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現藏者於2013年9月通過紐約 Pace Prints 畫廊購自上述來源
Tacoma Art Museum; Washington, D.C., Corcoran Gallery of Art; Worcester Art Museum, Keith Haring, Andy Warhol, and Walt Disney, February 14–December 6, 1992, no. 188, pp. 225, 151 (another example exhibited and illustrated, pp. 208–209)
New York, Pace Prints, Keith Haring, October 14, 2011–January 7, 2012 (another example exhibited)
Jörg Schellmann, Forty are Better than One, Munich, 2009, no. 16, p. 146 (illustrated, p. 147)
American • 1958 - 1990
Haring's art and life typified youthful exuberance and fearlessness. While seemingly playful and transparent, Haring dealt with weighty subjects such as death, sex and war, enabling subtle and multiple interpretations.
Throughout his tragically brief career, Haring refined a visual language of symbols, which he called icons, the origins of which began with his trademark linear style scrawled in white chalk on the black unused advertising spaces in subway stations. Haring developed and disseminated these icons far and wide, in his vibrant and dynamic style, from public murals and paintings to t-shirts and Swatch watches. His art bridged high and low, erasing the distinctions between rarefied art, political activism and popular culture.
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