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  • Catalogue Essay


    In their joy at liberation from old conventions, the people of the Edo period made
    light of everything in the world and demanded what was open-hearted and
    brilliantly clear in spirit.
    Seiichiro Takahashi, Traditional Woodblock Prints of Japan, The Heibonsha
    Survey of Japanese Art, 1983

  • Artist Biography

    Richard Diebenkorn

    Wholly devoted to painting, Richard Diebenkorn created artworks that often hovered between abstraction and figuration and were committed to exploring the inadequacies of the artform as well as celebrating its triumphs. Diebenkorn pioneered a quintessentially Californian style of abstraction lauded for its lyrical geometry and originally conceived during an epiphanic experience viewing the landscape from an aerial perspective: these paintings are neither fully representational nor abstract, but can be viewed as exploring the interstices between the two concepts and articulating the material experience of life in California. Although these works cemented the artist’s status as one of the premier painters of the postwar era, Diebenkorn oscillated between figuration and abstraction for the entirety of his career, achieving great successes with each new series; he is considered one of the founding members of the Bay Area Figurative Movement and his renowned Ocean Park paintings are considered chief accomplishments of postwar abstraction.

    Diebenkorn’s works betray the painstaking process of their creation. The laborious and contemplative nature of his practice shines through the richly rendered color and translucent striations of drawing, ethereal totems of the artist’s effort. Diebenkorn is considered an essential American abstractionist and his work is represented in many of the most important institutions in the country, including The Metropolitan Museum of Art, New York; the National Gallery of Art, Washington, D.C.; and the Fine Art Museums of San Francisco. 

     
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PROPERTY OF DREIER LLP

29

Ochre

1983
Woodcut in colors, on Mitsumata paper, with full margins,
I. 25 x 36 in. (63.5 x 91.4 cm);
S. 27 1/2 x 38 1/8 in. (69.9 x 96.8 cm)

signed with initials, dated `83' and numbered 68/200 in pencil (there were also 20 artist's proofs), published by Crown Point Press, Oakland (with their blindstamp), in excellent condition, framed.

Estimate
$20,000 - 30,000 

Sold for $33,750

Modern & Contemporary Editions

21 Nov 2010
New York