James Rosenquist - Modern & Contemporary Editions New York Sunday, November 21, 2010 | Phillips

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  • Literature

    Constance Glenn 207

  • Catalogue Essay


    Rosenquist’s intention is to intersperse two or more completely dissimilar motifs or textures in such a way as to provoke a sparkle at their point of intersection–to provoke a new pictorial idea, a new invention in the picture plane Bernice Rose New Work on Paper, The Museum of Modern Art, New York, 1985
    I keep thinking about the metamorphosis between flora and fauna. I also wonder what hides behind the facade of a person’s face
    James Rosenquist

109

Crosshatch and Mutations

1986
Editioned monoprint with lithograph collage in colors, on Arches paper, the full sheet,
S. 42 x 51 1/4 in. (106.7 x 130.2 cm)
signed, titled, dated `1986' and numbered 8/29 in pencil (there were also 9 versions proofs), published by Graphicstudio, USF, Tampa, Florida, affixed to the suport at the reverse of the corners (with associated rippling at upper corners), otherwise in very good condition, framed.

Estimate
$12,000 - 18,000 

Sold for $20,000

Modern & Contemporary Editions

21 Nov 2010
New York