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  • Catalogue Essay

    Including Untitled No. 7, Untitled 8, Untitled No. 9, Untitled 10, and Untitled No. 12

  • Artist Biography

    George Condo

    American • 1957

    Few artists have dedicated their careers as singularly to one genre as George Condo has to that of portraiture. He is drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters. Emerging on the New York art scene in the 1980s alongside contemporaries such as Keith Haring and Jean-Michel Basquiat, Condo developed a distinctive visual lexicon that is unmistakably his own. 

    Student to Warhol, friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. The artist frequently cites Picasso as a predominant influence in his contemporary cubist compositions and joyous use of paint. Condo is known for postmodernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world. 

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More Sketches of Spain - for Miles Davis: five plates

Five etching and aquatints, on Guarro paper, with full margins.
all I. 118 x 85.3 cm (46 1/2 x 33 5/8 in.)
all S. 132 x 97 cm (51 7/8 x 38 1/4 in.) two horizontal

All signed, two numbered 5/40, two numbered 37/40, and one annotated 'P.EX.' in pencil (one a proof aside from the edition), published by Alexander Kahan, New York, all framed.

£2,000 - 3,000 

Sold for £6,875

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Evening & Day Editions

London Auction 7 June 2018