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"Route 66, I’ve had a great affection for that road because of its connection between the places I’ve been and worked. It was like a continuous ribbon, it was like a real magical formula for keeping my life going. I thought it was great."
—Ed RuschaSpanning over 13 feet long, Industrial Village and Its Hill, painted in 1982, bestows upon us Ed Ruscha’s signature style in which text and image coexist. Originally from Nebraska, Ruscha spent years in Oklahoma City before moving to Los Angeles to study at what is now the California Institute of the Arts. Here, Ruscha discovered Pop masterworks like Jasper John’s 1950s target paintings, which would inspire him to rely on similarly commercial imagery in his own work. Yet, it was Ruscha’s fascination and admiration for the American landscape which truly distinguished his paintings, prints and photographs from his Pop predecessors and contemporaries. Such regard for the west coast is palpable in the present work, which abstractly depicts the famous Route 66 in his home state of California. Above silhouettes of the San Bernardino and San Gabriel Mountain ranges across the lower expanse of the canvas are two small phrases rendered in Ruscha’s iconic stenciled letters, as if mapping out the landscape from left to right: “THE HILL ABOVE INDUSTRIAL VILLAGE” and “INDUSTRIAL VILLAGE.” Originally housed in the collection of Merry Norris, founder of the Museum of Contemporary Art, Los Angeles, Industrial Village and Its Hill, is a prime example of Ruscha’s characteristic use of text immersed in the American landscape.
"There is a big difference between vertical movement and horizontal movement."
—Ed RuschaThroughout his long and illustrious career, Ruscha has explored and used different techniques playing around with the juxtaposition of words and symbols into images. Just a few years before he created the present work, Ruscha started utilizing the grand horizontal canvas format, largely inspired by billboards and murals. Rendered in monochromatic black and white, Industrial Village and Its Hill illustrates just enough to identify Route 66 by its silhouette. The text embedded in the painting points out where the unnamed “hill above the industrial village” is located, versus the anonymous “industrial village,” creating the visual effect of an elongated distance between these two landmarks. Ruscha explains, “The reason I’m happy with these pictures is because, even with the width of the canvas, I’m able to miniaturize things so that there’s almost thousands of miles between the left side of the canvas and the right side of the canvas...The lettering also brings you down to the miniature aspect of it. That’s why the letters are no larger than they are...It has to do with the fact that our eyes run in a horizontal line. There is a big difference between vertical movement and horizontal movement. I seem to be on horizontal movement, and I’ve been here for years.”i
Route 66, California. Image: trekandshoot / Alamy Stock Photo "Using exact geographical terms to particularize the uninflected abstraction of a landscape (a Route 66 landscape par excellent) is witty... Not the idea of landscape but something like the experience of an actual landscape is induced in the viewer, who seizes on the internal captions “industrial village” and “hill” to stave off vertigo."
—Peter Schjeldahl, “Ed Ruscha: Traffic and Laughter," 1985Many of the works Ruscha was creating during the 1980s and 1990s recall grainy film stills. These so-called silhouette paintings, like the present work, were created with a technique that mimics the process used in making commercial billboards—air brushing and stenciling together remove the appearance of any handmade brushstrokes. Here, the technique is used in a manner contrary to that of advertisement. With its vague phrases and unidentifiable background, the imagery does not resemble any one thing in particular. The text atop the mountains transmits a distance, evoking a sense of nostalgia without labeling it as anything specific. The result is a composition that is at once familiar and anonymous. Ruscha said, “a lot of my paintings are anonymous backdrops for the drama of words. In a way, they’re words in front of an old Paramount Studios mountain. You don’t have to have a mountain back there - you could have a landscape, a farm. I have a background, foreground. It’s so simple. And the backgrounds are of no particular character. They’re just meant to support the drama, like the Hollywood sign being held up by sticks.”ii
An important work in the artist’s prolific oeuvre, this painting has been featured in seminal institutional shows, including Ruscha’s traveling 1989-1991 and 2000-2001 retrospectives. It was also referenced by the late and revered art critic, Peter Schejdahl in his 1985 essay “Traffic and Laughter,” who died just this past October. Of this painting, he aptly stated, “Not the idea of landscape but something like the experience of an actual landscape is induced in the viewer, who seizes on the internal captions 'industrial village' and 'hill' to stave off vertigo."
i Edward Ruscha, quoted in Richard Marshall, Ed Ruscha, New York 2003, p. 181.
ii Ed Ruscha quoted in Richard Marshall, Ed Ruscha, London 2003, p. 239.Provenance
Merry Norris, Los Angeles
Acquired from the above by the present ownerExhibited
Reading, Freedman Gallery, Albright College, Contemporary Landscape Painting, June 17–July 30, 1983, n.p.
Paris, Musée national d'art moderne, Centre Georges Pompidou, no. 14, pp. 32-33, 78 (illustrated, pp. 32-33); Rotterdam, Museum Boymans-van Beuningen, no. 12, pp. 46-47, 123 (illustrated, p. 47); Barcelona, Fundacio Caixa de Pensions, pp. 61-62 (illustrated); London, Serpentine Gallery; Los Angeles, The Museum of Contemporary Art, Edward Ruscha, December 6, 1989–February 24, 1991
Washington, D.C., Hirshhorn Museum and Sculpture Garden; Chicago, Museum of Contemporary Art; Miami Art Museum; Modern Art Museum of Fort Worth, Ed Ruscha, June 29, 2000–September 30, 2001, pp. 88-89, 204 (illustrated, pp. 88-89)Literature
Peter Schjeldahl, “Traffic and Laughter,” Edward Ruscha, exh. cat., Musée St. Pierre, Lyon, 1985, p. 53
Bonnie Clearwater, “Edward Ruscha: Words Without Thoughts Never To Heaven Go,” Edward Ruscha, Lannan Museum, exh. cat., Lake Worth, 1988, no. 23, pp. 34, 37 (illustrated, p. 37)
“Art,” International Herald Tribune, 1990, p. 7
Peter Schjeldahl, “Traffic and Laughter,” The Hydrogen Jukebox: Selected Writings of Peter Schjeldahl 1978-1990, Berkeley and Los Angeles, 1991, p. 246
Robert Dean with Erin Wright, Edward Ruscha. Catalogue Raisonné of the Paintings. Volume Two: 1971-1982, New York, 2005, no. P1982.04, pp. 382-383 (illustrated, p. 383)Artist Biography
Ed Ruscha
American • 1937
Quintessentially American, Ed Ruscha is an L.A.-based artist whose art, like California itself, is both geographically rooted and a metaphor for an American state of mind. Ruscha is a deft creator of photography, film, painting, drawing, prints and artist books, whose works are simultaneously unexpected and familiar, both ironic and sincere.
His most iconic works are at turns poetic and deadpan, epigrammatic text with nods to advertising copy, juxtaposed with imagery that is either cinematic and sublime or seemingly wry documentary. Whether the subject is his iconic Standard Gas Station or the Hollywood Sign, a parking lot or highway, his works are a distillation of American idealism, echoing the expansive Western landscape and optimism unique to postwar America.
121
Industrial Village and Its Hill
partially titled and dated "Hill Above Industrial Village INDUSTRIAL VILLAGE Jan 20 82" on the overlap
oil on canvas
20 x 159 in. (50.8 x 403.9 cm)
Painted on January 20, 1982.
Estimate
$400,000 - 600,000
Annie Dolan
Specialist, Head of Day Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 November 2022
101
Bob Thompson
The Family
Estimate $60,000 - 80,000
Sold for $214,200
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102
Richard Mayhew
Guardian
Estimate $50,000 - 70,000
Sold for $252,000
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103
Emily Mason
Like Frost Upon a Glass
Estimate $15,000 - 20,000
Sold for $100,800
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104
Vivian Springford
Untitled
Estimate $70,000 - 100,000
Sold for $233,100
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105
Wolf Kahn
Evening Brook
Estimate $12,000 - 18,000
Sold for $21,420
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106
Joan Mitchell
Untitled
Estimate $400,000 - 600,000
Sold for $567,000
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107
Ed Clark
Black Daylight
Estimate $200,000 - 300,000
Sold for $189,000
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108
Beauford Delaney
Yellow Abstraction
Estimate $70,000 - 100,000
Sold for $81,900
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109
Gerhard Richter
14.2.88
Estimate $250,000 - 350,000
Sold for $327,600
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110
Howard Hodgkin
Tea with Mrs. Parikh
Estimate $280,000 - 350,000
Sold for $478,800
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111
Jack Whitten
Dutch Treat III
Estimate $100,000 - 150,000
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112
Sam Gilliam
Untitled
Estimate $120,000 - 180,000
Sold for $157,500
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113
Norman Lewis
Untitled
Estimate $500,000 - 700,000
Sold for $567,000
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114
This lot is no longer available.
115
Helen Frankenthaler
Brown Bird
Estimate $400,000 - 600,000
Sold for $504,000
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116
Norman Lewis
Fleshy Phase
Estimate $400,000 - 600,000
Sold for $441,000
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117
Ernie Barnes
Window Wishing
Estimate $80,000 - 120,000
Sold for $138,600
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118
Ernie Barnes
My Man
Estimate $150,000 - 200,000
Sold for $151,200
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119
Alex Katz
Richard Marshall
Estimate $350,000 - 500,000
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120
John Wesley
Let's Get Out of the Hall
Estimate $90,000 - 120,000
Sold for $157,500
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121
Ed Ruscha
Industrial Village and Its Hill
Estimate $400,000 - 600,000
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122
Gerhard Richter
Hyänen
Estimate $400,000 - 600,000
Sold for $453,600
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123
Andy Warhol
Mineola Motorcycle (positive)
Estimate $600,000 - 800,000
Sold for $816,500
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124
This lot is no longer available.
125
Roy Lichtenstein
Modern Sculpture with Velvet Rope
Estimate $400,000 - 600,000
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126
John Chamberlain
Noogatory
Estimate $200,000 - 300,000
Sold for $201,600
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127
Craig Kauffman
Untitled
Estimate $180,000 - 250,000
Sold for $226,800
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128
Ken Price
Zazz
Estimate $150,000 - 200,000
Sold for $189,000
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129
Agnes Martin
Untitled
Estimate $150,000 - 200,000
Sold for $176,400
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130
Brice Marden
Untitled
Estimate $300,000 - 500,000
Sold for $138,600
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131
Ettore Spalletti
Azzurro, eco
Estimate $70,000 - 100,000
Sold for $144,900
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132
Anne Truitt
Parva LIII
Estimate $50,000 - 70,000
Sold for $81,900
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133
Sergio Camargo
Untitled
Estimate $70,000 - 90,000
Sold for $88,200
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134
Louise Nevelson
Dawn's Landscape XXIX
Estimate $300,000 - 500,000
Sold for $504,000
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135
This lot is no longer available.
136
Jiro Takamatsu
Shadow (No. 1448)
Estimate $80,000 - 120,000
Sold for $81,900
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137
Isamu Noguchi
Model for Twin Sculpture for Bayerische Vereins Bank, Munich
Estimate $70,000 - 90,000
Sold for $75,600
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138
Yayoi Kusama
No. B
Estimate $150,000 - 200,000
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139
Barbara Hepworth
Squares (June)
Estimate $100,000 - 150,000
Sold for $157,500
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140
Barbara Hepworth
Three Forms (Winter Rocks)
Estimate $300,000 - 500,000
Sold for $415,800
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141
Henry Moore
Girl Seated against Square Wall
Estimate $700,000 - 1,000,000
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142
Joan Miró
Femme
Estimate $60,000 - 80,000
Sold for $94,500
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143
Salvador Dalí
Vénus de Milo aux tiroirs
Estimate $250,000 - 350,000
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144
Pablo Picasso
Le transformateur
Estimate $600,000 - 800,000
Sold for $504,000
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145
Joaquín Torres-García
Tres figuras en estructura
Estimate $600,000 - 800,000
Sold for $604,800
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146
Leonora Carrington
Untitled (Griffin)
Estimate $50,000 - 70,000
Sold for $176,400
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147
Julio Galán
Diamah
Estimate $50,000 - 70,000
Sold for $63,000
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148
This lot is no longer available.
149
Pablo Picasso
Nu se coiffant
Estimate $300,000 - 500,000
Sold for $289,800
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150
Piet Mondrian
Iris Bloom in Bud Vase
Estimate $100,000 - 150,000
Sold for $138,600
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151
Wassily Kandinsky
Ohne Titel
Estimate $300,000 - 400,000
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152
Marc Chagall
Bouquet au village
Estimate $300,000 - 500,000
Sold for $327,600
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153
Andrew Wyeth
Loon Drake (Loon)
Estimate $60,000 - 80,000
Sold for $113,400
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154
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Summer Journey thru Indian Lands
Estimate $10,000 - 15,000
Sold for $56,700
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155
Jean-Michel Basquiat
Vehement Alley Cats
Estimate $70,000 - 100,000
Sold for $69,300
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156
Ouattara Watts
La Danseuse de Zanzibar
Estimate $6,000 - 8,000
Sold for $30,240
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157
Robert Colescott
Love Hate Relationship
Estimate $30,000 - 40,000
Sold for $50,400
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158
Ernie Barnes
Study Sketch for Dance Couple
Estimate $15,000 - 20,000
Sold for $35,280
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159
Romare Bearden
The Blue Light
Estimate $25,000 - 35,000
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160
Steve Wheeler
The Jewel Thief
Estimate $15,000 - 20,000
Sold for $37,800
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161
Carl Andre
Untitled
Estimate $35,000 - 45,000
Sold for $63,000
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162
Yayoi Kusama
Infinity Nets (Sunset)
Estimate $60,000 - 80,000
Sold for $81,900
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163
Anne Truitt
Summer '96 No. 65
Estimate $30,000 - 50,000
Sold for $75,600
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164
Carmen Herrera
Untitled
Estimate $50,000 - 70,000
Sold for $75,600
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165
John Wesley
Cheep
Estimate $20,000 - 30,000
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166
Tom Wesselmann
Judy
Estimate $60,000 - 80,000
Sold for $69,300
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167
Tom Wesselmann
Study for Bedroom Nude (folding screen)
Estimate $80,000 - 120,000
Sold for $132,300
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168
Tom Wesselmann
Study for Mauve Roses
Estimate $30,000 - 50,000
Sold for $27,720
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169
Alex Katz
Vivien
Estimate $35,000 - 55,000
Sold for $75,600
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170
Alex Katz
Vincent
Estimate $35,000 - 55,000
Sold for $107,100
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171
Andy Warhol
Hamburger
Estimate $80,000 - 120,000
Sold for $176,400
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172
Andy Warhol
Monkey (Toy Painting)
Estimate $80,000 - 120,000
Sold for $220,500
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173
Andy Warhol
Torso
Estimate $90,000 - 120,000
Sold for $113,400
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174
Mel Ramos
Donut Doll: The Lost Painting of 1965 #42
Estimate $80,000 - 120,000
Sold for $151,200
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175
Larry Rivers
The Elimination of Nostalgia, ABC
Estimate $60,000 - 80,000
Sold for $75,600
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176
Elaine de Kooning
John Glykos
Estimate $25,000 - 35,000
Sold for $69,300
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177
Elaine de Kooning
Catskill Series
Estimate $20,000 - 30,000
Sold for $27,720
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178
Willem de Kooning
Untitled
Estimate $60,000 - 80,000
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179
Atsuko Tanaka
1975 March
Estimate $100,000 - 150,000
Sold for $138,600
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180
Adolph Gottlieb
Calligraphy
Estimate $150,000 - 200,000
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181
Theodoros Stamos
Greek Easter
Estimate $20,000 - 30,000
Sold for $27,720
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182
Vivian Springford
Untitled
Estimate $60,000 - 80,000
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183
Elizabeth Murray
Pico
Estimate $20,000 - 30,000
Sold for $25,200
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184
Thomas Downing
Split Possession
Estimate $40,000 - 60,000
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185
Joe Goode
Untitled (from Vandalism Series)
Estimate $60,000 - 80,000
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186
De Wain Valentine
Untitled (Red Double Wheel)
Estimate $40,000 - 60,000
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187
James Turrell
Untitled (XC)
Estimate $40,000 - 60,000
Sold for $52,920
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188
Ed Ruscha
Gasoline Stations
Estimate $120,000 - 180,000
Sold for $138,600
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189
Joseph Kosuth
Word, Sentence, Paragraph (Z. & N.) #16
Estimate $80,000 - 120,000
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190
George Rickey
Ommaggio a Bernini Variation III
Estimate $100,000 - 150,000
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191
Frank Gehry
Fish Lamp
Estimate $150,000 - 200,000
Sold for $176,400
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192
Beverly Pepper
Shedua Plaza
Estimate $20,000 - 30,000
Sold for $37,800
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193
Dorothy Dehner
Untitled
Estimate $10,000 - 15,000
Sold for $16,380
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194
Melvin Edwards
Makatini
Estimate $30,000 - 50,000
Sold for $132,300
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195
Louise Nevelson
Black Cryptic V
Estimate $15,000 - 20,000
Sold for $52,920
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196
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $40,320
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197
Richard Artschwager
Untitled (Chair)
Estimate $7,000 - 10,000
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198
Sir Anthony Caro, O.M, R.A.
Dusky Rose
Estimate $60,000 - 80,000
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199
Sir Anthony Caro, O.M, R.A.
Table Piece CCCXXXVI
Estimate $30,000 - 50,000
Sold for $81,900
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200
Sir Anthony Caro, O.M, R.A.
Table Piece CCLXI
Estimate $30,000 - 40,000
Sold for $40,320
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201
Mimmo Paladino
Untitled
Estimate $90,000 - 100,000
Sold for $151,200
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202
Manolo Valdés
Mariposas IV
Estimate $120,000 - 180,000
Sold for $201,600
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203
Juan Genovés
Columna I
Estimate $120,000 - 180,000
Sold for $151,200
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204
Karel Appel
The Entry
Estimate $80,000 - 120,000
Sold for $277,200
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205
Bernard Buffet
Glaïeuls rouges
Estimate $100,000 - 150,000
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206
Victor Vasarely
Song II
Estimate $40,000 - 60,000
Sold for $50,400
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207
Julian Stanczak
Offended Red
Estimate $25,000 - 35,000
Sold for $30,240
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208
Pedro Coronel
Año uno Luna No. 3
Estimate $180,000 - 250,000
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209
Carlos Cruz-Diez
Transchromie Dames B Harmonie 3
Estimate $45,000 - 55,000
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210
Carlos Cruz-Diez
Transchromie Mecanique A
Estimate $40,000 - 60,000
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211
Omar Rayo
Velamen del Wayuú XXV
Estimate $20,000 - 30,000
Sold for $25,200
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212
Alberto Biasi
8-8 8-8 dinamiche
Estimate $10,000 - 15,000
Sold for $12,600
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213
Jorge Eielson
Amazzonia
Estimate $30,000 - 40,000
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214
Sam Gilliam
Over and Under
Estimate $20,000 - 30,000
Sold for $30,240
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215
Frank Stella
Wake Island Rail
Estimate $70,000 - 100,000
Sold for $132,300
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216
Julian Opie
Hoodie.
Estimate $20,000 - 30,000
Sold for $30,240
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217
Larry Rivers
Ann Among the Golden Oldies
Estimate $25,000 - 35,000
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218
Larry Rivers
Grey & Shadow Camel
Estimate $40,000 - 60,000
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219
Richard Artschwager
Pull
Estimate $18,000 - 25,000
Sold for $17,640
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220
Bernar Venet
Cosmography Drawing
Estimate $15,000 - 20,000
Sold for $15,120
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221
Larry Poons
Untitled
Estimate $10,000 - 15,000
Sold for $10,080
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222
Richard Pousette-Dart
Composition
Estimate $15,000 - 20,000
Sold for $15,120
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223
Helen Marden
Mali
Estimate $8,000 - 12,000
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224
Hannah Wilke
Three works (i-iii): Untitled
Estimate $10,000 - 15,000
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225
Helen Bershad
Untitled
Estimate $3,000 - 5,000
Sold for $13,860
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226
Teresa Serrano
Present, past and future
Estimate $5,000 - 7,000
Sold for $4,410
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227
Tomás Sánchez
Liberación del verde
Estimate $15,000 - 20,000
Sold for $15,120
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228
Dorothea Tanning
Rêve d’une jeune femme
Estimate $7,000 - 10,000
Sold for $23,940
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229
Marisol Escobar
Woman from Paris
Estimate $12,000 - 18,000
Sold for $15,120
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230
Max Ernst
Deux personnages réciproques
Estimate $15,000 - 20,000
Sold for $17,640
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231
Georges Valmier
Untitled
Estimate $6,000 - 8,000
Sold for $7,560
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232
Max Ernst
Arizona Landscape
Estimate $15,000 - 20,000
Sold for $25,200
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233
John Marin
From Green Head
Estimate $15,000 - 20,000
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234
Max Weber
Seated Figure
Estimate $2,000 - 3,000
Sold for $7,560
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235
This lot is no longer available.
236
Joseph Cornell
Die Weisse Frau (La Dame Blanche)
Estimate $25,000 - 35,000
Sold for $28,980
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237
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $81,900
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238
Tom Wesselmann
Drawing for Great American Nude #93
Estimate $20,000 - 30,000
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239
Tom Wesselmann
Study for Self Portrait While Drawing
Estimate $15,000 - 20,000
Sold for $25,200
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240
Tom Wesselmann
Judy
Estimate $8,000 - 12,000
Sold for $16,380
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241
Tom Wesselmann
Two works: (i) Untitled; (ii) Study for Great American Nude #80
Estimate $20,000 - 30,000
Sold for $25,200
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242
Alex Katz
Unfamiliar Image
Estimate $20,000 - 30,000
Sold for $37,800
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243
Roy Lichtenstein
St. Macarius Before His Monastery
Estimate $10,000 - 15,000
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244
Kenny Scharf
Exotic Trend
Estimate $25,000 - 35,000
Sold for $32,760
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245
Sol LeWitt
Horizontal Brushstrokes
Estimate $12,000 - 18,000
Sold for $22,680
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