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Offering a rare glimpse into Gerhard Richter’s creative process, Hyänen, 1968, is a testament to the German artist’s trailblazing oeuvre. A year following his receipt of the New Western Artists Prize in 1967 and just four years before he would represent Germany at the 36th Venice Biennale in 1972, this work was created at a pivotal moment in the artist’s illustrious career. It is both related to and entirely independent from the artist’s renowned photo-paintings of the 1960s composed of oil on canvas. In the present work, we bear witness to the genius of Richter’s intentional marks rendered in charcoal on primed canvas. What we see is a thoughtful composition which, while representational in nature, is both an extension of the blurred grey 1960s masterworks as well as a precursor to the Abstrakte Bilder that would come to define the mature part of his career. This work was originally acquired directly from the artist by German art historian and notable collector Professor Carl Vogel, author of the first edition of Sigmar Polke’s catalogue raisonné and known for his prominent collection of works by both Richter and Polke. Hyänen is the first work of its kind to come to auction in over a decade.
Gerhard Richter, Dusseldorf, 1971. Image: bpk Bildagentur / Angelika Platen / Art Resource, NY The Origins of Richter’s Drawing Practice
Hyänen depicts two identical hyenas barking into the sky, based on a reproduction of a photograph projected twice onto canvas.i The importance of photography as a reference point began while Richter was an art student in Dresden. At school, Richter had a “fractured relationship” with drawing. Unable to sketch from live models, he recalls how he drew a bathing scene from a reference image, feeling guilty given that he was academically trained.ii Years later, Richter would begin to rely on such photographs as jumping off points for his most successful works. Instead of being ashamed of this process, he fully embraced it. By 1967, Richter did his first image projection onto a large sheet of paper, and a year later, he used the same process for the present work, among a handful of others, rendered instead with charcoal on canvas. The subject matter of these works included mountains, seascapes and even portraits, such as Zeichnung Bischofberger (Drawing Bischofberger), held in the personal collection of the famed dealer, which depicts Daniel Spoerri, Bruno Bischofberger and Eric Dietman.iii
Dieter Schwarz describes Richter’s canvas drawings, with specific reference to Hyänen in the artist’s catalogue raisonné of drawings: “...one could regard the preparatory drawings on gessoed canvas from 1968-1969, which Richter left as independent drawings instead of covering them with paint, as a reaction to [artists such as Walter] De Maria’s radical elimination of an actual drawing. Although these motifs – mountains, clouds, and seascapes – would certainly have been suitable for pictures, Richter valued them for their surprisingly realized, almost abstract appearance, which he could not have achieved through painterly means... For the pictorial drawings, he principally used extraneous pictorial material... in Hyenas... he used the projection of the same animal twice because the picture seemed to him empty, which in contrast to the landscape, rendered in brief crosshatchings, leads to an alienation otherwise scarcely encountered in Richter’s work.”iv
Gerhard Richter, Zeichnung Bischofberger, 1968. Collection Bruno Bischofberger, Zurich. Image and Artwork: © Gerhard Richter (0218) 
Gerhard Richter, Gebirge (Pyrenäen Z.), 1968. Gerhard Richter Archiv, Staatliche Kunst-sammlungen Dresden. Image and Artwork: © Gerhard Richter (0218) Gerhard Richter, Zeichnung Bischofberger, 1968. Collection Bruno Bischofberger, Zurich. Image and Artwork: © Gerhard Richter (0218) -
Gerhard Richter, Gebirge (Pyrenäen Z.), 1968. Gerhard Richter Archiv, Staatliche Kunst-sammlungen Dresden. Image and Artwork: © Gerhard Richter (0218)
"The photograph is the most perfect picture. It does not change; it is absolute, and therefore autonomous, unconditional, devoid of style. Both in its way of informing, and in what it informs of, it is my source."
—Gerhard Richter, 1964-1965 His decision to leave these drawings on canvas without overpainting is a prime example of Richter’s desire to break with conventional modes of image making and combat the contemporaneous critique that “painting is dead.” The result is a work that, even more so than the oil photo-paintings from the same decade, uniquely illustrates the artist's masterful relationship with photography. The composition is framed by a wide border, as if Richter himself is focusing, zooming and cropping the image. This aesthetic decision calls attention to the fact that the work originated with a photograph, and that the artist has transferred not only the imagery from the photograph, but also its imperfections. Of his photo-based paintings, Richter stated, “All that interests me is the gray areas, the passages and tonal sequences, the pictorial spaces, overlaps and interlockings. If I had any way of abandoning the object as the bearer of this structure, I would immediately start painting abstracts.” In this statement, Richter emphasized his preference for the abstract over the representational, in turn foreshadowing the future of his practice, with the Abstrakte Bilder of the later part of the 20th century. vi Dieter Schwarz, Gerhard Richter Drawings 1964-1999 Catalogue Raisonné, Dusseldorf, 1999, p. 18.
ii Ibid., p. 8.
iii Dietmar Elger, Gerhard Richter Catalogue Raisonné Nos. 1-198, Volume 1, 1962-1968, Ostfildern, 2011, no. 197-3, p. 396.
iv Dieter Schwarz, Gerhard Richter Drawings 1964-1999 Catalogue Raisonné, Dusseldorf, 1999, pp. 17-18.
v Dietmar Elger, Gerhard Richter Catalogue Raisonné Nos. 1-198, Volume 1, 1962-1968, Ostfildern, 2011, p. 19.Provenance
Vogel Collection, Hamburg (acquired directly from the artist)
Hauswedell & Nolte, Hamburg, December 3, 2004, lot 352
Acquired at the above sale by the present ownerExhibited
Deutsche Zeichnungen der Gegenwart, Kunsthalle Bielefeld; Kunstverein Oslo; Hamburg, Griffelkunst; Osnabrück, Kulturgeschichtliches Museum, German Contemporary Drawings, March 18, 1973–1974, p. 56 (illustrated)
Kunstmuseum Winterthur; Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden; Krefeld, Kaiser Wilhelm Museum; Tilburg, Collection De Pont Museum, Gerhard Richter: Drawings and Watercolours 1964–1999, September 4, 1999–October 8, 2000Literature
Dieter Schwarz, ed., Gerhard Richter: Drawings 1964-1999. Catalogue Raisonné, Düsseldorf, 1999, no. 68/12, pp. 55, 197 (illustrated)
Dietmar Elger and Hans Ulrich Obrist, eds., Gerhard Richter: Text 1961 to 2007, Cologne, 2008, p. 76 (detail illustrated)Artist Biography
Gerhard Richter
German • 1932
Powerhouse painter Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter skates between unorthodoxy and realism, much to the delight of institutions and the market alike.
Richter's color palette of potent hues is all substance and "no style," in the artist's own words. From career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in short intervals. Richter's illusory paintings find themselves on the walls of the world's most revered museums—for instance, London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic 'Rambert Event' hosted by Phillips Berkeley Square in 2016.
Property from an Important German Collection
122
Hyänen
signed and dated "Richter, 1967" on the reverse
charcoal on canvas
39 3/8 x 39 3/8 in. (100 x 100 cm)
Executed circa 1967-1968.
Estimate
$400,000 - 600,000
Sold for $453,600
Annie Dolan
Specialist, Head of Day Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 16 November 2022
101
Bob Thompson
The Family
Estimate $60,000 - 80,000
Sold for $214,200
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102
Richard Mayhew
Guardian
Estimate $50,000 - 70,000
Sold for $252,000
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103
Emily Mason
Like Frost Upon a Glass
Estimate $15,000 - 20,000
Sold for $100,800
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104
Vivian Springford
Untitled
Estimate $70,000 - 100,000
Sold for $233,100
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105
Wolf Kahn
Evening Brook
Estimate $12,000 - 18,000
Sold for $21,420
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106
Joan Mitchell
Untitled
Estimate $400,000 - 600,000
Sold for $567,000
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107
Ed Clark
Black Daylight
Estimate $200,000 - 300,000
Sold for $189,000
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108
Beauford Delaney
Yellow Abstraction
Estimate $70,000 - 100,000
Sold for $81,900
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109
Gerhard Richter
14.2.88
Estimate $250,000 - 350,000
Sold for $327,600
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110
Howard Hodgkin
Tea with Mrs. Parikh
Estimate $280,000 - 350,000
Sold for $478,800
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111
Jack Whitten
Dutch Treat III
Estimate $100,000 - 150,000
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112
Sam Gilliam
Untitled
Estimate $120,000 - 180,000
Sold for $157,500
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113
Norman Lewis
Untitled
Estimate $500,000 - 700,000
Sold for $567,000
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114
This lot is no longer available.
115
Helen Frankenthaler
Brown Bird
Estimate $400,000 - 600,000
Sold for $504,000
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116
Norman Lewis
Fleshy Phase
Estimate $400,000 - 600,000
Sold for $441,000
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117
Ernie Barnes
Window Wishing
Estimate $80,000 - 120,000
Sold for $138,600
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118
Ernie Barnes
My Man
Estimate $150,000 - 200,000
Sold for $151,200
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119
Alex Katz
Richard Marshall
Estimate $350,000 - 500,000
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120
John Wesley
Let's Get Out of the Hall
Estimate $90,000 - 120,000
Sold for $157,500
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121
Ed Ruscha
Industrial Village and Its Hill
Estimate $400,000 - 600,000
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122
Gerhard Richter
Hyänen
Estimate $400,000 - 600,000
Sold for $453,600
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123
Andy Warhol
Mineola Motorcycle (positive)
Estimate $600,000 - 800,000
Sold for $816,500
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124
This lot is no longer available.
125
Roy Lichtenstein
Modern Sculpture with Velvet Rope
Estimate $400,000 - 600,000
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126
John Chamberlain
Noogatory
Estimate $200,000 - 300,000
Sold for $201,600
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127
Craig Kauffman
Untitled
Estimate $180,000 - 250,000
Sold for $226,800
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128
Ken Price
Zazz
Estimate $150,000 - 200,000
Sold for $189,000
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129
Agnes Martin
Untitled
Estimate $150,000 - 200,000
Sold for $176,400
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130
Brice Marden
Untitled
Estimate $300,000 - 500,000
Sold for $138,600
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131
Ettore Spalletti
Azzurro, eco
Estimate $70,000 - 100,000
Sold for $144,900
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132
Anne Truitt
Parva LIII
Estimate $50,000 - 70,000
Sold for $81,900
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133
Sergio Camargo
Untitled
Estimate $70,000 - 90,000
Sold for $88,200
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134
Louise Nevelson
Dawn's Landscape XXIX
Estimate $300,000 - 500,000
Sold for $504,000
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135
This lot is no longer available.
136
Jiro Takamatsu
Shadow (No. 1448)
Estimate $80,000 - 120,000
Sold for $81,900
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137
Isamu Noguchi
Model for Twin Sculpture for Bayerische Vereins Bank, Munich
Estimate $70,000 - 90,000
Sold for $75,600
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138
Yayoi Kusama
No. B
Estimate $150,000 - 200,000
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139
Barbara Hepworth
Squares (June)
Estimate $100,000 - 150,000
Sold for $157,500
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140
Barbara Hepworth
Three Forms (Winter Rocks)
Estimate $300,000 - 500,000
Sold for $415,800
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141
Henry Moore
Girl Seated against Square Wall
Estimate $700,000 - 1,000,000
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142
Joan Miró
Femme
Estimate $60,000 - 80,000
Sold for $94,500
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143
Salvador Dalí
Vénus de Milo aux tiroirs
Estimate $250,000 - 350,000
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144
Pablo Picasso
Le transformateur
Estimate $600,000 - 800,000
Sold for $504,000
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145
Joaquín Torres-García
Tres figuras en estructura
Estimate $600,000 - 800,000
Sold for $604,800
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146
Leonora Carrington
Untitled (Griffin)
Estimate $50,000 - 70,000
Sold for $176,400
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147
Julio Galán
Diamah
Estimate $50,000 - 70,000
Sold for $63,000
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148
This lot is no longer available.
149
Pablo Picasso
Nu se coiffant
Estimate $300,000 - 500,000
Sold for $289,800
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150
Piet Mondrian
Iris Bloom in Bud Vase
Estimate $100,000 - 150,000
Sold for $138,600
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151
Wassily Kandinsky
Ohne Titel
Estimate $300,000 - 400,000
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152
Marc Chagall
Bouquet au village
Estimate $300,000 - 500,000
Sold for $327,600
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153
Andrew Wyeth
Loon Drake (Loon)
Estimate $60,000 - 80,000
Sold for $113,400
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154
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
Summer Journey thru Indian Lands
Estimate $10,000 - 15,000
Sold for $56,700
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155
Jean-Michel Basquiat
Vehement Alley Cats
Estimate $70,000 - 100,000
Sold for $69,300
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156
Ouattara Watts
La Danseuse de Zanzibar
Estimate $6,000 - 8,000
Sold for $30,240
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157
Robert Colescott
Love Hate Relationship
Estimate $30,000 - 40,000
Sold for $50,400
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158
Ernie Barnes
Study Sketch for Dance Couple
Estimate $15,000 - 20,000
Sold for $35,280
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159
Romare Bearden
The Blue Light
Estimate $25,000 - 35,000
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160
Steve Wheeler
The Jewel Thief
Estimate $15,000 - 20,000
Sold for $37,800
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161
Carl Andre
Untitled
Estimate $35,000 - 45,000
Sold for $63,000
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162
Yayoi Kusama
Infinity Nets (Sunset)
Estimate $60,000 - 80,000
Sold for $81,900
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163
Anne Truitt
Summer '96 No. 65
Estimate $30,000 - 50,000
Sold for $75,600
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164
Carmen Herrera
Untitled
Estimate $50,000 - 70,000
Sold for $75,600
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165
John Wesley
Cheep
Estimate $20,000 - 30,000
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166
Tom Wesselmann
Judy
Estimate $60,000 - 80,000
Sold for $69,300
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167
Tom Wesselmann
Study for Bedroom Nude (folding screen)
Estimate $80,000 - 120,000
Sold for $132,300
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168
Tom Wesselmann
Study for Mauve Roses
Estimate $30,000 - 50,000
Sold for $27,720
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169
Alex Katz
Vivien
Estimate $35,000 - 55,000
Sold for $75,600
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170
Alex Katz
Vincent
Estimate $35,000 - 55,000
Sold for $107,100
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171
Andy Warhol
Hamburger
Estimate $80,000 - 120,000
Sold for $176,400
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172
Andy Warhol
Monkey (Toy Painting)
Estimate $80,000 - 120,000
Sold for $220,500
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173
Andy Warhol
Torso
Estimate $90,000 - 120,000
Sold for $113,400
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174
Mel Ramos
Donut Doll: The Lost Painting of 1965 #42
Estimate $80,000 - 120,000
Sold for $151,200
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175
Larry Rivers
The Elimination of Nostalgia, ABC
Estimate $60,000 - 80,000
Sold for $75,600
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176
Elaine de Kooning
John Glykos
Estimate $25,000 - 35,000
Sold for $69,300
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177
Elaine de Kooning
Catskill Series
Estimate $20,000 - 30,000
Sold for $27,720
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178
Willem de Kooning
Untitled
Estimate $60,000 - 80,000
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179
Atsuko Tanaka
1975 March
Estimate $100,000 - 150,000
Sold for $138,600
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180
Adolph Gottlieb
Calligraphy
Estimate $150,000 - 200,000
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181
Theodoros Stamos
Greek Easter
Estimate $20,000 - 30,000
Sold for $27,720
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182
Vivian Springford
Untitled
Estimate $60,000 - 80,000
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183
Elizabeth Murray
Pico
Estimate $20,000 - 30,000
Sold for $25,200
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184
Thomas Downing
Split Possession
Estimate $40,000 - 60,000
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185
Joe Goode
Untitled (from Vandalism Series)
Estimate $60,000 - 80,000
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186
De Wain Valentine
Untitled (Red Double Wheel)
Estimate $40,000 - 60,000
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187
James Turrell
Untitled (XC)
Estimate $40,000 - 60,000
Sold for $52,920
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188
Ed Ruscha
Gasoline Stations
Estimate $120,000 - 180,000
Sold for $138,600
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189
Joseph Kosuth
Word, Sentence, Paragraph (Z. & N.) #16
Estimate $80,000 - 120,000
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190
George Rickey
Ommaggio a Bernini Variation III
Estimate $100,000 - 150,000
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191
Frank Gehry
Fish Lamp
Estimate $150,000 - 200,000
Sold for $176,400
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192
Beverly Pepper
Shedua Plaza
Estimate $20,000 - 30,000
Sold for $37,800
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193
Dorothy Dehner
Untitled
Estimate $10,000 - 15,000
Sold for $16,380
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194
Melvin Edwards
Makatini
Estimate $30,000 - 50,000
Sold for $132,300
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195
Louise Nevelson
Black Cryptic V
Estimate $15,000 - 20,000
Sold for $52,920
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196
Louise Nevelson
Volcanic Magic XXIV
Estimate $15,000 - 20,000
Sold for $40,320
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197
Richard Artschwager
Untitled (Chair)
Estimate $7,000 - 10,000
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198
Sir Anthony Caro, O.M, R.A.
Dusky Rose
Estimate $60,000 - 80,000
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199
Sir Anthony Caro, O.M, R.A.
Table Piece CCCXXXVI
Estimate $30,000 - 50,000
Sold for $81,900
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200
Sir Anthony Caro, O.M, R.A.
Table Piece CCLXI
Estimate $30,000 - 40,000
Sold for $40,320
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201
Mimmo Paladino
Untitled
Estimate $90,000 - 100,000
Sold for $151,200
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202
Manolo Valdés
Mariposas IV
Estimate $120,000 - 180,000
Sold for $201,600
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203
Juan Genovés
Columna I
Estimate $120,000 - 180,000
Sold for $151,200
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204
Karel Appel
The Entry
Estimate $80,000 - 120,000
Sold for $277,200
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205
Bernard Buffet
Glaïeuls rouges
Estimate $100,000 - 150,000
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206
Victor Vasarely
Song II
Estimate $40,000 - 60,000
Sold for $50,400
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207
Julian Stanczak
Offended Red
Estimate $25,000 - 35,000
Sold for $30,240
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208
Pedro Coronel
Año uno Luna No. 3
Estimate $180,000 - 250,000
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209
Carlos Cruz-Diez
Transchromie Dames B Harmonie 3
Estimate $45,000 - 55,000
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210
Carlos Cruz-Diez
Transchromie Mecanique A
Estimate $40,000 - 60,000
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211
Omar Rayo
Velamen del Wayuú XXV
Estimate $20,000 - 30,000
Sold for $25,200
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212
Alberto Biasi
8-8 8-8 dinamiche
Estimate $10,000 - 15,000
Sold for $12,600
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213
Jorge Eielson
Amazzonia
Estimate $30,000 - 40,000
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214
Sam Gilliam
Over and Under
Estimate $20,000 - 30,000
Sold for $30,240
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215
Frank Stella
Wake Island Rail
Estimate $70,000 - 100,000
Sold for $132,300
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216
Julian Opie
Hoodie.
Estimate $20,000 - 30,000
Sold for $30,240
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217
Larry Rivers
Ann Among the Golden Oldies
Estimate $25,000 - 35,000
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218
Larry Rivers
Grey & Shadow Camel
Estimate $40,000 - 60,000
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219
Richard Artschwager
Pull
Estimate $18,000 - 25,000
Sold for $17,640
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220
Bernar Venet
Cosmography Drawing
Estimate $15,000 - 20,000
Sold for $15,120
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221
Larry Poons
Untitled
Estimate $10,000 - 15,000
Sold for $10,080
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222
Richard Pousette-Dart
Composition
Estimate $15,000 - 20,000
Sold for $15,120
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223
Helen Marden
Mali
Estimate $8,000 - 12,000
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224
Hannah Wilke
Three works (i-iii): Untitled
Estimate $10,000 - 15,000
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225
Helen Bershad
Untitled
Estimate $3,000 - 5,000
Sold for $13,860
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226
Teresa Serrano
Present, past and future
Estimate $5,000 - 7,000
Sold for $4,410
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227
Tomás Sánchez
Liberación del verde
Estimate $15,000 - 20,000
Sold for $15,120
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228
Dorothea Tanning
Rêve d’une jeune femme
Estimate $7,000 - 10,000
Sold for $23,940
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229
Marisol Escobar
Woman from Paris
Estimate $12,000 - 18,000
Sold for $15,120
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230
Max Ernst
Deux personnages réciproques
Estimate $15,000 - 20,000
Sold for $17,640
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231
Georges Valmier
Untitled
Estimate $6,000 - 8,000
Sold for $7,560
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232
Max Ernst
Arizona Landscape
Estimate $15,000 - 20,000
Sold for $25,200
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233
John Marin
From Green Head
Estimate $15,000 - 20,000
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234
Max Weber
Seated Figure
Estimate $2,000 - 3,000
Sold for $7,560
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235
This lot is no longer available.
236
Joseph Cornell
Die Weisse Frau (La Dame Blanche)
Estimate $25,000 - 35,000
Sold for $28,980
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237
Alexander Calder
Untitled
Estimate $40,000 - 60,000
Sold for $81,900
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238
Tom Wesselmann
Drawing for Great American Nude #93
Estimate $20,000 - 30,000
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239
Tom Wesselmann
Study for Self Portrait While Drawing
Estimate $15,000 - 20,000
Sold for $25,200
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240
Tom Wesselmann
Judy
Estimate $8,000 - 12,000
Sold for $16,380
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241
Tom Wesselmann
Two works: (i) Untitled; (ii) Study for Great American Nude #80
Estimate $20,000 - 30,000
Sold for $25,200
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242
Alex Katz
Unfamiliar Image
Estimate $20,000 - 30,000
Sold for $37,800
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243
Roy Lichtenstein
St. Macarius Before His Monastery
Estimate $10,000 - 15,000
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244
Kenny Scharf
Exotic Trend
Estimate $25,000 - 35,000
Sold for $32,760
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245
Sol LeWitt
Horizontal Brushstrokes
Estimate $12,000 - 18,000
Sold for $22,680
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