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  • Literature

    Edition Schellmann 156

  • Artist Biography

    Donald Judd

    American • 1928 - 1994

    Donald Judd came to critical acclaim in the 1960s with his deceptively simple, yet revolutionary, three-dimensional floor and wall objects made from new industrial materials, such as anodized aluminum, plywood and Plexiglas, which had no precedent in the visual arts. His oeuvre is characterized by the central constitutive elements of color, material, and space. Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer, and surrounding space with his so-called "specific objects." From the outset of his three-decade-long career, Judd delegated the fabrication to specialized technicians, eschewing any trace of the artist’s hand. Though associated with the minimalist movement, Judd rejected the term and did not wish to confine his practice to this categorization. 

    After moving to Marfa in 1972, he began drawing plans for the Chinati Foundation, an exhibition space which opened in 1986 to showcase his objects as well as the work of other contemporary artists and is still operating today. In 2020, his revolutionary career was celebrated in a major retrospective at the Museum of Modern Art, New York. 

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Untitled: green, from For Joseph Beuys portfolio

Woodcut in green, on Handmade Japanese Laid paper, with full margins,
I. 15 3/4 x 23 3/8 in. (40 x 59.4 cm);
S. 23 1/2 x 31 1/8 in. (59.7 x 79.1 cm)

signed and numbered 1/90 in pencil on the reverse (the total edition of 90 was divided into four color ways; brown, blue, red and green 30 of each color including an edition of 30 in Roman numerals), co-published by Galerie Bernd Klüser, Munich and Edition Schellmann, Munich and New York, several foxmarks in the margins (varying in size, only visible in the margins), otherwise in very good condition, framed.

$2,500 - 3,500 

Sold for $4,750

Modern & Contemporary Editions

21 Nov 2010
New York