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  • Provenance

    Private collection, Belgium

  • Catalogue Essay

    I definitely get a lot of ideas from music and from musicians I've worked with. In the instance of Stephen O'Malley-who plays with the band Sunn O)))-he's involved with a lot of low-frequency kind of sub-audible compositions,” …things that are really less auditory and more physiological. That seems like a perfect complement to the idea of sculpture-it has weight, gravity, it extends itself into space, etc. How do you take a discrete object that is placed pretty much on a pedestal and make it radiate out into the environment? We fill it up with the sound equivalent of the sculpture. BANKS VIOLETTE
    (C. Bollen, "Banks Violette," Interview Magazine)


Black noise (Ampeg BA - 115) for S.P.

Fiberglass, wood, epoxy, polyurethane, tinted epoxy, salt.
24 x 24 x 24 in. (61 x 61 x 61 cm).
This work is from an edition of seven.

$80,000 - 120,000 

Contemporary Art Evening Sale

4 March 2011
New York