‘‘There is no separation for me between people I know through their music or photos and some I know personally. The way I perceive them is very similar, in that there’s no difference between certain qualities that I find inspiring in them.’’
—Elizabeth Peyton

For American artist Elizabeth Peyton, the zeitgeist of our past and present historical moments are most accurately conveyed through the individual. Her luminous, small-scale portraits are intimately penetrating in their fixation on presence and have portrayed a broad spectrum of historical and popular figures from Napoleon Bonaparte to Kurt Cobain over the years. Making a compelling case for portraiture's survival and importance in our own hyper-visual digital age, Peyton powerfully demonstrates how ‘people contain their time in their face’.ⁱ Taking as her subject primarily people whom she either admires or feels an affinity with, Peyton’s work evidences the deep connection she forges with them, her languorous brushstrokes of luminous colour offering us a decluttered, phenomenological approach to the portrait which favours psyche and character over the tropes of naturalistic depiction. So humanising in their effect and revolutionary in their aesthetic at a time when notions of beauty and grace had been written out of the conversation, Laura Hoptman contends that ‘there is no doubt that the creation and reception of Peyton’s paintings in the 1990s utterly changed the contemporary art landscape.’ⁱⁱ

Prince Harry, September 1998 comes from one of her most iconic periods of work, when she captured the ethos at the turn of the 20th century through her depiction of popular figures from mediated images, drawing on ‘lives that are played out in the public arena of the mass media.’ⁱⁱⁱ A subject which she has returned to time and again, the present work brilliantly illustrates the consciousness of the young prince on the cusp of adolescence, anxiously arriving at Eton for his first day of school - an intensely private, family moment that was made public through the nation's press. Working from this original paparazzi photograph, Peyton focuses her attention closely on the young Prince's face, restoring a humanising intimacy and fragility to this mass-reproduced and widely circulated image.

On this richly painted surface of luminous tones, Harry’s blood-red lips are powerfully affecting; sapping colour from his bleached cheeks, they draw on notions of composure and restraint as fundamental to Royal life, emphasised further in the young Prince’s expression here and in the knowledge of the recent, tragic loss of his mother. Peyton, with uttermost sincerity and compassion, depicts a young man caught in the passage between childhood and adulthood, private pain and public voyerism, depicting a singular moment when - for a split second - 'the fickle nature of fame and celebrity appear temporarily arrested.'^iv

‘‘That’s what it’s all about – making art is making something live forever […] a way of holding onto things and making things go on through time.’’
—Elizabeth Peyton

Whilst Peyton’s work is materially linked to the tradition of panel paintings, particularly Lucas Cranach and Hans Holbein the Younger, the way in which she has manipulated the artistic tools at her disposal to revive popular art also alludes to the paintings of Gustave Courbet. As T.J Clark noted, Courbet ‘exploited high art – its techniques, its size and something of its sophistication – in order to revive popular art’, addressing his work ‘not to the connoisseur, but to a different hidden public.’^v In the same way, Peyton’s exquisite paintings have restructured the contemporary landscape, using the materials of high art to not only revive portraiture and figuration, but to expand the scope and potential of these modes. Her choice of a hotel room for her debut exhibition in 1993, and then a pub for her first exhibition in London in 1995, both speak to her desire for her work inclusive and accessible, reinforced by the nature of her source material itself, drawn from a pool of mass-produced and widely circulated mass-media images available to all.

Debuting her career in Room 828 of the Chelsea Hotel, New York, and then showing works featuring figures such as Kurt Cobain and Sid Vicious at the Prince Albert Pub, London, in 1995, Peyton has since realised solo exhibitions at public institutions such as the Royal Academy, London; the Walker Art Centre, Minneapolis; and the New Museum, New York, among others. Recently, her 2019-2020 show at the National Portrait Gallery in London made her the first contemporary artist to engage with the institution’s collection as her works were interwoven with historic paintings dating from the Tudor period to Victorian times. Other portraits of Prince Harry by Peyton can be found at the Centre Georges Pompidou, Musée national d’art moderne, Paris; and the Kuntsmuseum Wolfsburg.

ⁱ Elizabeth Peyton, quoted in 'Elizabeth Peyton: Faces Contain their Time', YouTube, online.

ⁱⁱ Laura Hoptman, 'Fin de Scièle', in Elizabeth Peyton, exh. cat., New Museum, New York, 2008, p. 225.

ⁱⁱⁱ Iwona Blazwick, 'Excessive Life', in Elizabeth Peyton, exh. cat., New Museum, New York, 2008, p. 234.

^vi Matthew Higgs, 'Introduction', in Elizabeth Peyton, New York, 2005, p. 18.

^v T. J. Clark, Image of the People: Gustave Courbet and the 1848 Revolution, New Jersey, 1982, p. 140.
- Provenance
  Georg Kargl, Vienna
  Acquired from the above by the present owner in 1998
- Exhibited
  Vienna, Georg Kargl, Elizabeth Peyton, 14 November - 12 December 1998
  Kraichtal, Ursula Blickle Stiftung; Salzburg, Museum Moderne und Zeitgenössische Kunst, Rupertinum; Bozen, Museion, Museum für Moderne Kunst, Figuration, 18 September 1999 - 5 March 2000, pp. 74, 97 (illustrated, p. 75)
- Literature
  Rob Pruitt and Steve Lafreniere, 'Elizabeth Peyton', Index Magazine, no. 24, May - July 2000, p. 60 (illustrated)

11

Elizabeth Peyton

Prince Harry, September 1998

signed, titled and dated 'Prince Harry, September 1998 Elizabeth Peyton, Elizabeth Peyton 1998' on the reverse
oil on board
26.1 x 21.1 cm (10 1/4 x 8 1/4 in.)
Painted in 1998.

Full Cataloguing

Estimate
£400,000 - 600,000 ‡

Sold for £488,950

Contact Specialist

Leonor de Osma
Head of Sale, 20th Century to Now
T +44 20 7901 7912
M +44 7584 086 052
ldeosma@phillips.com

20th Century to Now

London Auction 30 June 2023

1
Sahara Longe
Three Graces
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2
Guglielmo Castelli
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George
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Don't Make a Ripple
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6
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Untitled
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7
Chloe Wise
I Have Bad Taste In People But Good Taste In Myself
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8
Cinga Samson
Ubuhle Beenkanyezi I
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9
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Cloud Hill
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Nite Vibe
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11
Elizabeth Peyton
Prince Harry, September 1998
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12
Sarah Lucas
SOMEONE DROPPED A BOMB ON ME
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13
Albert Oehlen and Martin Kippenberger
Untitled
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14
Duncan McCormick
Trevor’s Dream
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15
Emily Mae Smith
Raft on Siren Sea
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16
Shara Hughes
Making Connections
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17
Gerhard Richter
13.3.08
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18
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19
Georg Baselitz
Wel lam ruch nichtet mihr (Frebl aill lew)
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20
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21
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Wall Yellow Pale
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22
Yayoi Kusama
Nets 52
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23
Lucio Fontana
Concetto spaziale
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24
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Black 4
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25
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Stone Histories
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26
Niki de Saint Phalle
Baigneurs ou Danseuse
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27
Jean Dubuffet
Lieu de ressouvenance
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28
Luc Tuymans
Illegitimate VII
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29
George Condo
Jesus
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30
Tschabalala Self
Daydream
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31
Oscar Murillo
Money Maker!
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32
Antony Gormley
MEME CCCXXII
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33
Damien Hirst
Eshara
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34
Damien Hirst
Toddler's Cloud
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35
Damien Hirst
Decahydronaphthalene
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36
Banksy
Precision Bombing
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37
Bridget Riley
Untitled [towards 'Fleeting Moment']
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38
Jake and Dinos Chapman
Sex I
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39
Gilbert & George
DUSTY CORNERS NO. 17
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40
Rebecca Warren
Model for a Degenerate Building, 2009 - 1999
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41
Yayoi Kusama
Pacific Ocean
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42
Stanley Whitney
Untitled
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43
Peter Halley
Yellow Cell With Conduit
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44
Maurizio Cattelan
Spermini
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45
John Baldessari
Prima Facie (Third State): From Adorable to Winning
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46
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47
Richard Prince
Untitled (original)
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48
Peter Halley
Night Watch
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49
Andy Warhol
Vincente Minnelli
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50
Andy Warhol
Jack Nicklaus
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51
Alex Katz
Shopping Crowd 1
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52
Christo
Running Fence (Project for Sonoma County and Marin County, State of California)
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53
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54
Wim Delvoye
Chapelle
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55
Günther Förg
Ohne Titel
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56
Anselm Kiefer
Star Book
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57
Stephan Balkenhol
Woman with a Green Dress against a Gold and Silver Relief
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58
Jörg Immendorff
Kampfbiene
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59
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60
Wolfgang Tillmans
Indian Corn & Pomme Granate
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61
Wolfgang Tillmans
Ten Works: (i) Blautopf, landscape; (ii) Fire Island; (iii) Fische; (iv) Freischwimmer 13; (v) Lightning I; (vi) Mental Picture#105; (vii) paper drop (white) c; (viii) Pfingstrosen; (ix) Venus Drop; (x) Venus Transit, Clouds
Estimate £75,000 - 95,000 ‡♠
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62
Michael Krebber
DEP-MK-0038
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63
Jonathan Meese
Totalmaschinist "Kubri"
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64
Louise Nevelson
Untitled
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65
Arnaldo Pomodoro
Disco
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66
Arnaldo Pomodoro
Porte dell'Edipo
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67No Reserve
Enrico Baj
The General
Estimate £2,000 - 3,000 •‡♠
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68
Tancredi Parmeggiani
Quando Il Sole E’ Colorato
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69
Martín Chirino
Cabeza Reclinada. El Grito I
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70
Niki de Saint Phalle
Half and Half
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71
Niki de Saint Phalle
Chameau
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72
Niki de Saint Phalle
L'Ange Vase
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73
Philippe Hiquily
Girouettes (Marabella - Shanghai)
Estimate £15,000 - 20,000 ‡♠
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74No Reserve
Omar El-Nagdi
Cat
Estimate £15,000 - 20,000 •‡
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75No Reserve
George Zongolopoulos
Olivier
Estimate £8,000 - 12,000 •‡♠
Sold for £21,590
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76
Anthony Caro
Stainless Piece C-C-2
Estimate £10,000 - 15,000 ‡♠
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77
Lynn Chadwick, R.A.
Sitting Couple
Estimate £20,000 - 30,000 Ω♠
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78No Reserve
Bernard Meadows
Seated Armed Figure
Estimate £8,000 - 12,000 •‡♠
Sold for £2,159
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79No Reserve
Bernard Meadows
Two works: (i) Drawing for Sculpture (Fat Seated Figure); (ii) Drawing for Sculpture (Armed Bust Version 2)
Estimate £700 - 1,000 •‡♠
Sold for £127
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80No Reserve
Gillian Ayres
Untitled (Rome Series)
Estimate £4,000 - 6,000 •‡♠
Sold for £12,700
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81No Reserve
Gillian Ayres
The Nut Brown Maid
Estimate £5,000 - 7,000 •‡♠
Sold for £11,430
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82No Reserve
Robert Adams
Screen Form
Estimate £8,000 - 12,000 •‡♠
Sold for £19,050
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83No Reserve
Alan Davie
Mama Idol No. 3
Estimate £8,000 - 12,000 •‡♠
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84No Reserve
Alan Davie
Guessing Game
Estimate £8,000 - 12,000 •‡♠
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85No Reserve
Alekos Fassianos
Man with Kite
Estimate £4,000 - 6,000 •‡♠
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86No Reserve
Robert Jacobsen
Man with Key
Estimate £6,000 - 8,000 •‡♠
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87No Reserve
Karl Prantl
Meditation Stone
Estimate £5,000 - 7,000 •‡♠
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88
Ludovic Nkoth
Identity of the Moment
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89
Stanley Whitney
Untitled
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90
George Rouy
Basking
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91
Caroline Walker
Study for Coat Makers
Estimate £25,000 - 35,000 ‡♠
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92
Caroline Walker
Study for Desayuno I
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93
Emma Cousin
Still Waters
Estimate £6,000 - 8,000 ♠
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94
Kennedy Yanko
P2
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95
Sayre Gomez
Precious Moments
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96
Susumu Kamijo
Untitled
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97
Brian Calvin
Pale Magnolia
Estimate £30,000 - 50,000 ‡
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98
Moffat Takadiwa
Judging by Language
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99
Jaime Muñoz
Madre
Estimate £12,000 - 18,000 ‡
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100
Os Gêmeos
Untitled
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101
Secundino Hernández
My Friends
Estimate £40,000 - 60,000 ‡♠
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102
Julião Sarmento
Ingrid
Estimate £25,000 - 35,000 ‡♠
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103
Harold Ancart
Untitled
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104
Todd Bienvenu
Untitled
Estimate £10,000 - 15,000 ‡
Sold for £6,350
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105
Benjamin Spiers
Whip
Estimate £12,000 - 18,000 ‡♠
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106
Jason Martin
Django (Alizarin violet)
Estimate £30,000 - 50,000 ‡♠
Sold for £69,850
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107
Ayako Rokkaku
Untitled (AR 18-13)
Estimate £30,000 - 50,000
Sold for £30,480
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108
Vaughn Spann
Marked Man
Estimate £50,000 - 70,000 ‡
Sold for £152,400
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109
Doron Langberg
Dad
Estimate £25,000 - 35,000 ‡
Sold for £40,640
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110
Aboudia
Untitled
Estimate £40,000 - 60,000 ‡
Sold for £76,200
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111
Cheyney Thompson
Chronochrome IV
Estimate £15,000 - 20,000 ‡
Sold for £17,780
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112
Zandile Tshabalala
Paradise 7
Estimate £10,000 - 15,000 ‡
Sold for £12,065
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113
Joyce Pensato
Clowney
Estimate £8,000 - 12,000 ‡
Sold for £13,970
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114
Harland Miller
Narcissist Seeks Similar
Estimate £70,000 - 90,000 ♠
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115
Thierry Noir
My New Hairstyle Makes Me Feel More Comfortable
Estimate £10,000 - 15,000 ♠
Sold for £40,640
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116
Albert Willem
All In All Not Bad For His First Attempt
Estimate £10,000 - 15,000 ‡♠
Sold for £228,600
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20th Century to Now

London Auction 30 June 2023

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Provenance

Exhibited

Literature

11

Elizabeth Peyton

Prince Harry, September 1998

20th Century to Now

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