50
Cecil Beaton
Charles James Dresses
- Estimate
- $5,000 - 7,000
Lot Details
Gelatin silver print, printed 2014.
1948
19 x 23 in. (48.3 x 58.4 cm)
Sotheby's Cecil Beaton Studio Archive and copyright credit stamp on the verso. One from an edition of 80.
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Full-Cataloguing
Catalogue Essay
This iconic Cecil Beaton image encapsulates the elegance of the 1940s. Wearing Charles James’ architecturally sculpted gowns, the models, Dorry Adkins, Marilyn Ambrose, Lily Carlson, Carmen Dell’Orefice, Andrea Johnson and Dorian Leigh, casually pose together in 18th century luxury. Taken from a famous Cecil Beaton quote, and used to emphasize James’ revolutionary process, The Metropolitan Museum of Art titled their 2014 exhibition Charles James: Beyond Fashion.
Provenance
Literature
Cecil Beaton
British | B. 1904 D. 1980Cecil Beaton was a highly celebrated British photographer who is perhaps best known for taking portraits of the colorful celebrities who composed the fashionable society of early-mid twentieth century London, all of whom were within his social circle. According to an autobiographical account, Cecil Beaton's relationship with photography began as a boy when he fell in love with picture postcards of the Edwardian theater actress Miss Lily Elsie. He took up photography at a young age, using his sisters Nancy and Baba as his primary subjects. Initially, Beaton sought to emulate pictures he saw in fashion magazines, especially the soft-focus technique used by Baron Adolphe de Meyer. In 1929 he moved to New York after signing a contract with American Vogue. Throughout the 1930s Beaton traveled extensively as a portrait photographer, spending time in Hollywood amongst the glitter and glamour of Hollywood film stars. When the Second World War began and focus turned towards its dangers and devastations, Queen Elizabeth II commissioned Beaton to document the ravages of the German blitz. Following the War, in addition to taking photographs, in the late 1950s into the 1960s Beaton was involved in film as a stage and costume designer. During this time, he designed the costume and set for the stage version of My Fair Lady (New York, 1956; London, 1958) and the film Gigi (1958).
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