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Cecily Brown first made a name for herself in the New York scene with her 1997 solo show, Spectacle, at Jeffrey Deitch Projects. That same year, her edgy, vivid paintings were also included in important early group exhibitions at P.S.1. Contemporary Art Center and Janice Guy Gallery. Brown’s commitment to furthering contemporary painting led her to move from London, which was then transfixed by the YBAs, to New York City in 1994. Here, she began working on her first major body of work: a series of boisterous, copulating bunnies that includes the present example. An auspicious debut, early bunny paintings were acquired by significant collectors including the likes of Agnes Gund. Untitled (#64), 1995, is amongst these important works that set the foundation for Brown’s celebrated, nearly three decades long practice.
Brown’s bunny works depict the animals engaging in rapacious sexual acts rendered in a candy-colored palate incongruous with their Bacchanalian ritual. The bunnies stand in for human actors in an astute commentary on sexuality, violence and the human condition. Identifying this series as a critical juncture within her oeuvre, Brown has reflected: “I don’t think the subject has changed much since the very beginning; there are just different ways of getting at it. I sometimes wonder, looking back on the paintings with a lot of sexual content, whether I was setting things up so that later I could be less explicit and the paintings would still be imbued with the idea of this content.”i
“I always feel… this collaboration with the artists that I’ve looked at; they come out at different times.”
—Cecily BrownA brilliant early example, Untitled (#64) is imbued with themes that have come to define the artist’s practice: vanitas, eroticism and sexuality, and a macabre sensibility. Brown masterfully draws from a wide variety of art historical references ranging from Willem de Kooning, Arshile Gorky and Francis Bacon to Hieronymus Bosch, Nicolas Poussin, Peter Paul Rubens and William Hogarth, revitalizing classical ideas with her characteristic loose, muscular brushwork, vibrant palette and expressionistic scenes.
William Hogarth, A Rake’s Progress, 3: The Tavern Scene, 1735, Sir John Soane's Museum, London. Image: © Sir John Soane's Museum / Bridgeman Images “When Brown verges on pornography, especially in her earlier work, her accent is on the libidinous, and it certainly is meant to shock,” critic Dore Ashton writes.ii While Untitled (#64) has an edginess that is distinctly contemporary, Brown draws upon historical examples from artists who confronted societal taboos, such as Hogarth’s A Rake’s Progress, 3: The Tavern Scene, 1735. The work, also known as The Orgy, is a merry company painting set within a brothel that has been often cited by Brown. This work exemplifies Hogarth’s unflinching look at reality, a quality shared with Brown as well as artists like Bacon and Chaïm Soutine who are also important influences. Imbued with carnal tension, these scenes similarly shock in a way that reveals the artistic power of depicting complexities of the human condition.
While bunnies are sometimes associated with endearing, childlike qualities of innocence and naïveté, Brown uses the motif to subversively enact scenes of hedonism. The bunny series plays on the polyvalent charge of these animals from across the European artistic tradition. In classical antiquity, rabbits symbolized fertility and sexual desire. In Christian art, rabbits possess twinned connotations: emblems of Christological rebirth and symbols of sinful lust. In the Dutch Golden Age, hunting still lifes often featured rabbits—the supreme prey animal—whose corpses reinforced the vanitas tradition’s endeavors to reveal the fleeting and ephemeral nature of life and pleasure. Untitled (#64) draws upon these layered references while also offering a provocatory scene wherein the ostensibly virtuous animals participate in a sinister act.
i Cecily Brown in Cecily Brown, New York, 2008, p. 26
ii Dore Ashton in ibid., p. 14
Condition Report
Description
View our Conditions of Sale.
Provenance
Janice Guy Gallery, New York
Acquired from the above by the present ownerExhibited
New York, Janice Guy Gallery, Cecily Rose Brown, Bonnie Collura and Anna Gaskell, February 7–March 8, 1997
348
Untitled (#64)
signed and dated "Cecily Brown '96" on the reverse; signed and dated "Cecily Brown '96" on the stretcher
oil on linen
36 x 36 in. (91.4 x 91.4 cm)
Painted in 1996.
Estimate
$30,000 - 40,000
Patrizia Koenig
Specialist, Head of Sale, Afternoon Session
+1 212 940 1279
pkoenig@phillips.com
Modern & Contemporary Art Day Sale, Afternoon Session
New York Auction 15 May 2024
301
Calida Rawles
Pillar
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302
Jesse Mockrin
Weary from the chase
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303
Ambera Wellmann
YTBT
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304
Francesca Mollett
Sancreed
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305
Alfie Caine
Hastings Old Town
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306
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Al mattino
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307
Kehinde Wiley
After Memling's Portrait of Jacob Obrecht
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308
Henry Taylor
Untitled
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309
Jeffrey Gibson (Choctaw/Cherokee)
MAKE ME FEEL IT
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310
Raven Halfmoon
OKLA HOMMA OHOYO
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311
Tammy Nguyen
Northeast Storm and the Young King
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312
Basil Kincaid
Formulation of Worlds, Selves and Bodies
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313
Jamea Richmond-Edwards
Blue feather and orb
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314
Wynnie Mynerva
Story of Revenge 2
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315
Alex Gardner
Be the Best Number Two
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316
Jenna Gribbon
My place beside her in bed
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317
Jenna Gribbon
Homework in the cafeteria wrestlers
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318
Hernan Bas
Things Fly About
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319
Louise Giovanelli
Billyo V
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320
Julie Curtiss
D'après l'Origine du monde
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321
Titus Kaphar
Pushing Back the Light
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322
Caroline Walker
Washing Line, Early Morning, May
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323
Henni Alftan
Still Water
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324
Julien Nguyen
Point Break
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325
Jill Mulleady
A thousand natural shocks
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326
Marina Perez Simão
Untitled
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327
Sonia Gomes
Raízes series #1
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328
Shara Hughes
Magic Hour
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329
Marina Perez Simão
Untitled
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330
Issy Wood
Actual car 2
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331
Issy Wood
Study for the Bada Bing
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332
Hun Kyu Kim
Castle Breakers
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333
Tomokazu Matsuyama
Uh oh, Together Again
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334
Ilana Savdie
Under questionable jurisdiction
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335
Marco Pariani
Devil Side
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336
Lauren Halsey
banana split / the real deal
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337
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Fatebe Heirloom
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338
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Gambit
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339
Gary Simmons
Study for Hollywood
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340
Mark Bradford
Starin' Through My Rear View
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341
Barbara Kruger
Untitled (Money Talks)
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342
Wade Guyton
Untitled
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343
Anish Kapoor
Random Triangle Mirror
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344
Tony Cragg
Red Figure
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345
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Untitled
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346
Eric Fischl
Motel
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347
Lisa Yuskavage
Three Girls
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348
Cecily Brown
Untitled (#64)
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349
Pat Steir
Small Waterfall
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350
Loie Hollowell
Bag of waters, month six
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351
George Condo
Circus Figure
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352
Amoako Boafo
Untitled
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353
Xinyi Cheng
Untitled
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354
Henry Taylor
Daniella Stienfeld
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355
Genesis Tramaine
Brother Abinadab
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356
Henry Taylor
Portrait of Cassi Amanda Gibson (no relation to Bob,)
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357
Jammie Holmes
My Grandmother was an Usher
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358
Derek Fordjour
Untitled (No. 92)
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359
Joy Labinjo
At the Circus
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360
Jeff Sonhouse
Gifted the Enabler's Dexterity
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361
Dominic Chambers
After Albers (LA Sunset)
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362
Stanley Whitney
Untitled
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363
Peter Halley
In the Game
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364
Paul McCarthy
White Snow Dwarf (Bashful)
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365
Dan Colen
Mother (Well)
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366
Rashid Johnson
Ruffus
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367
Austyn Weiner
The Bathers
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368
Jenny Holzer
Living Series: There's the Sensation of a lot of Flesh...
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369
Roni Horn
Key and Cue, no. 1182 REMEMBRANCE HAS A REAR AND FRONT
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370
Cindy Sherman
Untitled Film Still #29
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371
Toba Khedoori
Untitled (explosion)
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372
Anna Park
Catching Feelings
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373
Anna Park
Fortuneteller
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374
Rashid Johnson
Support System
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375
Rashid Johnson
Cosmic Slop
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376
Thomas Houseago
Sitting Woman
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377
Thomas Houseago
Bronze Portrait (Midnight Mask Original)
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378
Jason Boyd Kinsella
Lars
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379
Joel Mesler
Half Full Half Empty Aluminum
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380
Robert Nava
The Tunnel
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381
KAWS
UNTITLED
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382
KAWS
BLACK SPOT, 10-21
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383
Alejandro Cardenas
Sea Krait Gerwalk Mode
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384
Tom Waring
Duell
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385
Blair Whiteford
Harvest From Final Bloom
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386
Haley Josephs
May You Bloom and Grow Forever (From A Slug I Saw in the Black Forest)
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387
Brice Guilbert
Fournez
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388
Friedrich Kunath
It’s Friedrich
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389
Shannon Cartier Lucy
A Soft Rein
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390
Vaughn Spann
Untitled
Estimate $40,000 - 60,000
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391
Sam McKinniss
Prince (Under the Cherry Moon)
Estimate $15,000 - 20,000
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392
Chloe Wise
Which Lake Do I Prefer
Estimate $50,000 - 70,000
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393
Ivy Haldeman
Full Figure, Finger to Eye, Hand on Opposite Thigh, Foot Behind Bottom
Estimate $50,000 - 70,000
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394
Lucy Bull
Untitled
Estimate $30,000 - 40,000
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395
Lauren Quin
Hook for Helianthus
Estimate $50,000 - 70,000
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396
Oscar Murillo
Fish Taco
Estimate $70,000 - 100,000
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397
Korakrit Arunanondchai
Untitled (History Painting)
Estimate $30,000 - 50,000
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398
Eddie Martinez
Inside Thought
Estimate $60,000 - 80,000
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399
Jiang Cheng
U-49
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400
Claire Tabouret
In the Frosty Morning
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401
Karen Kilimnik
Two Dancers on a Stage, Paris
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402
Nicole Eisenman
Drunk Driver
Estimate $18,000 - 25,000
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403
Adrian Ghenie
The Philanthropist
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404
Doron Langberg
Avi
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405
Jonathan Lyndon Chase
Play him a song
Estimate $8,000 - 12,000
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406
Anthony Cudahy
Dress
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407
Karyn Lyons
The Summer Intern
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408
Jonas Wood
Bullets (mini)
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409
Nicolas Party
Still Life
Estimate $25,000 - 35,000
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410
Rirkrit Tiravanija
Untitled (Demonstration No. 12)
Estimate $7,000 - 10,000
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411
Kara Walker
Cover of My Negro Novella
Estimate $70,000 - 100,000
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412
Christina Quarles
Untitled (Dissonant Bodies)
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413
Marlene Dumas
Little Red Riding Hood
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414
Marlene Dumas
Little Red Riding Hood
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415
Marlene Dumas
Little Red Riding Hood
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416
Marlene Dumas
Little Red Riding Hood (double-sided)
Estimate $5,000 - 7,000
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417
Elizabeth Peyton
Untitled (Elizabeth)
Estimate $12,000 - 18,000
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418
George Condo
Figure with Pearls
Estimate $30,000 - 50,000
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419
Raymond Pettibon
No Title (Never letting us...)
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420
Shara Hughes
Little Dances
Estimate $12,000 - 18,000
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421
Gabriel Orozco
Untitled
Estimate $20,000 - 30,000
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422
Julia Chiang
Shimmy In And Slide
Estimate $25,000 - 35,000
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423
Jules de Balincourt
Healing to Die You
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424
Katherine Bernhardt
The Gallery Inn
Estimate $40,000 - 60,000
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425
Guy Yanai
Young Plant Balcony
Estimate $12,000 - 18,000
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426
Danielle Orchard
Cake With Thong
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427
Emma Stern
Heather
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428
Michael Williams
Deserted Medieval Village
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429
Urs Fischer
aceofpigs
Estimate $40,000 - 60,000
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430
Sarah Crowner
Untitled
Estimate $30,000 - 50,000
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431
Andres Valencia
Arnold
Estimate $50,000 - 70,000
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432
Cyprien Gaillard
Untitled
Estimate $20,000 - 30,000
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433
Calvin Marcus
Blue Devil
Estimate $25,000 - 35,000
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434
Michael Ray Charles
(Forever Free) Big Mama's Hot Link Heaven
Estimate $30,000 - 50,000
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435
Jenny Holzer
Selection from The Living Series
Estimate $10,000 - 15,000
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436
Lisa Milroy
Dresses
Estimate $8,000 - 12,000
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437
Haim Steinbach
Untitled (black sneakers)
Estimate $10,000 - 15,000
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438
Cory Arcangel
On Compression / Lakes
Estimate $30,000 - 40,000
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439
Nigel Cooke
I Am Time
Estimate $30,000 - 40,000
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440
Thilo Heinzmann
O.T.
Estimate $15,000 - 20,000
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441
Kelley Walker
Black Star Press
Estimate $40,000 - 60,000
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442
Matthew Day Jackson
LIFE, January 12, 1962 (rust)
Estimate $10,000 - 15,000
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443
Andrew Kuo
Once, A Long Time Ago (11/17/13)
Estimate $5,000 - 7,000
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