Succession F. Valloton, Paris
Gabrielle Rodrigues-Henriques, Paris (by descent from the above)
Jacques Rodrigues-Henriques, Paris (by descent from the above in 1934)
Mr. and Mrs. Arthur G. Altschul, New York (acquired from the above on May 16, 1956)
Galerie Hopkins-Custot, Paris (acquired by 2003)
Acquired from the above by the present owner in 2003
Paris, Galerie Bernheim-Jeune, Peintres de Portraits au profit de la “Société d’entr’aide des membres de la Légion d’Honneur,” May 17–June 28, 1952, no. 61, n.p. (titled La Conversation; dated 1899)
Paris, Maison de la pensée française, Félix Vallotton 1865-1925, April–June 1955, no. 7, n.p. (titled Papotage de trois dames; dated 1899)
The Minneapolis Institute of Arts, The Nabis and their Circle, November 15–December 30, 1962, p. 147 (dated 1899)
New Haven, Yale University Art Gallery, Neo-Impressionists and Nabis in the Collection of Arthur G. Altschul, January 20–March 14, 1965, no. 45, pp. 102, 107 (illustrated, n.p.; dated 1899)
New York, Hirschl and Adler Galleries, Inc., Félix Vallotton (1865-1925): A Retrospective Exhibition of Paintings, Drawings, Woodcuts and Engravings, April 7–25, 1970, no. 32, n.p. (illustrated; titled Gossiping; dated 1899)
Los Angeles, The Grunwald Graphic Arts Foundation, University of California, The Graphic Art of Félix Vallotton, October 24–November 19, 1972, no. 4, n.p. (dated 1899)
Art Gallery of Ontario, Puvis de Chavannes and the Modern Tradition, October 24–November 30, 1975, no. 66, p. 150 (illustrated; dated 1899)
New Haven, Yale University Art Gallery; Houston, Museum of Fine Arts; Indianapolis Museum of Art; Amsterdam, Van Gogh Museum; Lausanne, Musée cantonal des Beaux-Arts, Félix Vallotton: A Retrospective, October 24, 1991–January 31, 1993, pl. 280, pp. 228-229, 298-299 (illustrated, p. 228)
Munich, Kunsthalle der Hypo-Kulturstiftung; Essen, Folkwang Museum, Félix Vallotton, August 25, 1995–February 18, 1996, no. 41, n.p. (illustrated)
Amsterdam, Van Gogh Museum, Around Gauguin: Post-Impressionist works from the Triton Foundation, April 8–June 12, 2005
The Hague, Gemeentemuseum, De Omslag: Illusie en Werkelijkheid in de Kunst van de Jaren ’50 en ’60 uit de Triton Foundation, November 1, 2005–March 26, 2006, pp. 2-3, 13
The Hague, Gemeentemuseum, Klaroenstoot voor de moderne kunst. De Nabis in de collectie van de Triton Foundation, April 29–November 30, 2008, pp. 29-30 (illustrated, p. 29)
Tokyo, Bunkamura Museum of Art; Kitakyushu Municipal Museum of Art, Riverwalk Gallery; Hiroshima Museum of Art, Toulouse-Lautrec et son Cercle, November 10, 2009–March 22, 2010, no. 96, pp. 138, 189 (illustrated, p. 138)
Félix Vallotton 1865-1925, exh. cat., Kunsthaus, Zurich, 1938, no. 477, p. 51 (titled Intérieur 3 femmes peinture)
Rudolf Koella, Félix Vallotton, Zürich, 1979, p. 43 (illustrated)
Richard Shone, The Post-Impressionists, London, 1979, fig. 146, pp. 126-127 (illustrated, p. 126)
Günter Busch, Bernard Dorival, Patrick Grainville, Doris Jakubec, Vallotton, Lausanne, 1985, pl. 74, pp. 78, 233 (illustrated, p. 78)
Antoine Salomon and Guy Cogeval, Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels, Milan, 2003, vol. I, p. 228 (illustrated; titled Malicious Gossip)
Marina Ducrey, Félix Vallotton 1865-1925, L’Oeuvre peint, vol. II. Catalogue raisonné, Milan, 2005, no. 402, p. 249 (illustrated)
Nathalia Brodskaïa, Félix Vallotton. The Nabi from Switzerland, New York, 2013, pp. 76, 198 (illustrated, p. 76)
Avant-gardes 1870 to the present: The Collection of the Triton Collection Foundation, exh. cat., Kunsthal Rotterdam, Brussels, 2012, pp. 118-119, 566 (illustrated, pp. 118-119)
Jérôme Prieur, “La peinture cinéma de Vallotton,” Libération, October 10, 2013, online