Dolan
Specialist, Head of Day Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 November 2022
101
Bob Thompson
The Family
Estimate $60,000 - 80,000
Sold for $214,200
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102
Richard Mayhew
Guardian
Estimate $50,000 - 70,000
Sold for $252,000
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103
Emily Mason
Like Frost Upon a Glass
Estimate $15,000 - 20,000
Sold for $100,800
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104
Vivian Springford
Untitled
Estimate $70,000 - 100,000
Sold for $233,100
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105
Wolf Kahn
Evening Brook
Estimate $12,000 - 18,000
Sold for $21,420
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106
Joan Mitchell
Untitled
Estimate $400,000 - 600,000
Sold for $567,000
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107
Ed Clark
Black Daylight
Estimate $200,000 - 300,000
Sold for $189,000
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108
Beauford Delaney
Yellow Abstraction
Estimate $70,000 - 100,000
Sold for $81,900
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109
Gerhard Richter
14.2.88
Estimate $250,000 - 350,000
Sold for $327,600
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110
Howard Hodgkin
Tea with Mrs. Parikh
Estimate $280,000 - 350,000
Sold for $478,800
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111
Jack Whitten
Dutch Treat III
Estimate $100,000 - 150,000
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112
Sam Gilliam
Untitled
Estimate $120,000 - 180,000
Sold for $157,500
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113
Norman Lewis
Untitled
Estimate $500,000 - 700,000
Sold for $567,000
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114
This lot is no longer available.
115
Helen Frankenthaler
Brown Bird
Estimate $400,000 - 600,000
Sold for $504,000
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116
Norman Lewis
Fleshy Phase
Estimate $400,000 - 600,000
Sold for $441,000
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117
Ernie Barnes
Window Wishing
Estimate $80,000 - 120,000
Sold for $138,600
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118
Ernie Barnes
My Man
Estimate $150,000 - 200,000
Sold for $151,200
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119
Alex Katz
Richard Marshall
Estimate $350,000 - 500,000
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120
John Wesley
Let's Get Out of the Hall
Estimate $90,000 - 120,000
Sold for $157,500
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121
Ed Ruscha
Industrial Village and Its Hill
Estimate $400,000 - 600,000
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122
Gerhard Richter
Hyänen
Estimate $400,000 - 600,000
Sold for $453,600
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123
Andy Warhol
Mineola Motorcycle (positive)
Estimate $600,000 - 800,000
Sold for $816,500
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124
This lot is no longer available.
125
Roy Lichtenstein
Modern Sculpture with Velvet Rope
Estimate $400,000 - 600,000
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126
John Chamberlain
Noogatory
Estimate $200,000 - 300,000
Sold for $201,600
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127
Craig Kauffman
Untitled
Estimate $180,000 - 250,000
Sold for $226,800
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128
Ken Price
Zazz
Estimate $150,000 - 200,000
Sold for $189,000
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129
Agnes Martin
Untitled
Estimate $150,000 - 200,000
Sold for $176,400
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130
Brice Marden
Untitled
Estimate $300,000 - 500,000
Sold for $138,600
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131
Ettore Spalletti
Azzurro, eco
Estimate $70,000 - 100,000
Sold for $144,900
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132
Anne Truitt
Parva LIII
Estimate $50,000 - 70,000
Sold for $81,900
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133
Sergio Camargo
Untitled
Estimate $70,000 - 90,000
Sold for $88,200
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134
Louise Nevelson
Dawn's Landscape XXIX
Estimate $300,000 - 500,000
Sold for $504,000
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135
This lot is no longer available.
136
Jiro Takamatsu
Shadow (No. 1448)
Estimate $80,000 - 120,000
Sold for $81,900
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137
Isamu Noguchi
Model for Twin Sculpture for Bayerische Vereins Bank, Munich
Estimate $70,000 - 90,000
Sold for $75,600
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138
Yayoi Kusama
No. B
Estimate $150,000 - 200,000
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139
Barbara Hepworth
Squares (June)
Estimate $100,000 - 150,000
Sold for $157,500
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140
Barbara Hepworth
Three Forms (Winter Rocks)
Estimate $300,000 - 500,000
Sold for $415,800
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141
Henry Moore
Girl Seated against Square Wall
Estimate $700,000 - 1,000,000
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142
Joan Miró
Femme
Estimate $60,000 - 80,000
Sold for $94,500
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143
Salvador Dalí
Vénus de Milo aux tiroirs
Estimate $250,000 - 350,000
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144
Pablo Picasso
Le transformateur
Estimate $600,000 - 800,000
Sold for $504,000
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145
Joaquín Torres-García
Tres figuras en estructura
Estimate $600,000 - 800,000
Sold for $604,800
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146
Leonora Carrington
Untitled (Griffin)
Estimate $50,000 - 70,000
Sold for $176,400
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147
Julio Galán
Diamah
Estimate $50,000 - 70,000
Sold for $63,000
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148
This lot is no longer available.
149
Pablo Picasso
Nu se coiffant
Estimate $300,000 - 500,000
Sold for $289,800
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150
Piet Mondrian
Iris Bloom in Bud Vase
Estimate $100,000 - 150,000
Sold for $138,600
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151
Wassily Kandinsky
Ohne Titel
Estimate $300,000 - 400,000
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152
Marc Chagall
Bouquet au village
Estimate $300,000 - 500,000
Sold for $327,600
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153
Andrew Wyeth
Loon Drake (Loon)
Estimate $60,000 - 80,000
Sold for $113,400
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154
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Summer Journey thru Indian Lands
Estimate $10,000 - 15,000
Sold for $56,700
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155
Jean-Michel Basquiat
Vehement Alley Cats
Estimate $70,000 - 100,000
Sold for $69,300
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156
Ouattara Watts
La Danseuse de Zanzibar
Estimate $6,000 - 8,000
Sold for $30,240
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157
Robert Colescott
Love Hate Relationship
Estimate $30,000 - 40,000
Sold for $50,400
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158
Ernie Barnes
Study Sketch for Dance Couple
Estimate $15,000 - 20,000
Sold for $35,280
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159
Romare Bearden
The Blue Light
Estimate $25,000 - 35,000
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160
Steve Wheeler
The Jewel Thief
Estimate $15,000 - 20,000
Sold for $37,800
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161
Carl Andre
Untitled
Estimate $35,000 - 45,000
Sold for $63,000
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162
Yayoi Kusama
Infinity Nets (Sunset)
Estimate $60,000 - 80,000
Sold for $81,900
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163
Anne Truitt
Summer '96 No. 65
Estimate $30,000 - 50,000
Sold for $75,600
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164
Carmen Herrera
Untitled
Estimate $50,000 - 70,000
Sold for $75,600
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165
John Wesley
Cheep
Estimate $20,000 - 30,000
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166
Tom Wesselmann
Judy
Estimate $60,000 - 80,000
Sold for $69,300
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167
Tom Wesselmann
Study for Bedroom Nude (folding screen)
Estimate $80,000 - 120,000
Sold for $132,300
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168
Tom Wesselmann
Study for Mauve Roses
Estimate $30,000 - 50,000
Sold for $27,720
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169
Alex Katz
Vivien
Estimate $35,000 - 55,000
Sold for $75,600
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170
Alex Katz
Vincent
Estimate $35,000 - 55,000
Sold for $107,100
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171
Andy Warhol
Hamburger
Estimate $80,000 - 120,000
Sold for $176,400
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172
Andy Warhol
Monkey (Toy Painting)
Estimate $80,000 - 120,000
Sold for $220,500
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173
Andy Warhol
Torso
Estimate $90,000 - 120,000
Sold for $113,400
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174
Mel Ramos
Donut Doll: The Lost Painting of 1965 #42
Estimate $80,000 - 120,000
Sold for $151,200
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175
Larry Rivers
The Elimination of Nostalgia, ABC
Estimate $60,000 - 80,000
Sold for $75,600
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176
Elaine de Kooning
John Glykos
Estimate $25,000 - 35,000
Sold for $69,300
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177
Elaine de Kooning
Catskill Series
Estimate $20,000 - 30,000
Sold for $27,720
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178
Willem de Kooning
Untitled
Estimate $60,000 - 80,000
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179
Atsuko Tanaka
1975 March
Estimate $100,000 - 150,000
Sold for $138,600
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180
Adolph Gottlieb
Calligraphy
Estimate $150,000 - 200,000
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181
Theodoros Stamos
Greek Easter
Estimate $20,000 - 30,000
Sold for $27,720
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182
Vivian Springford
Untitled
Estimate $60,000 - 80,000
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183
Elizabeth Murray
Pico
Estimate $20,000 - 30,000
Sold for $25,200
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184
Thomas Downing
Split Possession
Estimate $40,000 - 60,000
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185
Joe Goode
Untitled (from Vandalism Series)
Estimate $60,000 - 80,000
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186
De Wain Valentine
Untitled (Red Double Wheel)
Estimate $40,000 - 60,000
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187
James Turrell
Untitled (XC)
Estimate $40,000 - 60,000
Sold for $52,920
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188
Ed Ruscha
Gasoline Stations
Estimate $120,000 - 180,000
Sold for $138,600
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189
Joseph Kosuth
Word, Sentence, Paragraph (Z. & N.) #16
Estimate $80,000 - 120,000
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190
George Rickey
Ommaggio a Bernini Variation III
Estimate $100,000 - 150,000
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191
Frank Gehry
Fish Lamp
Estimate $150,000 - 200,000
Sold for $176,400
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192
Beverly Pepper
Shedua Plaza
Estimate $20,000 - 30,000
Sold for $37,800
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193
Dorothy Dehner
Untitled
Estimate $10,000 - 15,000
Sold for $16,380
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194
Melvin Edwards
Makatini
Estimate $30,000 - 50,000
Sold for $132,300
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195
Louise Nevelson
Black Cryptic V
Estimate $15,000 - 20,000
Sold for $52,920
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196
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $40,320
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197
Richard Artschwager
Untitled (Chair)
Estimate $7,000 - 10,000
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198
Sir Anthony Caro, O.M, R.A.
Dusky Rose
Estimate $60,000 - 80,000
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199
Sir Anthony Caro, O.M, R.A.
Table Piece CCCXXXVI
Estimate $30,000 - 50,000
Sold for $81,900
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200
Sir Anthony Caro, O.M, R.A.
Table Piece CCLXI
Estimate $30,000 - 40,000
Sold for $40,320
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201
Mimmo Paladino
Untitled
Estimate $90,000 - 100,000
Sold for $151,200
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202
Manolo Valdés
Mariposas IV
Estimate $120,000 - 180,000
Sold for $201,600
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203
Juan Genovés
Columna I
Estimate $120,000 - 180,000
Sold for $151,200
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204
Karel Appel
The Entry
Estimate $80,000 - 120,000
Sold for $277,200
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205
Bernard Buffet
Glaïeuls rouges
Estimate $100,000 - 150,000
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206
Victor Vasarely
Song II
Estimate $40,000 - 60,000
Sold for $50,400
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207
Julian Stanczak
Offended Red
Estimate $25,000 - 35,000
Sold for $30,240
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208
Pedro Coronel
Año uno Luna No. 3
Estimate $180,000 - 250,000
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209
Carlos Cruz-Diez
Transchromie Dames B Harmonie 3
Estimate $45,000 - 55,000
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210
Carlos Cruz-Diez
Transchromie Mecanique A
Estimate $40,000 - 60,000
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211
Omar Rayo
Velamen del Wayuú XXV
Estimate $20,000 - 30,000
Sold for $25,200
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212
Alberto Biasi
8-8 8-8 dinamiche
Estimate $10,000 - 15,000
Sold for $12,600
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213
Jorge Eielson
Amazzonia
Estimate $30,000 - 40,000
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214
Sam Gilliam
Over and Under
Estimate $20,000 - 30,000
Sold for $30,240
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215
Frank Stella
Wake Island Rail
Estimate $70,000 - 100,000
Sold for $132,300
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216
Julian Opie
Hoodie.
Estimate $20,000 - 30,000
Sold for $30,240
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217
Larry Rivers
Ann Among the Golden Oldies
Estimate $25,000 - 35,000
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218
Larry Rivers
Grey & Shadow Camel
Estimate $40,000 - 60,000
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219
Richard Artschwager
Pull
Estimate $18,000 - 25,000
Sold for $17,640
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220
Bernar Venet
Cosmography Drawing
Estimate $15,000 - 20,000
Sold for $15,120
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221
Larry Poons
Untitled
Estimate $10,000 - 15,000
Sold for $10,080
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222
Richard Pousette-Dart
Composition
Estimate $15,000 - 20,000
Sold for $15,120
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223
Helen Marden
Mali
Estimate $8,000 - 12,000
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224
Hannah Wilke
Three works (i-iii): Untitled
Estimate $10,000 - 15,000
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225
Helen Bershad
Untitled
Estimate $3,000 - 5,000
Sold for $13,860
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226
Teresa Serrano
Present, past and future
Estimate $5,000 - 7,000
Sold for $4,410
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227
Tomás Sánchez
Liberación del verde
Estimate $15,000 - 20,000
Sold for $15,120
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228
Dorothea Tanning
Rêve d’une jeune femme
Estimate $7,000 - 10,000
Sold for $23,940
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229
Marisol Escobar
Woman from Paris
Estimate $12,000 - 18,000
Sold for $15,120
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230
Max Ernst
Deux personnages réciproques
Estimate $15,000 - 20,000
Sold for $17,640
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231
Georges Valmier
Untitled
Estimate $6,000 - 8,000
Sold for $7,560
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232
Max Ernst
Arizona Landscape
Estimate $15,000 - 20,000
Sold for $25,200
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233
John Marin
From Green Head
Estimate $15,000 - 20,000
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234
Max Weber
Seated Figure
Estimate $2,000 - 3,000
Sold for $7,560
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235
This lot is no longer available.
236
Joseph Cornell
Die Weisse Frau (La Dame Blanche)
Estimate $25,000 - 35,000
Sold for $28,980
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237
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $81,900
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238
Tom Wesselmann
Drawing for Great American Nude #93
Estimate $20,000 - 30,000
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239
Tom Wesselmann
Study for Self Portrait While Drawing
Estimate $15,000 - 20,000
Sold for $25,200
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240
Tom Wesselmann
Judy
Estimate $8,000 - 12,000
Sold for $16,380
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241
Tom Wesselmann
Two works: (i) Untitled; (ii) Study for Great American Nude #80
Estimate $20,000 - 30,000
Sold for $25,200
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242
Alex Katz
Unfamiliar Image
Estimate $20,000 - 30,000
Sold for $37,800
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243
Roy Lichtenstein
St. Macarius Before His Monastery
Estimate $10,000 - 15,000
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244
Kenny Scharf
Exotic Trend
Estimate $25,000 - 35,000
Sold for $32,760
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245
Sol LeWitt
Horizontal Brushstrokes
Estimate $12,000 - 18,000
Sold for $22,680
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