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“It’s like Rembrandt painting Bugs Bunny. Instead of painting a Campbell’s soup the way Andy Warhol did, I would take it and put it on a table and shine a light, like a candle light, on it and paint it in the style of Georges de La Tour [...] Ultimately I don’t want to just paint somebody else’s painting. The idea is to take all the information from every painting I like in history and to put it all back together in an original way.”
—George CondoAfter spending three decades at the epicentre of the global art world, American artist George Condo continues to push the boundaries of what it means to engage with a painting. In his unmistakable fracturing of the figure and his interest in modes of art historical rediscovery and reclamation, Condo’s influence on popular culture and a generation of younger artists in both aesthetic and conceptual terms continues to make itself felt.
After tuning in to the famed New York art scene of the 1980s, working for a short while in Warhol’s factory and befriending the likes of Jean-Michael Basquiat and Keith Haring, Condo developed a radical painterly voice which integrated certain technical and compositional aspects of Old Master painting with his own unbridled, psychologically charged subject matter. By focusing on the dramatic and virtuoso qualities of these iconic Old Master works and reimagining them for his own, contemporary moment, Condo extended Duchampian notions concerning the reuse of objects and images to historic painterly languages, ‘an iconic form of painting’ which in the artist’s own words resulted in something ‘strong enough and recognizable enough as being my own, rather than having been taken from historic references.’i This set him apart from the more self-consciously post-modernist trends of the time and built a foundation for younger artists - the likes of John Currin, Cecily Brown and Glenn Brown - to employ painting’s history in a non-appropriative, cyclical manner.
Rembrandt Harmenszoon van Rijn, Christ on the Cross, Eglise du Mas d'Agenais, France. The Picture Art Collection / Alamy Stock Photo Dramatically lit against a deep, tenebrous background, Condo’s Jesus is one of four oil paintings created in 2007 which radically reimagine the iconography of the Crucifixion. The rich cross-hatching creates a deeply toned background which, coupled with the chiaroscuro interplay between emergent light and shadow, pays homage to the artists of the High Renaissance and Baroque. Further than these visual cues, Condo also returned to certain compositional techniques favoured by Old Masters. As well as experimenting with underpainting (where an initial monochromatic layer establishes the arrangement of the piece), Condo closely studied diagonal and pyramidal compositional structure alongside a registered copyist that he met at the Louvre. In this respect, works such as Jesus are enduring in their manipulation of composition and light and parallels can readily be drawn with master works by the likes of Michelangelo Merisi da Caravaggio, Rembrandt Harmenszoon van Rijn and Diego Velázquez.
Although utterly contemporary, there is a distinct untimeliness to Condo’s work, accumulating and amalgamating a wide range of art historical and iconographic references whilst defying easy classification. The polka dots of bright colour which emanate from Christ’s body allude to both Surrealism and Pointillism, offering an unexpected twist on the reverential subject of the crucifixion. Valuing ‘the opportunity as an artist to destroy authority by depicting it in your own terms’, Condo does not just invoke religious iconography, but absorbs it and makes it his own.ii He describes how the pointillist constellation surrounding Christ represents his released spirit, but he also states: ‘In my opinion, it’s like a grand homecoming parade.’iii This denotes a tragicomic aspect to the piece which is found throughout Condo’s oeuvre: the agonising scene of the crucifixion reconfigured in a burst of brightly-coloured confetti, brining a celebratory brightness against the gloom.
Through such hybrid stylisation and raw narrative energy, Condo makes the infamous story of Christ’s crucifixion his own. The fractured face of Christ, which introduces a Cubistic and caricatured element to the piece, adds yet another layer of visual complexity. In the same way as appropriation of Old Master techniques and motifs, Condo translates 20th Century stylistic qualities into something unique. Showcasing the artist’s signature psychological cubist style, Christ’s face here is made up of simultaneous yet conflicting expressions and emotions, the volatile facial language fluctuating between rage, horror, pain, and even mischief. Such reimagining of religious subject matter alludes to Condo’s idea of ‘Objective Representation’ in religious imagery. Stemming from the notion explored by certain Abstract Expressionist artists that abstract art can provoke an entirely subjective experience, Condo inverts this concept, questioning whether the subject of religious iconography can incite an objective response unbiased by a prior reading of the biblical narrative. At once grotesquely caricatured and deeply human, the psychological intensity of the titular Jesus directly engages the viewer, departing from more traditional representations of a quietly composed Christ and circumventing the text-based Biblical narrative for a more visceral and immediate impact. This human study of raw emotion and tragi-comedic reconfiguration of religious iconography climax in a canvas which brims with pathos and vulgarity, a theatrical melodrama that both attracts and repulses us.
Receiving both critical and institutional recognition over the years, George Condo represented the United States at La Biennale di Venezia in both 2013 and 2019. His work can be found in permanent collections such as the Musée National d’Art Modern, Centre Pompidou, Paris; Tate Modern, London; and The Museum of Modern Art, New York, amongst others. Jesus has been exhibited in numerous institutions including the New Museum, New York; Museum Boijmans van Beuningen, Rotterdam; Hayward Gallery, London; Museum Folkwang, Essen; and Kunsthalle Krems, Krems an de Donau.
i George Condo, quoted in Simon Baker, George Condo: Painting Reconfigured, London, 2015, p. 14
ii George Condo, quoted in Calvin Tomkins, ‘Portraits of Imaginary People: How George Condo reclaimed Old Master painting’, The New Yorker, 9 January, 2011, online.
iii George Condo, quoted in Calvin Tomkins, ‘Portraits of Imaginary People: How George Condo reclaimed Old Master painting’, The New Yorker, 9 January, 2011, online.
Provenance
Luhring Augustine, New York
Acquired from the above by the present ownerExhibited
New York, Luhring Augustine, George Condo, Christ: The Subjective Nature of Objective Representation, 23 February - 29 March 2008
Kunsthalle Krems, Lebenslust & Totentanz: Olbricht Collection, 18 July - 7 November 2010, p. 183 (illustrated, p. 78)
Hamburg, The Deichtorhallen, Two collectors: Thomas Olbricht and Harald Falckenberg, 24 June - 21 August 2011
New York, New Museum; Rotterdam, Museum Boijmans van Beuningen; London, Hayward Gallery; Frankfurt, Schirn Kunsthalle, George Condo: Mental States, 26 January 2011 - 28 May 2012
Berlin, me Collectors Room, WONDERFUL – Humboldt, Krokodil & Polke Die Olbricht Collection, 29 November 2012 – 28 April 2013
Essen, Museum Folkwang, "...EVEN THE EXPERT MARVELS!" Works from the Olbricht Collection, 22 October 2021 - 23 April 2023Artist Biography
George Condo
American • 1957
Picasso once said, "Good artists borrow, great artists steal." Indeed, American artist George Condo frequently cites Picasso as an explicit source in his contemporary cubist compositions and joyous use of paint. Condo is known for neo-Modernist compositions staked in wit and the grotesque, which draw the eye into a highly imaginary world.
Condo came up in the New York art world at a time when art favored brazen innuendo and shock. Student to Warhol, best friend to Basquiat and collaborator with William S. Burroughs, Condo tracked a different path. He was drawn to the endless inquiries posed by the aesthetics and formal considerations of Caravaggio, Rembrandt and the Old Masters.
29
Jesus
signed and dated 'Condo 07' on the reverse
oil on canvas
218.4 x 218.6 cm (85 7/8 x 86 1/8 in.)
Painted in 2007.
Estimate
£500,000 - 700,000 ‡
Leonor de Osma
Head of Sale, 20th Century to Now
T +44 20 7901 7912
M +44 7584 086 052
ldeosma@phillips.com
20th Century to Now
London Auction 30 June 2023
1
Sahara Longe
Three Graces
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2
Guglielmo Castelli
Café Müller
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3
Caroline Walker
Reception
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4
Sarah Ball
George
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5
Antonia Showering
Don't Make a Ripple
Estimate £80,000 - 120,000 ♠
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6
Miriam Cahn
Untitled
Estimate £40,000 - 60,000 ‡
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7
Chloe Wise
I Have Bad Taste In People But Good Taste In Myself
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8
Cinga Samson
Ubuhle Beenkanyezi I
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9
Anna Weyant
Cloud Hill
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10
Ellen Berkenblit
Nite Vibe
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11
Elizabeth Peyton
Prince Harry, September 1998
Estimate £400,000 - 600,000 ‡
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12
Sarah Lucas
SOMEONE DROPPED A BOMB ON ME
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13
Albert Oehlen and Martin Kippenberger
Untitled
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14
Duncan McCormick
Trevor’s Dream
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15
Emily Mae Smith
Raft on Siren Sea
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16
Shara Hughes
Making Connections
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17
Gerhard Richter
13.3.08
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18
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19
Georg Baselitz
Wel lam ruch nichtet mihr (Frebl aill lew)
Estimate £450,000 - 650,000 ‡♠
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20
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21
Sean Scully
Wall Yellow Pale
Estimate £250,000 - 350,000 ‡♠
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22
Yayoi Kusama
Nets 52
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23
Lucio Fontana
Concetto spaziale
Estimate £550,000 - 750,000 ‡♠
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24
Ali Banisadr
Black 4
Estimate £70,000 - 90,000 ‡
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25
Niniko Morbedadze
Stone Histories
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26
Niki de Saint Phalle
Baigneurs ou Danseuse
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27
Jean Dubuffet
Lieu de ressouvenance
Estimate £350,000 - 450,000 ‡♠
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28
Luc Tuymans
Illegitimate VII
Estimate £250,000 - 350,000 ‡♠
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29
George Condo
Jesus
Estimate £500,000 - 700,000 ‡
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30
Tschabalala Self
Daydream
Estimate £70,000 - 100,000
Sold for £127,000
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31
Oscar Murillo
Money Maker!
Estimate £100,000 - 150,000 ‡♠
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32
Antony Gormley
MEME CCCXXII
Estimate £60,000 - 80,000 ♠
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33
Damien Hirst
Eshara
Estimate £400,000 - 600,000 †
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34
Damien Hirst
Toddler's Cloud
Estimate £400,000 - 600,000 †
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35
Damien Hirst
Decahydronaphthalene
Estimate £250,000 - 350,000 †
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36
Banksy
Precision Bombing
Estimate £120,000 - 180,000 ♠
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37
Bridget Riley
Untitled [towards 'Fleeting Moment']
Estimate £20,000 - 30,000 ‡♠
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38
Jake and Dinos Chapman
Sex I
Estimate £60,000 - 80,000 ‡♠
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39
Gilbert & George
DUSTY CORNERS NO. 17
Estimate £150,000 - 200,000 ‡♠
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40
Rebecca Warren
Model for a Degenerate Building, 2009 - 1999
Estimate £35,000 - 45,000 ‡♠
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41
Yayoi Kusama
Pacific Ocean
Estimate £20,000 - 30,000 ‡
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42
Stanley Whitney
Untitled
Estimate £30,000 - 40,000 ‡
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43
Peter Halley
Yellow Cell With Conduit
Estimate £60,000 - 80,000 ‡
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44
Maurizio Cattelan
Spermini
Estimate £300,000 - 400,000 ‡♠
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45
John Baldessari
Prima Facie (Third State): From Adorable to Winning
Estimate £120,000 - 180,000 ‡
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46
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47
Richard Prince
Untitled (original)
Estimate £100,000 - 150,000 ‡
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48
Peter Halley
Night Watch
Estimate £80,000 - 120,000
Sold for £70,000
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49
Andy Warhol
Vincente Minnelli
Estimate £80,000 - 120,000 ‡
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50
Andy Warhol
Jack Nicklaus
Estimate £50,000 - 70,000 ‡
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51
Alex Katz
Shopping Crowd 1
Estimate £60,000 - 80,000 ‡
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52
Christo
Running Fence (Project for Sonoma County and Marin County, State of California)
Estimate £35,000 - 55,000
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53
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54
Wim Delvoye
Chapelle
Estimate £100,000 - 150,000 ‡♠
Sold for £114,300
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55
Günther Förg
Ohne Titel
Estimate £50,000 - 70,000 ‡♠
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56
Anselm Kiefer
Star Book
Estimate £100,000 - 150,000 ‡♠
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57
Stephan Balkenhol
Woman with a Green Dress against a Gold and Silver Relief
Estimate £35,000 - 45,000 ‡♠
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58
Jörg Immendorff
Kampfbiene
Estimate £80,000 - 120,000 ‡♠
Sold for £63,500
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59
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60
Wolfgang Tillmans
Indian Corn & Pomme Granate
Estimate £30,000 - 50,000 ‡♠
Sold for £76,200
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61
Wolfgang Tillmans
Ten Works: (i) Blautopf, landscape; (ii) Fire Island; (iii) Fische; (iv) Freischwimmer 13; (v) Lightning I; (vi) Mental Picture#105; (vii) paper drop (white) c; (viii) Pfingstrosen; (ix) Venus Drop; (x) Venus Transit, Clouds
Estimate £75,000 - 95,000 ‡♠
Sold for £95,250
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62
Michael Krebber
DEP-MK-0038
Estimate £25,000 - 35,000 ‡♠
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63
Jonathan Meese
Totalmaschinist "Kubri"
Estimate £8,000 - 12,000 ‡♠
Sold for £10,160
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64
Louise Nevelson
Untitled
Estimate £30,000 - 40,000 ‡
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65
Arnaldo Pomodoro
Disco
Estimate £30,000 - 50,000 ‡♠
Sold for £33,020
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66
Arnaldo Pomodoro
Porte dell'Edipo
Estimate £60,000 - 80,000 Ω♠
Sold for £88,900
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67
No ReserveEnrico Baj
The General
Estimate £2,000 - 3,000 •‡♠
Sold for £5,588
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68
Tancredi Parmeggiani
Quando Il Sole E’ Colorato
Estimate £40,000 - 60,000 ‡♠
Sold for £120,650
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69
Martín Chirino
Cabeza Reclinada. El Grito I
Estimate £40,000 - 60,000 ‡♠
Sold for £76,200
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70
Niki de Saint Phalle
Half and Half
Estimate £15,000 - 20,000 ‡♠
Sold for £22,860
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71
Niki de Saint Phalle
Chameau
Estimate £15,000 - 20,000 ‡♠
Sold for £17,780
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72
Niki de Saint Phalle
L'Ange Vase
Estimate £30,000 - 50,000 Ω♠
Sold for £35,560
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73
Philippe Hiquily
Girouettes (Marabella - Shanghai)
Estimate £15,000 - 20,000 ‡♠
Sold for £15,240
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74
No ReserveOmar El-Nagdi
Cat
Estimate £15,000 - 20,000 •‡
Sold for £69,850
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75
No ReserveGeorge Zongolopoulos
Olivier
Estimate £8,000 - 12,000 •‡♠
Sold for £21,590
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76
Anthony Caro
Stainless Piece C-C-2
Estimate £10,000 - 15,000 ‡♠
Sold for £20,955
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77
Lynn Chadwick, R.A.
Sitting Couple
Estimate £20,000 - 30,000 Ω♠
Sold for £35,560
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78
No ReserveBernard Meadows
Seated Armed Figure
Estimate £8,000 - 12,000 •‡♠
Sold for £2,159
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79
No ReserveBernard Meadows
Two works: (i) Drawing for Sculpture (Fat Seated Figure); (ii) Drawing for Sculpture (Armed Bust Version 2)
Estimate £700 - 1,000 •‡♠
Sold for £127
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80
No ReserveGillian Ayres
Untitled (Rome Series)
Estimate £4,000 - 6,000 •‡♠
Sold for £12,700
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81
No ReserveGillian Ayres
The Nut Brown Maid
Estimate £5,000 - 7,000 •‡♠
Sold for £11,430
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82
No ReserveRobert Adams
Screen Form
Estimate £8,000 - 12,000 •‡♠
Sold for £19,050
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83
No ReserveAlan Davie
Mama Idol No. 3
Estimate £8,000 - 12,000 •‡♠
Sold for £1,651
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84
No ReserveAlan Davie
Guessing Game
Estimate £8,000 - 12,000 •‡♠
Sold for £5,080
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85
No ReserveAlekos Fassianos
Man with Kite
Estimate £4,000 - 6,000 •‡♠
Sold for £15,240
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86
No ReserveRobert Jacobsen
Man with Key
Estimate £6,000 - 8,000 •‡♠
Sold for £3,810
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87
No ReserveKarl Prantl
Meditation Stone
Estimate £5,000 - 7,000 •‡♠
Sold for £6,985
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88
Ludovic Nkoth
Identity of the Moment
Estimate £40,000 - 60,000 ‡
Sold for £63,500
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89
Stanley Whitney
Untitled
Estimate £20,000 - 30,000
Sold for £40,640
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90
George Rouy
Basking
Estimate £8,000 - 12,000 ♠
Sold for £8,255
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91
Caroline Walker
Study for Coat Makers
Estimate £25,000 - 35,000 ‡♠
Sold for £44,450
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92
Caroline Walker
Study for Desayuno I
Estimate £25,000 - 35,000 ‡♠
Sold for £44,450
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93
Emma Cousin
Still Waters
Estimate £6,000 - 8,000 ♠
Sold for £13,970
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94
Kennedy Yanko
P2
Estimate £25,000 - 35,000 ‡
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95
Sayre Gomez
Precious Moments
Estimate £25,000 - 35,000 ‡
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96
Susumu Kamijo
Untitled
Estimate £15,000 - 20,000 ‡
Sold for £17,780
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97
Brian Calvin
Pale Magnolia
Estimate £30,000 - 50,000 ‡
Sold for £60,960
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98
Moffat Takadiwa
Judging by Language
Estimate £15,000 - 20,000 ‡
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99
Jaime Muñoz
Madre
Estimate £12,000 - 18,000 ‡
Sold for £13,970
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100
Os Gêmeos
Untitled
Estimate £150,000 - 200,000 ‡
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101
Secundino Hernández
My Friends
Estimate £40,000 - 60,000 ‡♠
Sold for £50,800
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102
Julião Sarmento
Ingrid
Estimate £25,000 - 35,000 ‡♠
Sold for £40,640
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103
Harold Ancart
Untitled
Estimate £60,000 - 80,000 ‡♠
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104
Todd Bienvenu
Untitled
Estimate £10,000 - 15,000 ‡
Sold for £6,350
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105
Benjamin Spiers
Whip
Estimate £12,000 - 18,000 ‡♠
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106
Jason Martin
Django (Alizarin violet)
Estimate £30,000 - 50,000 ‡♠
Sold for £69,850
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107
Ayako Rokkaku
Untitled (AR 18-13)
Estimate £30,000 - 50,000
Sold for £30,480
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108
Vaughn Spann
Marked Man
Estimate £50,000 - 70,000 ‡
Sold for £152,400
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109
Doron Langberg
Dad
Estimate £25,000 - 35,000 ‡
Sold for £40,640
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110
Aboudia
Untitled
Estimate £40,000 - 60,000 ‡
Sold for £76,200
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111
Cheyney Thompson
Chronochrome IV
Estimate £15,000 - 20,000 ‡
Sold for £17,780
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112
Zandile Tshabalala
Paradise 7
Estimate £10,000 - 15,000 ‡
Sold for £12,065
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113
Joyce Pensato
Clowney
Estimate £8,000 - 12,000 ‡
Sold for £13,970
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114
Harland Miller
Narcissist Seeks Similar
Estimate £70,000 - 90,000 ♠
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115
Thierry Noir
My New Hairstyle Makes Me Feel More Comfortable
Estimate £10,000 - 15,000 ♠
Sold for £40,640
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116
Albert Willem
All In All Not Bad For His First Attempt
Estimate £10,000 - 15,000 ‡♠
Sold for £228,600
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