"When I discovered it, I loved the idea that this word – ‘The Studio’ – would encapsulate everything you needed to know about art in some way […] The Studio becomes a container for me to write new myths and new stories."
—Emily Mae Smith

Immediately arresting in its clean, graphic quality and radically reduced palette, Raft on Siren Sea is a striking example of Texan-born Emily Mae Smith’s sophisticated blend of art historical reference, sharp-edged wit, and feminist revisionism. Belonging to a distinct body of work that places itself in direct dialogue with the fin de siècle arts periodical The Studio through the appropriation of its title and distinctive typeface, Raft on Siren Sea highlights Smith’s playfully subversive response to established art historical narratives. Blending visual references to Surrealism, the Chicago Imagists, and the various distinct movements associated with fin de siècle, Smith has developed her own, highly distinctive brand of ‘feminist pop’, introducing humour as a way of deflating and reframing assumptions related to women, class, and the imagined divisions between high and low culture.ⁱ

Founded by Charles Holme with the utopian idea of bridging international communities by establishing and disseminating a shared visual language, The Studio was first published in 1893. Subtitled an ‘Illustrated Magazine of Fine and Applied Art’ it took the form of a monthly periodical – one of the first of its kind – and introduced the so-called Modern Style characterised by the likes of Aubrey Beardsley and Charles Rennie Mackintosh to both American and European audiences. As well as the title and its distinctive typography, Smith also borrows certain formal elements of the magazine, the simplified treatment of sinuous line and flat, broad contrasts of black and white so characteristic of Aubrey Beardsley’s illustrations and the limitations imposed by the printing process that are particularly obvious in Raft on Siren Sea.

"… instead of going with whatever the canon of art history says, I actually just developed deeply personal relationships with specific paintings, giving them my read. In a sense my paintings are a response to these paintings and the web of social, cultural and emotional weight they carry instead of a reference to them."
—Emily Mae Smith

In her first institutional solo show held at Le Consortium, Dijon in 2019, Smith dedicated a room to a selection of these ‘Studio’ pieces, which she has continued to work on since 2014. Presenting an enormous range in the art historical touchstones referenced, they are united as a body of works by the obvious inclusion of the text, and by the broader ideas that Smith finds embedded in the concept of ‘The Studio’ itself. Developing the notion that as a magazine and a physical space it encapsulates both the practice of artmaking and a knowledge of its history, Smith appropriates and occupies ‘The Studio’, installing her broom avatar as a way of making visible the historically marginalised work of women artists. An active and autonomous agent rather than a passive muse, using the studio conceit the broom is able to move across art historical space and time, parodying the tropes and narratives she finds there and rewriting them in Smith’s own, distinct visual style.

Emily Mae Smith discusses her practice ahead of her 2019 solo exhibition at Le Consortium, Dijon.

ⁱEmily Mae Smith, quoted in ‘Broom With a View: Emily Mae Smith’s Humorous Art-Historical Revisions’, Elephant, 15 November 2018, online.
- Provenance
  Mary Mary, Glasgow
  Private Collection
  Phillips, London, 14 October 2022, lot 5
  Acquired at the above sale by the present owner

15

Emily Mae Smith

Raft on Siren Sea

signed and dated 'Emily Mae Smith 2017' on the reverse
oil on linen
170 x 130 cm (66 7/8 x 51 1/8 in.)
Painted in 2017.

Full Cataloguing

Estimate
£70,000 - 100,000

Contact Specialist

Leonor de Osma
Head of Sale, 20th Century to Now
T +44 20 7901 7912
M +44 7584 086 052
ldeosma@phillips.com

20th Century to Now

London Auction 30 June 2023

1
Sahara Longe
Three Graces
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2
Guglielmo Castelli
Café Müller
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3
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Reception
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4
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George
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5
Antonia Showering
Don't Make a Ripple
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6
Miriam Cahn
Untitled
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7
Chloe Wise
I Have Bad Taste In People But Good Taste In Myself
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8
Cinga Samson
Ubuhle Beenkanyezi I
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9
Anna Weyant
Cloud Hill
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10
Ellen Berkenblit
Nite Vibe
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11
Elizabeth Peyton
Prince Harry, September 1998
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12
Sarah Lucas
SOMEONE DROPPED A BOMB ON ME
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13
Albert Oehlen and Martin Kippenberger
Untitled
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14
Duncan McCormick
Trevor’s Dream
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15
Emily Mae Smith
Raft on Siren Sea
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16
Shara Hughes
Making Connections
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17
Gerhard Richter
13.3.08
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18
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19
Georg Baselitz
Wel lam ruch nichtet mihr (Frebl aill lew)
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20
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21
Sean Scully
Wall Yellow Pale
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22
Yayoi Kusama
Nets 52
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23
Lucio Fontana
Concetto spaziale
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24
Ali Banisadr
Black 4
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25
Niniko Morbedadze
Stone Histories
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26
Niki de Saint Phalle
Baigneurs ou Danseuse
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27
Jean Dubuffet
Lieu de ressouvenance
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28
Luc Tuymans
Illegitimate VII
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29
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Jesus
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30
Tschabalala Self
Daydream
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31
Oscar Murillo
Money Maker!
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32
Antony Gormley
MEME CCCXXII
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33
Damien Hirst
Eshara
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34
Damien Hirst
Toddler's Cloud
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35
Damien Hirst
Decahydronaphthalene
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36
Banksy
Precision Bombing
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37
Bridget Riley
Untitled [towards 'Fleeting Moment']
Estimate £20,000 - 30,000 ‡♠
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38
Jake and Dinos Chapman
Sex I
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39
Gilbert & George
DUSTY CORNERS NO. 17
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40
Rebecca Warren
Model for a Degenerate Building, 2009 - 1999
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41
Yayoi Kusama
Pacific Ocean
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42
Stanley Whitney
Untitled
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43
Peter Halley
Yellow Cell With Conduit
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44
Maurizio Cattelan
Spermini
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45
John Baldessari
Prima Facie (Third State): From Adorable to Winning
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46
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47
Richard Prince
Untitled (original)
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48
Peter Halley
Night Watch
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49
Andy Warhol
Vincente Minnelli
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50
Andy Warhol
Jack Nicklaus
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51
Alex Katz
Shopping Crowd 1
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52
Christo
Running Fence (Project for Sonoma County and Marin County, State of California)
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53
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54
Wim Delvoye
Chapelle
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55
Günther Förg
Ohne Titel
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56
Anselm Kiefer
Star Book
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57
Stephan Balkenhol
Woman with a Green Dress against a Gold and Silver Relief
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58
Jörg Immendorff
Kampfbiene
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59
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60
Wolfgang Tillmans
Indian Corn & Pomme Granate
Estimate £30,000 - 50,000 ‡♠
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61
Wolfgang Tillmans
Ten Works: (i) Blautopf, landscape; (ii) Fire Island; (iii) Fische; (iv) Freischwimmer 13; (v) Lightning I; (vi) Mental Picture#105; (vii) paper drop (white) c; (viii) Pfingstrosen; (ix) Venus Drop; (x) Venus Transit, Clouds
Estimate £75,000 - 95,000 ‡♠
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62
Michael Krebber
DEP-MK-0038
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63
Jonathan Meese
Totalmaschinist "Kubri"
Estimate £8,000 - 12,000 ‡♠
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64
Louise Nevelson
Untitled
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65
Arnaldo Pomodoro
Disco
Estimate £30,000 - 50,000 ‡♠
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66
Arnaldo Pomodoro
Porte dell'Edipo
Estimate £60,000 - 80,000 Ω♠
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67No Reserve
Enrico Baj
The General
Estimate £2,000 - 3,000 •‡♠
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68
Tancredi Parmeggiani
Quando Il Sole E’ Colorato
Estimate £40,000 - 60,000 ‡♠
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69
Martín Chirino
Cabeza Reclinada. El Grito I
Estimate £40,000 - 60,000 ‡♠
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70
Niki de Saint Phalle
Half and Half
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71
Niki de Saint Phalle
Chameau
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72
Niki de Saint Phalle
L'Ange Vase
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73
Philippe Hiquily
Girouettes (Marabella - Shanghai)
Estimate £15,000 - 20,000 ‡♠
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74No Reserve
Omar El-Nagdi
Cat
Estimate £15,000 - 20,000 •‡
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75No Reserve
George Zongolopoulos
Olivier
Estimate £8,000 - 12,000 •‡♠
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76
Anthony Caro
Stainless Piece C-C-2
Estimate £10,000 - 15,000 ‡♠
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77
Lynn Chadwick, R.A.
Sitting Couple
Estimate £20,000 - 30,000 Ω♠
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78No Reserve
Bernard Meadows
Seated Armed Figure
Estimate £8,000 - 12,000 •‡♠
Sold for £2,159
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79No Reserve
Bernard Meadows
Two works: (i) Drawing for Sculpture (Fat Seated Figure); (ii) Drawing for Sculpture (Armed Bust Version 2)
Estimate £700 - 1,000 •‡♠
Sold for £127
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80No Reserve
Gillian Ayres
Untitled (Rome Series)
Estimate £4,000 - 6,000 •‡♠
Sold for £12,700
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81No Reserve
Gillian Ayres
The Nut Brown Maid
Estimate £5,000 - 7,000 •‡♠
Sold for £11,430
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82No Reserve
Robert Adams
Screen Form
Estimate £8,000 - 12,000 •‡♠
Sold for £19,050
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83No Reserve
Alan Davie
Mama Idol No. 3
Estimate £8,000 - 12,000 •‡♠
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84No Reserve
Alan Davie
Guessing Game
Estimate £8,000 - 12,000 •‡♠
Sold for £5,080
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85No Reserve
Alekos Fassianos
Man with Kite
Estimate £4,000 - 6,000 •‡♠
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86No Reserve
Robert Jacobsen
Man with Key
Estimate £6,000 - 8,000 •‡♠
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87No Reserve
Karl Prantl
Meditation Stone
Estimate £5,000 - 7,000 •‡♠
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88
Ludovic Nkoth
Identity of the Moment
Estimate £40,000 - 60,000 ‡
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89
Stanley Whitney
Untitled
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Sold for £40,640
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90
George Rouy
Basking
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91
Caroline Walker
Study for Coat Makers
Estimate £25,000 - 35,000 ‡♠
Sold for £44,450
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92
Caroline Walker
Study for Desayuno I
Estimate £25,000 - 35,000 ‡♠
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93
Emma Cousin
Still Waters
Estimate £6,000 - 8,000 ♠
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94
Kennedy Yanko
P2
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95
Sayre Gomez
Precious Moments
Estimate £25,000 - 35,000 ‡
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96
Susumu Kamijo
Untitled
Estimate £15,000 - 20,000 ‡
Sold for £17,780
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97
Brian Calvin
Pale Magnolia
Estimate £30,000 - 50,000 ‡
Sold for £60,960
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98
Moffat Takadiwa
Judging by Language
Estimate £15,000 - 20,000 ‡
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99
Jaime Muñoz
Madre
Estimate £12,000 - 18,000 ‡
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100
Os Gêmeos
Untitled
Estimate £150,000 - 200,000 ‡
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101
Secundino Hernández
My Friends
Estimate £40,000 - 60,000 ‡♠
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102
Julião Sarmento
Ingrid
Estimate £25,000 - 35,000 ‡♠
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103
Harold Ancart
Untitled
Estimate £60,000 - 80,000 ‡♠
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104
Todd Bienvenu
Untitled
Estimate £10,000 - 15,000 ‡
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105
Benjamin Spiers
Whip
Estimate £12,000 - 18,000 ‡♠
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106
Jason Martin
Django (Alizarin violet)
Estimate £30,000 - 50,000 ‡♠
Sold for £69,850
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107
Ayako Rokkaku
Untitled (AR 18-13)
Estimate £30,000 - 50,000
Sold for £30,480
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108
Vaughn Spann
Marked Man
Estimate £50,000 - 70,000 ‡
Sold for £152,400
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109
Doron Langberg
Dad
Estimate £25,000 - 35,000 ‡
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110
Aboudia
Untitled
Estimate £40,000 - 60,000 ‡
Sold for £76,200
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111
Cheyney Thompson
Chronochrome IV
Estimate £15,000 - 20,000 ‡
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112
Zandile Tshabalala
Paradise 7
Estimate £10,000 - 15,000 ‡
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113
Joyce Pensato
Clowney
Estimate £8,000 - 12,000 ‡
Sold for £13,970
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114
Harland Miller
Narcissist Seeks Similar
Estimate £70,000 - 90,000 ♠
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115
Thierry Noir
My New Hairstyle Makes Me Feel More Comfortable
Estimate £10,000 - 15,000 ♠
Sold for £40,640
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116
Albert Willem
All In All Not Bad For His First Attempt
Estimate £10,000 - 15,000 ‡♠
Sold for £228,600
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20th Century to Now

London Auction 30 June 2023

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Provenance

15

Emily Mae Smith

Raft on Siren Sea

20th Century to Now

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