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曉密．紐頓
《夏洛特．蘭普林在北松酒店–法國阿爾勒》
- 估價
- £250,000 - 350,000‡
£441,000
拍品詳情
銀鹽照片（已裱，2002-2003年印）
1973年作
圖像：161.5 x 111.9 公分 (63 5/8 x 44 英吋)
裱框：182.8 x 131 公分 (71 7/8 x 51 5/8 英吋)
裱框：182.8 x 131 公分 (71 7/8 x 51 5/8 英吋)
款識：攝影師簽名、標題、日期、AP 1/2、Certificate of Authenticity（裱背標籤）
共有3版與2版藝術家試作版，此作為第1版藝術家試作版，由紐頓在2004年去世前簽名，尺寸超大。另一版本未有簽名，曾現拍場。目前為止，倫敦國家肖像畫廊和紐約國際攝影中心均有此圖像的較小尺寸版本。
共有3版與2版藝術家試作版，此作為第1版藝術家試作版，由紐頓在2004年去世前簽名，尺寸超大。另一版本未有簽名，曾現拍場。目前為止，倫敦國家肖像畫廊和紐約國際攝影中心均有此圖像的較小尺寸版本。
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曉密．紐頓
German | B. 1920 D. 2004Helmut Newton's distinct style of eroticism and highly produced images was deemed rebellious and revolutionary in its time, as he turned the expected notion of beauty, depicted by passive and submissive women, on its head. Depicting his models as strong and powerful women, Newton reversed gender stereotypes and examined society's understanding of female desire.Newton created a working space for his models that was part decadent and part unorthodox — a safe microcosm in which fantasies became reality. And perhaps most famously of all, Newton engendered an environment in which his female models claimed the space around them with unapologetic poise and commanding sensuality. His almost cinematic compositions provided a hyper-real backdrop for the provocative images of sculptural, larger-than-life women, and enhanced the themes of voyeurism and fetishism that run throughout his work.
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