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  • Provenance

    Private Collection, United Kingdom
    Acquired from the above by the present owner

  • Literature

    Hubertus Butin, Stefan Gronert and Thomas Olbricht, eds., Gerhard Richter: Editions 1965-2013, 2014, p. 305, no. 133-b (another example illustrated)

  • Artist Biography

    Gerhard Richter

    German • 1932

    One of the most influential living painters, Gerhard Richter has been a key player in defining the formal and ideological agenda for painting in contemporary art. His instantaneously recognizable canvases literally and figuratively blur the lines of representation and abstraction. Uninterested in classification, Richter’s oeuvre oscillates between unorthodoxy and realism, much to the delight of institutions and the market alike.  

    From his career start in 1962, Richter developed both his photorealist and abstracted languages side-by-side, producing voraciously and evolving his artistic style in rapid intervals. Many of Richter's paintings find themselves in the permanent collections of the world's most revered museums. London’s Tate Modern displays the Cage (1) – (6), 2006 paintings that were named after experimental composer John Cage and that inspired the balletic "Rambert Event" hosted by Phillips Berkeley Square in 2016. 

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Seven Two Four

signed and numbered '16/32 Richter' on the reverse
chromogenic print mounted on Alu Dibond
image: 73 x 100 cm. (28 3/4 x 39 3/8 in.)
framed: 86.4 x 112.4 x 5 cm. (34 x 44 1/4 x 1 7/8 in.)

Executed in 2008, this work is number 16 from an edition of 32 plus 8 artist's proofs, published by Joe Hage, London, contained in a pale wooden frame specified by the artist.

HK$200,000 - 300,000 

Contact Specialist
Danielle So
Associate Specialist, Head of Day Sale

20th Century & Contemporary Art & Design Day Sale

Hong Kong Auction 25 November 2019