Provenance
Barbara Gladstone Gallery, New York
Catalogue Essay

Richard Prince’s work is rich in layers of humor, perversity and the beauty of pop cultural imagery. Like the image of the Marlborough man he famously appropriated for his Cowboys series, this work refers to another omnipresent and clichéd, bit of American culture: the tire planter. Rather than looking to glossy billboards and magazines as a source, here, Prince pilfers the detritus of American folkcraft and thrift. Indigenous—but not limited to—the United States, he first became familiar with the tire planter when he purchased a country house in upstate New York in the late 1990s. “After we moved up here,” he said, “I started to notice three things common to people’s yards: the basketball hoop, the aboveground pool and the tire planter.” (D. Colman, “POSSESSED; A Retread With Mass Appeal,” The New York Times, October 5, 2003).
Prince’s Untitled (Tire Planter) is a transformed castoff of a culture built upon mobility and consumption. The Tire Planter “stays fixed in our imagination, as a specific account of a white, middle-class, suburban way of pleasure and destruction, made by someone who knows that way intimately, knows why it’s terrible, knows why it’s irresistibly wonderful, and knows what we can conclude about art, about America, and about a self that has to live with both—from the fact that it exists at all” (J. Lewis, “Outside World,” Richard Prince, New York, 1992, p. 77) .
Artist Biography
Richard Prince
American • 1947
For more than three decades, Prince's universally celebrated practice has pursued the subversive strategy of appropriating commonplace imagery and themes – such as photographs of quintessential Western cowboys and "biker chicks," the front covers of nurse romance novellas, and jokes and cartoons – to deconstruct singular notions of authorship, authenticity and identity.
Starting his career as a member of the Pictures Generation in the 1970s alongside such contemporaries as Cindy Sherman, Robert Longo and Sherrie Levine, Prince is widely acknowledged as having expanded the accepted parameters of art-making with his so-called "re-photography" technique – a revolutionary appropriation strategy of photographing pre-existing images from magazine ads and presenting them as his own. Prince's practice of appropriating familiar subject matter exposes the inner mechanics of desire and power pervading the media and our cultural consciousness at large, particularly as they relate to identity and gender constructs.
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18

Richard Prince

Untitled (Tire Planter, black)

1999
Tire.
19 1/2 x 26 x 26 in. (49.5 x 66 x 66 cm).

Estimate
$80,000 - 120,000

Sold for $80,500

Contemporary Art Evening Sale

4 March 2011
New York

1
Kelley Walker and Wade Guyton
Paint Cans (from Dear Ketel One drinker hello again)
Estimate $20,000 - 30,000
Sold for $27,500
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2
Wolfgang Tillmans
Freischwimmer 20
Estimate $30,000 - 40,000
Sold for $50,000
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3
Urs Fischer
Ohne Titel (Geige)
Estimate $60,000 - 80,000
Sold for $146,500
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4
Christopher Wool
Untitled
Estimate $100,000 - 150,000
Sold for $194,500
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5
Cady Noland
No Title
Estimate $400,000 - 600,000
Sold for $230,500
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6
This lot is no longer available.
7
Albert Oehlen
Das Gewicht der Ladung
Estimate $70,000 - 100,000
Sold for $230,500
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8
Mark Grotjahn
Untitled (Pink Butterfly Green mg03)
Estimate $300,000 - 400,000
Sold for $434,500
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9
Jim Hodges
Once Together / Apart
Estimate $350,000 - 450,000
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10
Michaël Borremans
The Veils
Estimate $150,000 - 250,000
Sold for $170,500
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11
Thomas Ruff
Zycles 3041
Estimate $120,000 - 180,000
Sold for $98,500
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12
Piotr Uklański
Untitled (Eagle, American)
Estimate $250,000 - 350,000
Sold for $242,500
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13
Jack Pierson
Some fucked up notion of a dream
Estimate $100,000 - 150,000
Sold for $116,500
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14
Raymond Pettibon
No Title (Measuring Up)
Estimate $100,000 - 150,000
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15
Andy Warhol
Detail of the Last Supper / Be a Somebody with a Body
Estimate $500,000 - 700,000
Sold for $602,500
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16
Rudolf Stingel
Untitled (After Sam)
Estimate $700,000 - 900,000
Sold for $902,500
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17
Steven Parrino
Untitled
Estimate $80,000 - 120,000
Sold for $68,500
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18
Richard Prince
Untitled (Tire Planter, black)
Estimate $80,000 - 120,000
Sold for $80,500
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19
Jack Goldstein
Untitled
Estimate $25,000 - 35,000
Sold for $98,500
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20
Andy Warhol
Vesuvius
Estimate $400,000 - 600,000
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21
Tom Sachs
Chanel Fountain
Estimate $50,000 - 70,000
Sold for $62,500
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22
Ross Bleckner
Pausing and inhaling
Estimate $60,000 - 80,000
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23
Raoul De Keyser
Untitled
Estimate $30,000 - 50,000
Sold for $50,000
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24
Keith Haring
Untitled
Estimate $300,000 - 400,000
Sold for $386,500
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25
Donald Judd
Untitled 1978 (7.78 Judd)
Estimate $40,000 - 60,000
Sold for $68,500
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26
Agnes Martin
Untitled
Estimate $80,000 - 120,000
Sold for $104,500
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27
Ugo Rondinone
Sunrise, august, west
Estimate $150,000 - 200,000
Sold for $182,500
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28
Gregor Hildebrandt
Wenn ich mir was Wünschen dürfte [M.D. auf Omas Tapete]
Estimate $20,000 - 30,000
Sold for $40,000
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29
Banks Violette
Black noise (Ampeg BA - 115) for S.P.
Estimate $80,000 - 120,000
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30
Adel Abdessemed
Le mythe de Sisyphe
Estimate $40,000 - 60,000
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31
Richard Phillips
NEW MUSEUM
Estimate $100,000 - 150,000
Sold for $158,500
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Contemporary Art Evening Sale

4 March 2011 New York

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Provenance

Catalogue Essay

Artist Biography

Richard Prince

18

Richard Prince

Untitled (Tire Planter, black)

Contemporary Art Evening Sale

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4 March 2011
New York