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With exhibition history dating back to its year of creation, 1941, at the Carlen Galleries, run by Robert Carlen, Pippin’s primary and only dealer, Man Seated Near Stove is an intimate example from his short career in which he is thought to have produced only about 140 paintings. Pippin was a self-taught artist, whose works painted between 1928 until his death in 1946 explored themes such as African American life, history, allegory, and the horrors of war. Painted at the beginning of his most fruitful period of the early 1940s, the present work offers a glimpse into some of Pippin’s most well-known techniques and subject matters which made him such an important figure of 20th century American art.
Measuring 10-inches square, the support of this painting is burnt wood-panel—a medium Pippin first began to use in 1925 when he started experimenting with pyrography, a traditional folk art form translating to “writing with fire,” in which images were “burned” into wood panels with a heated metallic instrument. Pippin took up artmaking like this when he returned from his time in the 369th Infantry Regiment in World War I, where he was shot in the right shoulder and became partially paralyzed in one arm. By supporting his weak right hand with his left, Pippin credited his creative process as a key part of his physical and mental recovery.
“Entirely self-taught, [Pippin] painted in a nonacademic, linear style that was characterized by a powerful sense of design and expressive use of color.”
—Robert Torchia
The artist in progress with the present work. While this 1941 work recalls Pippin’s earliest explorations with pyrography, the introduction of vibrant paint colors is illustrative of his most mature works. As Albert Barnes espoused on the occasion of Carlen’s 1941 exhibition of Pippin’s recent works, featuring Man Seated Near Stove, “the evidence of his development in these panels consists in the use of bright, exotic, daringly-contrasted colors in the manner indicated above, and in embodying each panel an expression of his reaction to the work of earlier painters… ‘Man Seated near Stove,’ for example, recall[s] the forceful expressiveness of Daumier and Cézanne without resort to any technical device of either predecessor. Pictorial novelties of the highest order are achieved by incorporating as integral parts of the color-composition, appealing linear patterns formed by the natural grain of the wood and heavy lines of contour burnt into the panel.”i
[Left] George Bellows, Club Night, 1907. National Gallery of Art, Washington, D.C. Image: National Gallery of Art, Washington, D.C., John Hay Whitney Collection, 1982.76.1
[Right] Horace Pippin, Supper Time, circa 1940. The Barnes Foundation, Philadelphia. Image: Courtesy of the Barnes Foundation, Merion and Philadelphia, PennsylvaniaAn influence on many African American painters of the 20th and 21st century that succeeded him, Pippin often used the natural color of the wood grain to render his subjects Black, as seen in this work and others including Supper Time, circa 1940, The Barnes Foundation, Philadelphia. In Man Seated Near Stove, a Black man is depicted in profile view, seated in his kitchen. Even the figures in the painting of boxers behind him are Black, perhaps a reappropriation of the Boxer paintings by George Bellows made decades prior. By choosing to illustrate seemingly mundane scenes of African American home life, Pippin was meaningfully contributing to a changing landscape where for the first time, Black people in America were able to live their lives fully independently. As stated by one of Pippin’s greatest influences, Romare Bearden, and the art historian Harry Henderson, Pippin is “wholly an African-American artist. His life as an African-American is the basis of everything he painted," and his influence on the Black art community at large is still felt to this day.ii
i Albert Barnes in Recent Paintings by Horace Pippin, exh. cat., Carlen Galleries, Philadelphia, 1941.
ii Romare Bearden and Harry Henderson, A History of African American Artists: From 1792 to the Present, New York, 1993, p. 374.
Provenance
Carlen Galleries, Philadelphia
Dr. and Mrs. Matthew T. Moore, Philadelphia (by 1941 until at least 1977)
Private Collection (by 1993)
Thence by descent to the present ownerExhibited
Philadelphia, Carlen Galleries, Recent Paintings by Horace Pippin, March 21–April 20, 1941, no. 17, n.p.
Arts Club of Chicago, Exhibition of Paintings by Horace Pippin, May 23–June 14, 1941, no. 34, n.p.
San Francisco Museum of Art, Paintings by Horace Pippin, April 14–May 3, 1942
Philadelphia, Art Alliance, Horace Pippin Memorial Exhibition, April 8–May 4, 1947, no. 63, n.p.
Washington, D.C., Phillips Collection; New York, Terry Dintenfass Gallery; Chadds Ford, Pennsylvania, Brandywine River Museum, Horace Pippin, February 25–September 5, 1977, no. 20, n.p. (illustrated)
Philadelphia, Pennsylvania Academy of The Fine Arts; The Art Institute of Chicago, Cincinnati Art Museum, Baltimore Museum of Art, I Tell My Heart: The Art of Horace Pippin, January 21, 1994–April 30, 1995, no. 92, pp. 9, 104–105, 198 (illustrated in progress with the artist, p. 9; illustrated, p. 105)Literature
Jerome Klein, "Art the Hard Way," Friday Magazine, January 11, 1941 (illustrated in progress with Pippin by stove)
C.H. Bonté, "Pippin the Primitive Has Them All Talking: Exhibition at Carlen Galleries Starts Polemical Outbursts," Philadelphia Inquirer, March 3, 1941, p. 118
Selden Rodman, Horace Pippin: A Negro Painter in America, New York, 1947, no. 109, p. 87 (illustrated in progress with the artist on the frontispiece)
Selden Rodman and Carole Cleaver, Horace Pippin: The Artist as a Black American, Garden City, New York, 1972 (illustrated in progress with the artist on the frontispiece)
Romare Bearden and Harry Henderson, A History of African American Artists: From 1792 to the Present, New York, 1993, p. 359 (illustrated in progress with Pippin by stove)
Horace Pippin: The Way I See It, exh. cat., Brandywine River Museum of Art, Chadds Ford, 2015, pp. 13, 20, (footnote 24)
Anne Monahan, Horace Pippin, American Modern, New Haven, 2020, fig. 6, pp. 12, 212 (illustrated in progress with Pippin by stove, p. 12)
Property from an Esteemed Maryland Collection
124
Man Seated Near Stove
signed and dated "H. PIPPIN 1941" lower right
oil on burnt-wood panel
10 x 10 in. (25.4 x 25.4 cm)
Painted in 1941.
We are grateful for the research conducted by Anne Monahan, author of Horace Pippin, American Modern (Yale University Press, 2020).
Estimate
$100,000 - 150,000
Sold for $171,450
Annie Dolan
Specialist, Head of Sale, Morning Session
+1 212 940 1288
adolan@phillips.com
20th Century & Contemporary Art Day Sale, Morning Session
New York Auction 15 November 2023
101
Alma Woodsey Thomas
Untitled
Estimate $120,000 - 180,000
Sold for $120,650
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102
Anne Truitt
6 Sept '87 No.3
Estimate $30,000 - 40,000
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103
Alice Baber
Untitled
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104
Joan Brown
Untitled
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105
Lynne Drexler
Untitled (Dark)
Estimate $40,000 - 60,000
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106
Lynne Drexler
Sporadic Spring
Estimate $150,000 - 200,000
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107
Gerhard Richter
Studie für ein abstraktes Bild
Estimate $200,000 - 300,000
Sold for $304,800
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108
Gerhard Richter
Untitled (20 OKT. 92)
Estimate $200,000 - 300,000
Sold for $215,900
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109
Sam Francis
Untitled
Estimate $180,000 - 250,000
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110
Sam Francis
Sky Forms
Estimate $120,000 - 220,000
Sold for $114,300
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111
Jane Piper
Study II
Estimate $15,000 - 20,000
Sold for $27,940
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112
Vivian Springford
Untitled (VSF 533)
Estimate $60,000 - 80,000
Sold for $69,850
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113
Helen Frankenthaler
Watch
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114
Ed Clark
Untitled
Estimate $70,000 - 100,000
Sold for $76,200
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115
Vivian Springford
Untitled (VSF 733)
Estimate $70,000 - 100,000
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116
Gerhard Richter
Abstraktes Bild
Estimate $350,000 - 550,000
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117
Milton Avery
Flower
Estimate $50,000 - 70,000
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118
Marc Chagall
Bouc rouge lisant au-dessus des amoureux au repos
Estimate $300,000 - 500,000
Sold for $381,000
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119
Pierre-Auguste Renoir
Nature morte aux raisins, figues et grenades
Estimate $300,000 - 500,000
Sold for $279,400
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122
Maurice Brazil Prendergast
Study St. Malo
Estimate $50,000 - 70,000
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123
Max Pechstein
Alte Fischerhütten
Estimate $80,000 - 120,000
Sold for $82,550
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124
Horace Pippin
Man Seated Near Stove
Estimate $100,000 - 150,000
Sold for $171,450
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125
Ernie Barnes
The Vanishing Breed
Estimate $350,000 - 500,000
Sold for $406,400
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126
This lot is no longer available.
127
Keith Haring
Red-Yellow-Blue #16 (Portrait of Adolpho)
Estimate $100,000 - 150,000
Sold for $88,900
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128
James Rosenquist
First Place
Estimate $200,000 - 300,000
Sold for $184,150
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129
James Rosenquist
Dog Descending a Staircase
Estimate $500,000 - 700,000
Sold for $736,600
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130
Andy Warhol
Kimiko Powers
Estimate $300,000 - 400,000
Sold for $952,500
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131
Robert Indiana
LOVE (Blue and Red)
Estimate $250,000 - 350,000
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132
Carmen Herrera
Untitled Estructura (Blue)
Estimate $400,000 - 600,000
Sold for $457,200
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133
Chung Sang-Hwa
Untitled 80-4-8
Estimate $80,000 - 120,000
Sold for $190,500
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134
Robert Mangold
Curved Plane/Figure VIII, Study
Estimate $300,000 - 500,000
Sold for $381,000
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135
Kenneth Noland
Blind Passage
Estimate $200,000 - 300,000
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136
Dan Flavin
untitled
Estimate $100,000 - 150,000
Sold for $177,800
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137
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138
Jim Dine
Hope & Eyes
Estimate $60,000 - 80,000
Sold for $69,850
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139
Neil Jenney
Window #6
Estimate $80,000 - 120,000
Sold for $91,440
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140
Lois Dodd
View through Broken Tree
Estimate $12,000 - 18,000
Sold for $27,940
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141
Tom Wesselmann
Smoker Study #41
Estimate $180,000 - 250,000
Sold for $330,200
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142
Tom Wesselmann
Double Study for Bedroom Painting #2
Estimate $100,000 - 150,000
Sold for $139,700
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143
Kenny Scharf
Drivedala
Estimate $120,000 - 180,000
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144
Kenny Scharf
Controlopuss II
Estimate $250,000 - 350,000
Sold for $279,400
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145
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146
Keith Haring
Untitled
Estimate $200,000 - 300,000
Sold for $190,500
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147
Ernie Barnes
Untitled
Estimate $100,000 - 150,000
Sold for $215,900
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148
Ernie Barnes
Pool Hall Scene
Estimate $30,000 - 40,000
Sold for $53,340
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149
Ernie Barnes
Study Sketch for Tennis
Estimate $40,000 - 60,000
Sold for $76,200
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150
Wayne Thiebaud
Untitled (Study for "City Police Car")
Estimate $250,000 - 350,000
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151
Richard Diebenkorn
Untitled
Estimate $60,000 - 80,000
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152
Milton Avery
Autumn Hills
Estimate $20,000 - 30,000
Sold for $57,150
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153
Jaune Quick-to-See Smith (Confederated Salish and Kootenai)
El Morro #66M
Estimate $20,000 - 30,000
Sold for $19,050
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154
Willem de Kooning
Woman – Lipstick
Estimate $50,000 - 70,000
Sold for $73,660
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155
Edgar Degas
Trois danseuses
Estimate $250,000 - 350,000
Sold for $279,400
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156
Auguste Rodin
Frère et Soeur
Estimate $70,000 - 100,000
Sold for $63,500
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157
Maurice de Vlaminck
Fleurs dans un pichet blanc
Estimate $30,000 - 50,000
Sold for $30,480
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158
Henri Matisse
Le Turban
Estimate $40,000 - 60,000
Sold for $40,640
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159
Fernand Léger
Visage à la main
Estimate $60,000 - 80,000
Sold for $63,500
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160
Alexander Calder
Four Creatures
Estimate $50,000 - 70,000
Sold for $88,900
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161
Alexander Calder
Brothers, right
Estimate $50,000 - 70,000
Sold for $88,900
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162
Ed Ruscha
IS
Estimate $30,000 - 40,000
Sold for $69,850
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163
Ed Ruscha
3/4
Estimate $30,000 - 40,000
Sold for $40,640
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164
Brice Marden
Untitled (For Mary Happy Birthday 1985)
Estimate $70,000 - 100,000
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165
Alighiero Boetti
Segno e Disegno
Estimate $50,000 - 70,000
Sold for $114,300
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166
Sigmar Polke
Untitled
Estimate $40,000 - 60,000
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167
Gerhard Richter
Untitled (1.8.89)
Estimate $30,000 - 50,000
Sold for $57,150
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168
Gerhard Richter
Untitled (13.4.08)
Estimate $60,000 - 80,000
Sold for $63,500
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169
Friedel Dzubas
Aurora
Estimate $50,000 - 70,000
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170
Paul Jenkins
Phenomena Natchez Trace
Estimate $30,000 - 50,000
Sold for $48,260
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171
Beauford Delaney
Wine
Estimate $40,000 - 60,000
Sold for $40,640
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172
Robert Motherwell
Souvenir de Californie
Estimate $50,000 - 70,000
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173
Toshimitsu Imai
Victoire
Estimate $30,000 - 40,000
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174
Sam Francis
Untitled
Estimate $18,000 - 25,000
Sold for $44,450
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175
Alexander Calder
Cobblestones
Estimate $30,000 - 50,000
Sold for $40,640
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176
Tom Wesselmann
Two works: (i) Study for Reclining Nude; (ii) Study for Nude Lying Back
Estimate $25,000 - 35,000
Sold for $60,960
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177
Alex Katz
Nude
Estimate $40,000 - 60,000
Sold for $53,340
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178
Susan Weil
Bathers
Estimate $8,000 - 12,000
Sold for $24,130
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179
Arshile Gorky
Portrait of Helen Austin
Estimate $30,000 - 50,000
Sold for $25,000
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180
David Park
Boy in Colored Cap
Estimate $30,000 - 40,000
Sold for $107,950
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181
Hector Poleo
Mujer con pañuelo
Estimate $18,000 - 25,000
Sold for $22,860
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182
Sandú Darié
Untitled
Estimate $15,000 - 20,000
Sold for $35,560
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183
Ilya Bolotowsky
Yellow Tondo
Estimate $12,000 - 18,000
Sold for $20,320
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184
Ilya Bolotowsky
Relief
Estimate $30,000 - 40,000
Sold for $88,900
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185
Ilya Bolotowsky
Vertical Diamond in Black
Estimate $30,000 - 50,000
Sold for $48,260
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186
Thomas Downing
Untitled
Estimate $15,000 - 20,000
Sold for $19,050
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187
Richard Anuszkiewicz
Trans Gray
Estimate $25,000 - 35,000
Sold for $38,100
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188
De Wain Valentine
Concave Circle Blue Green
Estimate $40,000 - 60,000
Sold for $69,850
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189
John McLaughlin
#7
Estimate $100,000 - 150,000
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190
Robert Morris
Vetti V
Estimate $60,000 - 80,000
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191
Sorel Etrog
War Remembrance
Estimate $70,000 - 100,000
Sold for $69,850
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192
Louise Bourgeois
Germinal
Estimate $100,000 - 150,000
Sold for $152,400
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193
Georgia O'Keeffe
Untitled (Clay Pot and Stand)
Estimate $20,000 - 30,000
Sold for $22,860
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194
Arnaldo Pomodoro
Asse del movimento I
Estimate $50,000 - 70,000
Sold for $50,800
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195
Arnaldo Pomodoro
Colonna
Estimate $150,000 - 200,000
Sold for $152,400
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196
Mathias Goeritz
Clouage
Estimate $40,000 - 60,000
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197
Joel Shapiro
Untitled
Estimate $30,000 - 40,000
Sold for $38,100
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198
Tony Smith
Light Box
Estimate $30,000 - 40,000
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199
Sir Anthony Caro, O.M, R.A.
Open Secret
Estimate $10,000 - 15,000
Sold for $12,700
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200
Carl Andre
Untitled
Estimate $30,000 - 40,000
Sold for $30,480
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201
Carl Andre
arc bin bur cam
Estimate $12,000 - 18,000
Sold for $11,430
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202
Carl Andre
ESSAY ON PAINTING FOR F P STELLA 1965
Estimate $12,000 - 18,000
Sold for $13,970
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203
Lee Lozano
Untitled
Estimate $25,000 - 35,000
Sold for $48,260
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204
Andy Warhol
Three works: (i-iii) Seismograph
Estimate $40,000 - 60,000
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205
Andy Warhol
Plate of Food with Man's Chest
Estimate $25,000 - 35,000
Sold for $40,640
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206
Gottfried Helnwein
Untitled (Red Gun II)
Estimate $50,000 - 80,000
Sold for $63,500
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207
Gottfried Helnwein
Untitled (The Disasters of War 24)
Estimate $50,000 - 80,000
Sold for $63,500
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208
George Condo
Religions of its Time
Estimate $50,000 - 70,000
Sold for $190,500
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209
George Condo
The King
Estimate $30,000 - 40,000
Sold for $63,500
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210
George Condo
Still Life
Estimate $20,000 - 30,000
Sold for $50,800
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211
George Condo
Torro
Estimate $20,000 - 30,000
Sold for $82,550
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212
Leon Kelly
Bird on an Asian Pinnacle
Estimate $10,000 - 15,000
Sold for $6,350
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213
César
La Mouche
Estimate $15,000 - 20,000
Sold for $48,260
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214
Claude Lalanne
Pomme Bouche
Estimate $25,000 - 35,000
Sold for $104,140
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215
Niki de Saint Phalle
Serpent sur ressort
Estimate $10,000 - 15,000
Sold for $12,065
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216
Niki de Saint Phalle
Small Bull Totem
Estimate $40,000 - 60,000
Sold for $69,850
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217
Niki de Saint Phalle
Petit Dragon
Estimate $20,000 - 30,000
Sold for $15,000
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218
Louise Nevelson
Maquette for Monumental Sculpture VII
Estimate $20,000 - 30,000
Sold for $38,100
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219
Arnaldo Pomodoro
Sfera
Estimate $40,000 - 60,000
Sold for $95,250
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220
Arnaldo Pomodoro
Disco
Estimate $30,000 - 50,000
Sold for $31,750
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221
Clement Meadmore
Elaboration
Estimate $12,000 - 18,000
Sold for $22,860
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222No Reserve
Ibram Lassaw
Labyrinth VII
Estimate $4,000 - 6,000 •
Sold for $1,270
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