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  • Literature

    Constance Glenn 207

  • Catalogue Essay

    Rosenquist’s intention is to intersperse two or more completely dissimilar motifs or textures in such a way as to provoke a sparkle at their point of intersection–to provoke a new pictorial idea, a new invention in the picture plane Bernice Rose New Work on Paper, The Museum of Modern Art, New York, 1985
    I keep thinking about the metamorphosis between flora and fauna. I also wonder what hides behind the facade of a person’s face
    James Rosenquist


Crosshatch and Mutations

Editioned monoprint with lithograph collage in colors, on Arches paper, the full sheet,
S. 42 x 51 1/4 in. (106.7 x 130.2 cm)
signed, titled, dated `1986' and numbered 8/29 in pencil (there were also 9 versions proofs), published by Graphicstudio, USF, Tampa, Florida, affixed to the suport at the reverse of the corners (with associated rippling at upper corners), otherwise in very good condition, framed.

$12,000 - 18,000 

Sold for $20,000

Modern & Contemporary Editions

21 Nov 2010
New York