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"Frankenthaler has taken the risks and successfully transfigured her painting voice into this spectacular mixed-media object" —Ken Tyler, Tyler Graphics Ltd.
With graceful color passages and technical precision, Helen Frankenthaler pushed the boundaries of printmaking and scale in Gateway to create her most ambitious multimedia project to date. Frankenthaler worked with Kenneth Tyler at Tyler Graphics, in Mt. Kisco, New York over a seven-year period from 1982 to 1988 to bring this project to fruition. With each panel of this triptych measuring 69 x 29 1/2 inches, the expansive magnesium and copper plates allowed Frankenthaler to approach printmaking with the same “gestural freedom” as her large-scale works on canvas. Despite the indirectness of the printing process, Frankenthaler worked closely with the printers to utilize the lush layering of intaglio techniques and inking to allow the print to retain the same organic feeling and effortlessness imbued in her mark-making.
Mark Mahaffey, Tom De Bolt, and Roger Campbell stenciling color border on right panel of print, with Bob Cross and Marcella Morgese inspecting proof in background. Screenroom at Tyler Graphics, February 1988. Beginning with the print series in 1982, it was the 1984 show at the National Gallery of Art in Washington, D.C., The Folding Image: Screens by Western Artists of the Nineteenth and Twentieth Centuries, that inspired Frankenthaler to take her intaglio prints from 2D to 3D by incorporating the production of 12 unique bronze screens to accompany the prints as a separate variable edition. The edition’s exhibition catalogue from 1988 described the transition by saying, “Work began on the screen when trial proofs of the three printed panels were framed under plexiglas and taken to the foundry. There, the artist used molten wax to create brushstrokes, splatters, and drip shapes not only around, but also over the framed proofs, thereby expanding and extending the composition and adding another dimension to it.” This year's long collaboration resulted in an edition of 30 prints which utilize the various techniques of etching, relief, aquatint, and spitbite aquatint with hand-stenciled margins on three panels. In Gateway, we see Frankenthaler’s artistic practice in conversation with the material, allowing her transcendent style to speak through inherent qualities of copper, bronze, wax, and ink to create this multi-disciplinary tour de force.
Rodney Konopaki and Bob Cross applying ink to magnesium plates for left and center panels of the editioned print. Pressroom Tyler Graphics, April 1987. 文學
Pegram Harrison 154
40
《通道 (H. 154)》
1988年作
蝕刻版畫 凸版畫 幼點腐蝕 手工模板 TGL 手工紙本（全紙本）
全部紙本：69 x 29 1/2 英吋 (175.3 x 74.9 公分)
款識：簽名、24/30
共有10版藝術家試作版，由紐約州 Tyler Graphics, Ltd. 出版，全部已裱。
估價
$60,000 - 90,000
成交價$100,800
Editions@phillips.com
212 940 1220
限量版畫及紙本作品
紐約拍賣2021年10月19-21日
20
此拍品已不再提供買賣。
135
追隨在雷內．馬格利特之後
《無題（戴圓頂禮帽的男人）第4版–來自「稻草鏈接」(K. & B. 19)》
估價 $2,500 - 3,500
成交價 $5,040
建立您的首份清單。
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287
大衛．霍克尼
《為 Editions Alecto 而製的石版畫及蝕刻版畫 (M.C.A.T. 121)》
估價 $800 - 1,200
成交價 $1,386
建立您的首份清單。
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