160
Joaquín Torres-García
Livorno
- Estimate
- $90,000 - 120,000
$101,600
Lot Details
oil on Masonite
signed "J. Torres GARCIA" lower left; dated "1924" lower right
14 x 19 1/8 in. (35.6 x 48.6 cm)
Painted in 1924, this work is no. 1924.33 in the Joaquín Torres-García Online Catalogue Raisonné.
Specialist
Further Details
Full-Cataloguing
Provenance
Exhibited
Literature
Joaquín Torres-García
Uruguayan | B. 1874 D. 1949Joaquín Torres-García was born in Montevideo and moved to Barcelona with his family, studying at the Escuela Oficial de Bellas Artes. The Catalan Noucentismo movement provided the foundation for his artistic development. His work was also influenced by Neo-Plasticism, Cubism and Vibrationism, which fused Cubism and Futurism with urban imagery.
Torres-García returned to Uruguay after a 43-year absence. While at home, he continued to develop his iconic style of Constructive Universalism, a chief contribution to modernism that affected many younger generations of Uruguayan artists. This style aspired to establish a universal structural unity through synthetic abstraction. In order to accomplish this, Torres-García synthesized rather than analyzed the quotidian elements and urban scenes from reality. While remaining in the world of figuration, he integrated abstraction's structural grids within the composition, also incorporating pre-Columbian aesthetics.
Browse ArtistTorres-García returned to Uruguay after a 43-year absence. While at home, he continued to develop his iconic style of Constructive Universalism, a chief contribution to modernism that affected many younger generations of Uruguayan artists. This style aspired to establish a universal structural unity through synthetic abstraction. In order to accomplish this, Torres-García synthesized rather than analyzed the quotidian elements and urban scenes from reality. While remaining in the world of figuration, he integrated abstraction's structural grids within the composition, also incorporating pre-Columbian aesthetics.