Create your first list.

A way to share and manage lots.

  • Provenance

    Kravets/Wehby, New York

  • Exhibited

    New York, The Studio Museum in Harlem, Ironic/Iconic: Artists in Residence at The Studio Museum in Harlem, July 16 - September 22, 2002

  • Artist Biography

    Kehinde Wiley

    Applying the language and devices of royal portraiture to unnamed archetypes of the Black American experience, Kehinde Wiley bestows the pride and prestige of history painting to groups that it has too often overlooked. Rather than depicting the European aristocracy, Wiley’s portraits d’apparats place African Americans against florid backdrops and atop rearing horses, retaining the pomp and opulence of his historical antecedents and situating Black men and women dressed in everyday clothing as the subjects of art historical aggrandization. Often the accoutrements of urban life lend themselves quite readily to historical genres of portraiture; Air Jordans and Timberland boots can be as appropriate to monarchist might as emerald and ermine. Wiley’s goal is twofold: by subverting outmoded forms of expression through the substitution of the sitter, the artist criticizes the historical neglect of adequate Black representation and glorifies undeservingly maligned representatives of modern American life, what he calls “the ability to create painting and destroy painting at once.”

    Wiley’s work has been the subject of universal acclaim. His work can be found in the collections of major institutions across the world, including the Los Angeles County Museum of Art and the Wadsworth Atheneum, Hartford. Wiley was also selected in 2017 to paint the official portrait of President Barack Obama, the first Black artist to be given such an honor. Recently, Wiley founded Black Rock, an artist residency in Dakar, Senegal, bringing an important artistic resource to the African continent.

     
    View More Works

223

Infinite Mobility (Shiloh)

2002
Acrylic on canvas.
44 x 42 in. (111.8 x 106.7 cm).
Signed and dated "Kehinde Wiley 02" along the overlap.

Estimate
$5,000 - 7,000 

Under the Influence

31 Mar 2008, 10am & 2pm
New York