Donald Judd - Contemporary Art Evening Sale New York Friday, March 4, 2011 | Phillips

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  • Provenance

    Acquired directly from the artist

  • Catalogue Essay

    None of the three-dimensional work is meant to look handmade, including the wooden ones which I made in as matter-of-fact a way as I could.  Wood being what it is tends to look more manipulated than metal.  I kept down the handicraft aspect.  Other artists played it up…I like the color and I like the quality of cadmium red light.  And then, also, I thought for a color it had the right value for a three-dimensional object.  If you paint something black or any dark color, you can’t tell what its edges are like.  If you paint it white, it seems small and purist.  And the red, other than a gray of that value, seems to be the only color that really makes an object sharp and defines its contours and angles.

     
    -Donald Judd
     
    (J. Coplans, “An Interview with Don Judd,” Donald Judd selected works 1960-1991, Japan, 1999, p. 157)

  • Artist Biography

    Donald Judd

    American • 1928 - 1994

    Donald Judd came to critical acclaim in the 1960s with his simple, yet revolutionary, three-dimensional floor and wall objects made from new industrial materials, such as anodized aluminum, plywood and Plexiglas, which had no precedent in the visual arts. His oeuvre is characterized by the central constitutive elements of color, material and space. Rejecting the illusionism of painting and seeking an aesthetic freed from metaphorical associations, Judd sought to explore the relationship between art object, viewer and surrounding space with his so-called "specific objects." From the outset of his three-decade-long career, Judd delegated the fabrication to specialized technicians. Though associated with the minimalist movement, Judd did not wish to confine his practice to this categorization.

     

    Inspired by architecture, the artist also designed and produced his own furniture, predominantly in wood, and eventually hired a diverse team of carpenters late in his career.

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25

Untitled 1978 (7.78 Judd)

1978
Painted parallelogram woodblock in sugar pine.
20 3/4 x 16 3/4 x 2 in. (52.7 x 42.5 x 5.1 cm).
Inscribed “DON JUDD 11L 7.78 CW” on the reverse.

Estimate
$40,000 - 60,000 

Sold for $68,500

Contemporary Art Evening Sale

4 March 2011
New York